Get to know the daily habits of 20 famous writers

All people think when the happy and cheerful author stands behind the podium and talks about his works, the characters of his stories, how the story is formed and when the new story will be published. Every morning when he wakes up, he is like the bright sun and he sits at his desk cheerfully, stretches himself, breaks his fingers and neck and writes a little until the afternoon. Then, he gets up from behind his desk and goes to his family, socializing with friends, and sightseeing. But these are dreams. Every day when writers sit down at their desks, they have two choices: either write or give up and find something else. In the words of Kurt Vonnegut, the famous American writer: "When I write, I feel like a clumsy man with a crayon in his mouth." they write They don't allow disappointment, boredom, and worry to come out of the thousands of words they write into a readable story or novel. Get to know the daily habits of 20 famous writers

All people think when the happy and cheerful author stands behind the podium and talks about his works, the characters of his stories, how the story is formed and when the new story will be published. Every morning when he wakes up, he is like the bright sun and he sits at his desk cheerfully, stretches himself, breaks his fingers and neck and writes a little until the afternoon. Then, he gets up from behind his desk and goes to his family, socializing with friends, and sightseeing. But these are dreams. Every day when writers sit down at their desks, they have two choices: either write or give up and find something else. In the words of Kurt Vonnegut, the famous American writer: "When I write, I feel like a clumsy man with a crayon in his mouth." they write They don't allow disappointment, boredom, and worry to come out of the thousands of words they write into a readable story or novel.

Being short, turning a blind eye, and giving in to perfectionism will only lead to failure. Moving forward and writing regularly is the only way to success. Perhaps reading and imitating the daily habits and working methods of twenty great writers is a strength for those who have the desire to write and think that they have lost time and have no opportunity.

1. Alice Monroe

In the fifties, Monroe was a young mother of two children. He could write only in the few hours between housework and child care. In the evenings, when her older daughter was at school and her younger daughter was sleeping, she often retreated to her bedroom to write. But maintaining the balance of this double life was not easy. When neighbors and acquaintances visited him and disturbed his writing, it was difficult for him to tell them that he was busy.

He hid his story writing from everyone, and only his family members and a few close friends knew about this secret. were aware At the beginning of the sixties, when both of his children were going to school, he rented an office above a pharmacy and tried to create a novel there, he stopped working four months later. Even there, his landlord would not leave him alone and he could hardly write anything.

Over the years, Munro published his short stories here and there, but it took him almost two decades to get the necessary stories and publish the first. Publish his collection - Stepping on the shadows of Nikbakht - at the age of thirty-seven.

2. Truman Capote

Capote said in a 1957 interview with the Paris Review magazine: "I am a completely horizontal writer. I can't think unless I'm lying on the bed or curled up on the couch with a cigarette and coffee. I have to keep packing and tasting. As we head into the evening, I switch from coffee to mint tea. Then to Sherry and finally to Martini."

Capote wrote four hours a day and spent the night until the morning of the next day correcting his writings. Finally, before typing the final version, he had two manuscripts that he wrote in pencil.

Writing in bed was the smallest of the superstitions that Capote believed. He would not leave three cigarette butts in the ashtray at the same time until he filled the ashtray. He did not start or finish anything on Friday. He added the numbers obsessively in his head, and if he didn't find the result satisfactory, he would write down the phone number or the hotel room number. He himself said somewhere: "There are countless things that I can't or don't want to do. But by following these primitive concepts, I find a strange peace."

3. Haruki Murakami

When Murakami is writing a novel, he wakes up at four in the morning and works for five or six hours without stopping. He spends his afternoons jogging or swimming, catching up on work, reading and listening to music. He goes to bed at nine o'clock. In 2004, he told the Paris Review magazine: "I stick to this daily schedule without any changes. What is important is the repetition of this work, a kind of hypnosis. I hypnotize myself to increase the depth of my mind."

He says that mental discipline is not enough to maintain this repetitive routine during the time it takes to complete the novel: "Physical strength is as important as artistic sensitivity.

In a 2008 article, he admitted that the only downside to his daily schedule is that it doesn't leave much room for socializing. He writes: "When you keep rejecting friends' invitations, they resent you." But he realized that the connection he can never leave is the connection with his readers.

4. Jonathan Frenzen

Frenzen married his girlfriend, who also wanted to be a writer, shortly after graduating from college. This couple started their life together in the classic guise of the starving artist. They found an apartment near the city of Boston, which was rented for three hundred dollars a month. Their food storage includes five kilo bags of rice and There were large packages of frozen chicken and they ate out only once a year, on their wedding anniversary. When their savings ran out, Franzen got a job at Harvard University's seismology department, which could cover basic living expenses with his salary. He was a research assistant and only went to work on weekends. The other five days of the week, the couple would write for eight hours, then eat dinner and read for four or five hours. "My motivation was going crazy," says Franzen. I would get up after breakfast, sit at the desk and work until sunset. One of us worked in the dining room, the kitchen was between us and the bedroom was on the other side. It worked for those who were newly married.

But this method could not last forever. In the end, their marriage did not last. Partly because their literary progress was not equal. Fernzen's first two books were well received, but his wife could not find a publisher for his first manuscript.

However, the path of Fernzen's literary creativity was not always smooth. While writing the novel "Corrections", to force himself to concentrate, he closed the door of his office in Harlem to everyone, drew the curtains, turned off the lights, put cotton in his ears and put earplugs on them. However, this book took him four years and he had to throw away thousands of pages.

5. Bernard Malamod

Malamod started writing in 1940, when he was twenty-six years old. He taught at a night school in Brooklyn, New York. His classes were from six in the evening to ten at night. Therefore, he could write from ten in the morning to five in the evening.

At half past twelve, he would rest himself to eat lunch, revise and read a book. Eight years passed like this. Then he was invited to teach at a university in Oregon. Thanks to the proper teaching program, he was able to write four books in ten or twelve years.

On the days he wrote, he would wake up at half past seven in the morning, exercise for ten minutes, eat breakfast, and be in his office by nine o'clock. A whole morning spent writing usually resulted in one page, or at best two pages. After lunch, he would revise his morning writings and return home at four o'clock. After a short nap, he would come home to his family.

He told a reporter: "There is more than one way. you are yourself Not Fitzgerald, not Thomas Wolfe. To write, you have to sit down and write. It does not have a specific time or place. You must be consistent with yourself and your nature. Just be disciplined. The method is not important."

6. Thomas Man

Man was always at eight o'clock in the morning. You are drinking a cup of coffee. He bathed and dressed. Then at half past eight he eats breakfast with his wife. At one o'clock, he would not close the door of his office, nor accept guests, nor answer the phone, nor even see family members.

At this time, his mind was ready and he tried to write during this time. What was not written until noon will be left for tomorrow. He eats lunch in his study and smokes cigars. He smokes while writing. Then he would curl up on the sofa and read magazines and books until four o'clock in the afternoon. He napped for an hour. He eats tea with his family at five o'clock. Then he wrote articles for newspapers. He used to leave the house for a walk at half past seven. He eats dinner. He used to receive guests and sleep at midnight.

7. Ernest Hemingway

Hemingway was always an early riser. He always woke up at half past five. Even after nights spent in pubs. His son, Gregory, remembers that he seemed to be suffering from a hangover: "My father was always grumpy. Without blindfolds, in a noise-free room, he slept as sweetly as children." Hemingway said in an interview with the Paris Review magazine: "When I work on a book or a story, after sunrise I start to write. At this time of the day no one disturbs. The weather is cold or cool. You warm up by writing. You read the previous posts and start writing from where you finished the previous day. You start at six o'clock and finish before noon. When you stop working, you are empty."

He started writing by sharpening twenty pencils. He would put his typewriter on the chest-high bookshelf and write standing up. He wrote the first draft with a pencil. When he saw that his work was good, he started typing.

8. Henry Miller

When Miller was young, he wrote from midnight to dawn until he finally realized it was morning. In the early 1930s, when he was living in Paris, he changed his working hours. Now, after eating breakfast, he would write until lunch time. He would take a nap after lunch and continue writing all afternoon. He believed that when there is still something left to write, one should get up from behind the typewriter and stop working. He insisted that his work schedule be regular so that he could give a proper rhythm to his creativity.

9. William Faulkner

For Factor, the best time to write was in the morning. However, he could change his schedule. In the evenings, he worked on the novel "Gorbe-Gor" and at night he supervised the university's power plant. It was easier for him to adapt to night hours. How many hours do you sleep in the morning? He wrote all afternoon. Before going to work, he visits his mother and has coffee with her and naps effortlessly during the work shift.

10. Arthur Miller

Miller told a reporter in 1999: I wish I had a daily writing schedule. I wake up in the morning and go to my office and write. Then I will tear it. This is really my daily routine. Sometimes I have something on my mind. The image of a man with an iron staff in his hand, surrendering himself to a storm and waiting for thunder and lightning to eat him."

11. Gunther Gross Gross was asked whether he writes during the day or at night. As if he didn't like writing at night, he said: "Never at night." I do not believe in writing at night. At night, the pen moves more easily, but when you read in the morning, you see that it didn't work well at all."

Grass eats a detailed meal from nine to ten in the morning. He studied and listened to music. He would start writing after breakfast. In the afternoon, after drinking coffee, he continued his work until seven in the evening.

12. Tom Stoppard

This playwright always struggled with disorder and wasting time. He himself once said that the only thing that forces him to write is fear. He stays up all night. He wrote and smoked cigarettes. His favorite place to write was the kitchen. Stoppard tried many times to correct his disorderly habit. In the early 1980s, he sat behind his typewriter every day from ten in the morning to five in the afternoon and wrote as hard as he could. But little by little he returned to the old routine.

13. Woody Allen

Now that Woody Allen has given up filmmaking, he devotes all his time to writing stories. His creative power is used to solve the problems of his stories. When the elements of the story satisfy him, writing becomes easy by itself. But getting the story right, Allen says, requires obsessive thinking.

He's found over the years that any sudden change leads to an explosion of mental energy. So if I am in this room and go to that one room. It helps my creativity. If I go to the street, it is light. Of course, it's not bad if I go upstairs and take a shower. That's why I sometimes shower several times a day. I'm sitting down here in the living room and I'm at a dead end. What helps me is to go upstairs and take a shower. It also breaks up the routine and relaxes me.

A shower is a good thing, especially in cold weather. It sounds silly, but dressed and ready as I am, I work and decide to take a shower to boost my creativity. So I take off some of my clothes, get myself a bite of bread and make it with something else, and try to cool myself down a bit so that I can come to my senses to take a shower. There, under the steaming hot water, I stand for half an hour to forty-five minutes, just brainstorming and working on my design. Then I come out and dry myself and fall on the bed and think again. Walking is equally effective.

14. Honor de Balzac

Balzac brutally killed himself. Limitless literary ambition, as well as the endless line of creditors and endless cups of coffee, motivated him to work. He was overworked and stopped from time to time to indulge in laziness and pleasure.

Balzac's program for writing was terrible. At six o'clock in the evening, he eats a light dinner and sleeps. He would wake up an hour after midnight, sit at his desk and write until eight in the morning. You sleep for an hour and a half. He would resume work from half past nine to four in the evening and drink coffee one after another.

15. William James

Twenty-eight-year-old James warned himself in his diary: "Remember that only when habits of order have been formed can you advance to truly impressive frontiers of action. Only then can you make voluntary choices.

James had no set schedule. He was extremely unstable and had a disorderly and chaotic life. He has a drink before dinner. In the middle of his fourth decade, he gave up coffee and cigarettes, although he occasionally cheated and smoked cigars. He suffered from insomnia, especially if he was writing. He was used to sleeping with chloroform. He used to read before going to bed. He believed that this work would expand his day. In the last years of his life, he took a nap from two to three in the afternoon. It was also a waste of time.

16. Franz Kafka

Kafka got a job in 1908 at the Swanage Workers' Insurance Office in Prague. It was lucky that he only worked one shift. His working hours were limited. Eight in the morning to three in the afternoon. He lived with his family in a small house. He could only write at the end of the night when everyone was asleep.

Kafka wrote in a letter to his lover: "From eight to two thirty in the office, lunch until three or three thirty, and then go to bed and sleep until seven and a half. Then I get naked and exercise for ten minutes in front of the window. After that, I go for an hour walk alone or with friends. Then I have dinner with my family. After dinner, around ten thirty, I sit down and start writing. Depending on my ability, desire and luck, I continue working until one, two or three in the morning. Once I even wrote until six in the morning. I exercise a little again. Of course, I don't put pressure on myself. I wash and then sleep. I often wake up with a slight pain in my heart and stretching of my abdominal muscles and I do everything to sleep."

17. Stephen King

He writes every day, without exception. He almost never stops before writing his daily quota of two thousand words. It starts working around eight o'clock in the morning. Some days he writes two thousand words by eleven o'clock. But he often has to work until half past one to complete the daily quota. In the evenings and nights, he is free to take a nap, read his letters, study, be with family members and watch TV.

King believes that the study should be like a private bedroom. The daily schedule should be started every day at a fixed time and only stop when you have put or typed a thousand words on paper.

18. Georges Simenon

Simenon, one of the most prolific writers of the 20th century and the creator of detective Magre, one of the most famous detectives in the world's detective literature, did not write every day. The literary creativity of this novelist appeared in sudden bursts and lasted for two or three weeks. Simenon did not spend much time writing even during these busy weeks. His usual schedule was as follows: he would wake up at six in the morning, make coffee and drink from six thirty to nine thirty. Then he would go for a long walk. He eats lunch at half past twelve and takes a one-hour nap. He spent the evenings with his children and went for a walk again before dinner. Then he would sit in front of the TV and go to bed at ten o'clock.

Simnon liked the image of himself to be that of a smart writing device. Every time he sat down at the typewriter, he could write up to eighty pages. But he also had his superstitious habits. No one had seen him at work. He put the "Do Not Disturb" sign on the door of his room and did not joke with anyone. He insisted on changing his clothes while writing the novel. He had tranquilizers in his pocket to quell his possible anxieties at the beginning of each new book. He weighed himself before and after every book. According to his own estimate, he sweated one and a half liters during each book.

19. Philip Roth

Roth once said: Writing is not hard; It's a nightmare." Working in a coal mine is hard, but writing is a nightmare. It is a terrible uncertainty that has become a job. A good doctor is not at war with his work, but a good writer is at war with his work. A skill that every writer must learn is the ability to fixate on this endlessly monotonous task.

Roth has been developing this skill with gusto since at least 1972, that is, since he moved into an eighteenth-century house. and moved sixty acres located in a rural area in the northern hills of Connecticut. He turned the two-room villa, which used to be a place to receive guests, into his office. Every day after his breakfast he went to work there and wrote from ten in the morning to six in the afternoon. After eating lunch, he read newspapers and studied in the afternoon.

20. John Updike

Updike once told a reporter: "If I had to, I would be willing to write ads for deodorant and ketchup." The miracle of turning thought into thought and thought into word and word into metal and print and ink never lost its grace for me.

He rented an office on the top floor of a restaurant in downtown Ipswich, Massachusetts. Every morning, he would sit there for three or four hours and write about three pages. Around noon, the smell of food slowly wafted through the building, but he tried to write for another hour before he jumped down from the cigarette smoke and ordered a sandwich.

Updike was a late riser. Fortunately, so was his wife. They woke up together. They were reading newspapers. At half past nine, he would run to his office and start writing. He never wrote at night. He wrote at least three hours a day. Then he studied, socialized with his wife and friends.

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