Whether you're talking to your friend about your day, writing a diary, or writing a story as a writer, Describing emotions undoubtedly forms an important part of your writing and speaking activities. Simply saying that you are happy does not make anyone feel how you really feel. Everyone wants to express their feelings to the audience in such a way that they feel their sensory experience with all their being.
But is this possible? If possible, how is the transfer of sensory experiences between the author and the audience done? Is it just that the author uses the appropriate adjective to describe the sensory experience of the characters in his story to the audience, is that emotional experience fully transmitted to the reader?
The answer to the first question is that all of this is possible, but The methods and techniques used are not simply the use of an emotional adjective. In fact, many factors are involved in the transmission of emotions; Including the environmental conditions and the situation of the event, the conversations and inner thoughts of the fictional character with himself, the body language of the character and many other factors that we intend to address in this article.
In the continuation of this article from BingMag We will discuss the different ways of describing emotions, how emotions are associated in the mind of the audience, and most importantly, how to insert these descriptions into the text. Join us to accurately describe emotions with the aim of conveying human meaning and creating an emotional connection with the audience.
In this section, we examine different ways of describing feelings and emotions in the world of writing. Familiarity with these methods gives you a lot of initiative and freedom in choosing your approach to describing emotions and prevents the repetition of writing patterns in your text. In addition, as you will learn, each particular emotion requires a specific technique to describe it.
Tip 1. Express emotions using a physical reaction
Imagine you see someone experiencing the feeling you want. Do they hold his stomach tightly or his face tightly? Does he gently put his hand on your shoulder and try to tell you what happened? In fact, in a narrative structure, the best and most intimate way to convey emotions is to describe the subject's body condition.
Now imagine yourself experiencing the emotion you want to describe. How does your stomach feel? When a person experiences intense emotions, their saliva changes, their heart rate changes, and certain chemicals are released into their bloodstream and stomach.
- However, be careful. As for your physical descriptions, do not violate the narrative logic of what the character is not aware of. For example, "his face flushed with embarrassment" is not something the character himself is aware of. However, in this particular case, the phrase "while laughing and turning around, feeling hot and burning in the face for a few moments" can be much more logical and precise.
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Tip 2 - Use dialogue between characters to describe emotions
Using real conversations in comparison with simply describing the different states of the characters in the story, can engage the reader on a deeper level in the space of the story and its events. In fact, unlike the usual practice of getting out of the narrative and giving additional explanations to describe people's feelings, using conversation does not interrupt the narrative, and if your conversation is properly designed, it is a pristine and deep emotional association for The reader creates.
- The next time you are tempted to write something, use the phrase, "The man with the smile on his face," instead of "The man smiled at the girl looking at himself." "I want you to always stare at me, just as you are staring at me now," he said to the young girl. The emotion of the second phrase is more personal, humane, and believable than the first.
- You can also use personal thoughts or conversations with yourself to describe your feelings. In fact, fictional characters can talk to themselves! For example, the phrase: "The man with a smile on his face thought to himself: I love when he looks at me, with that innocent and confused look" has as much emotional evocative power for the audience as a complete dialogue. And it describes the emotions and inner states of the characters in the story, even if it only appears in the mind of a character and is not expressed in the form of dialogue.
Often, not all of us are fully aware of our feelings or what we are doing. We may shake our heads calmly and even smile at the other person while our eyes want to pop out of anger or when we breathe out in a rage. Our advice to you is to refer to these sensory layers indirectly instead of addressing them directly. Consider, for example, the phrase: "While your character shakes his head politely and agrees, at the same time he shreds the white tissue paper he holds in his sweaty hands with great pressure." p>
- This technique can be especially helpful when writing violent and tense scenes. You can also use this method to show the inner and subtle conflicts of the characters. Like when your character is upset with the feelings he is experiencing, or when he is hesitant to trust his new friend because of his inner conflicts, or even a novice employee who is waiting for an opportunity to express himself to his boss.>
Tip 4 - Talk about the feelings of the characters in the story
In fact, depending on the particular emotional state we experience, certain types of emotions are evoked. It is likely that the smell of the beloved is soothing to all of us, or that when we are alone at home, the slightest sound in the surroundings catches our attention. You can use these elements to better convey emotions without having to describe them directly.
- For example: Raises the concept, but it's not very appealing. Instead, one could point to the way a woman inhales the smell of a man's eau de cologne, or the pungent smell of alcohol that comes out of her mouth with steam every time a man breathes in that air, and how a man takes a step back. His keys shook in his pocket, making a terrifying sound.
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Tip 5 - Using environmental cues to describe emotions
This technique refers to when the environment represents the dominant emotion in a scene. For example, when a tension between two competitors is increasing, a window suddenly breaks. Or, for example, a student who is resting in a green space after passing a difficult and horrible exam and a breeze touches his face from the grass. This technique may not be appealing to some, but it is definitely a fun way to do it, and if you do not use it too much in your writing, it will retain its effectiveness.
- This writing technique Try to use it very carefully and selectively. If you use this technique constantly in your writing, it will lose its efficiency and effectiveness. It can also make your story unbelievable.
Tip 6 - Describe emotions based on body language
Try this technique, think of a definite feeling. Ponder it deeply and long. Think about the last time you experienced this feeling. Now, talk about that definite feeling. How did it feel to experience it? What was the world like when you felt it? Pay attention to your body when you enter this exercise deeply. What do your hands do? What about your feet? How about your eyebrows? Now can you explain how this feeling manifests itself in terms of body language?
- The last time you entered a room and were able to feel the personal feelings of the person in that room within seconds of your arrival Understand, when was it? It probably won't be long; In fact, there are probably several examples in your mind. The truth is that emotions do not need to be expressed consciously. Our bodies do this for us automatically.
- Spend the next few days paying attention to the petty behaviors
of your friends and family. Those fleeting details that you will
never notice if you do not really pay attention to them. In fact,
it is these small, fleeting moments and behaviors that can make
your narrative come alive and believable. text-align: center; ">
Section 2: Examining How to Experience Emotions
The purpose of this section is to remind you to ask yourself before describing any emotion in your work what humans usually feel. How do they experience it? What are the physical and mental symptoms associated with a particular emotion? And also to think about the fact that by reading your descriptions, the reader's mental association with them will take shape? Is your text really able to recreate that special feeling for the audience? In a way that is completely believable?
Tip 7- Describe the situation to describe the feelings
Our emotions are actually reactions to the various causes we experience in their lives. You can only describe emotions in a vacuum if they are caused by a person's hormonal imbalance or suppressed memory disorder. Review the details of different situations. What external factor does your personality react to? Or what is the level of awareness of your fictional characters about the fictional space?
- In such cases, visible phenomena such as walking in a room or playing with an automatic button can change the mental state of the character. And show his feelings well to the reader.
- Use visual or tactile objects. Such objects are not really
something that gives the reader an unreasonable narrative
atmosphere, but are elements that the character of your story pays
attention to. If the character is overly aware of the context and
atmosphere of the story for some reason, only small details should
be stated. h2>
If you have already felt the emotion you want to describe, this is the best way to write about emotions. And emotions. What was the origin of that feeling? Think about how that emotional experience made you feel. For example, when you were suffocating from the intensity and your whole being was filled with hatred, you probably did not think to yourself, "Oh, I'm sad," but you were thinking, "I do not want this painful life anymore, I have to go with myself. What should I do?". You saw yourself as a stranger to your surroundings and to all the people of the world. You may not have noticed your trembling hands in that state. Instead, you tried your best to stop yourself from shaking, but you could not. This raw but real experience gives you details for your descriptions that the imagination can never do.
- If the feeling you are experiencing is due to various factors in a particular situation, this is the best way. It is to describe that situation as you have experienced it mentally. Another way is to identify the factors that led to this feeling in you and then describe them in the same way in your own story space.
- If it was a short moment or a special event that brought you under Impressed, use the mental details associated with that event to recreate the feeling. But if you have not already tried to describe an emotion, try to reconstruct it from similar emotions or items that are more or less intense.
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Tip 9- To describe emotions you need to know how your fictional character reacts
Emotions are abstract concepts that different people experience in different ways. For example, in dealing with an unpleasant behavior, one person may use a memorizing sonnet to warn the other person of the wrong behavior, but another person may say the same thing by clenching his teeth and looking away: "I do not want to talk about this. "Let me talk about it, finish it now and hit Chuck." In fact, the two are trying to say exactly the same thing, but each responds differently to the same situation.
- So, in some situations, you do not need to describe the feelings. You can simply browse the scene, the other character's face, or the thoughts of the character you are considering, all of which do all of the "description of emotions" for you. A sentence like this: "The world disappeared before my eyes and everything became colorless and invisible, except for him" without explicitly expressing the feelings of the fictional character, expresses exactly what emotions and feelings he experiences.
Tip 10- Do not say! Show!
In your own work, you should always create an image for your audience. They should be able to use your words to create an image behind their eyelids and separate from your text. Simply stating what is going on is by no means enough for the audience. You have to show them these things.
- Suppose you want to talk about the dangers of war. You do not provide any history or statistics and do not talk about the strategy of each side in that war. But you are referring to burnt clothes that are blown away in the street, to the heads of puppets that have been torn from their bodies, and to the screams that are becoming louder and louder. By doing this you have actually created an emotional image with which your reader will communicate well.
Tip 11- Do not run away from simplicity
In fact, this article insists that you should not express emotion directly and explicitly, but by using the techniques and methods of implicit expression. And indirectly describing emotions, you can have a much deeper impact on your audience. In fact, only novel and coherent information should be conveyed in simple terms. But sometimes a simple, rare phrase can be much more appropriate for describing a feeling than an indirect description paragraph. Do not be afraid to write in plain language sometimes.
- The character in your story is arguing with himself, who suddenly thinks to himself, "I'm sad." This phrase can be a very shocking descriptive element. That moment of awareness and emotional awakening can affect anyone and can easily be summed up in three words. Some fictional characters may experience their emotions in just one short speech, some in three words, and some never at all. This is perfectly normal and in no way wrong.
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3: Editing Literary Works
Definitely every type of writing needs to be edited and reviewed, even an administrative letter. But here our focus is on editing texts that aim to represent human emotions and feelings. Therefore, in this type of editing, special considerations in terms of psychology and linguistics should be considered that the purpose of all these arrangements is to make your work more believable and to create a pristine sensory experience for your audience.
Tip 12- Every time Describe an emotion in your work, close the file and go through it
each time When you talk about a sad or happy character or even a miserable or happy person in your writing, close that discussion completely when it is over and separate the rest of the story from that emotional atmosphere because you no longer need to evoke that special feeling and such things. It must be distinguished clearly.
- Unless the description of emotions is part of a conversation,
it must be separated from the rest of the story. In other words,
another character might ask, "Why are you so sad?" But the
character himself never talks about his feelings and emotions for
no reason throughout the story. The phrase "he glanced and smiled",
for example, is a good start for your first draft. Any emotion that
disappears after a while, such as "he was happy," is a step in the
right direction. Don't be expensive, this is just your first draft,
and it will gradually evolve as you write.
- Having a story. Definitely in the next drafts you will replace all these basic elements with more professional ones.
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Tip 14- Gather more details for your second draft
Why did the character in the story look up and grin? What was he thinking to himself? Did he think the boy sitting in the corner was a good boy? Did that boy remind him of anyone? What was the reason for these feelings in him?
- Check out the techniques discussed above. Creating a clear image through dialogue, implicit references in the text, body language and human senses, creates a full-fledged image of your fictional character so that your audience is completely immersed in the story. In fact, instead of reading the phrase "he was happy," your audience knows exactly how he feels.
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Tip 15- Do not use repetitive clichs and phrases in your works
In fact, such phrases are structured They do not advance the narrative of your story, because they are too meaningless and insensitive to do so. For example, you can use more meaningless and absurd expressions such as: "I wanted to have a stroke out of happiness" or "I suddenly felt my world was falling apart". . . . .
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