Why is the role of women in making animations weak?

With the release of "Luck" animation, Sky Dance Company's first attempt to make a feature animation was successful. This effort has a special feature that is not very common for well-known animations; Peggy Holmes as a female director directed this project.

BingMag.com Why is the role of women in making animations weak?

With the release of "Luck" animation, Sky Dance Company's first attempt to make a feature animation was successful. This effort has a special feature that is not very common for well-known animations; Peggy Holmes as a female director directed this project.

However, we are aware of the existence of gender bias in Hollywood. It's no wonder why female filmmakers continue to struggle to gain a foothold. However, even with advances in this field, the extent of the gender gap in the world of animation is still shocking.

  • A look at gender inequality in Disney animation from 'Snow White' to 'Frozen'

As defined by Women in Animation, an organization that advocates for a world where people of all gender identities are fully involved in the creation, production and rewards of animation. Be Share" points out, more than 60% of animation and art school graduates are women, yet only 20% of jobs in the industry are held by women.

Women only hold 10% of roles director and producer in the animation industry, and make up less than a quarter of its employees overall. In comparison, according to a 2021 study by the Center for the Study of Women in Television and Film at San Diego State University, women made up 17 percent of the directors of that year's 250 highest-grossing movies, down about 18 percent from 2020. /p>

Women in animation still have a long way to go to achieve their goal of gender equality by 2025. So what is it about animation that makes it so masculine, even compared to other parts of the film and television industry?

Women Pioneers of the Animation Industry

It is very painful to witness gender inequalities in the world of cinema and film, because women were at the forefront of the development of this art and helped to establish its artistic possibilities as much as their peers. The man himself helped. This is also true of animation. The first animated feature film was directed by Lotte Reiniger. "The Adventures of Prince Achmed" (The Adventures of Prince Achmed) was completely created by Reiniger in 1926. He made very delicate paper cuts with the help of light and shadow to tell a magnificent story inspired by "The 1001 Arabian Nights". Reiniger's influence can be felt throughout the following decades, from Disney's Aladdin to Steven Universe. Much has been said about Walt Disney's politics and personal views, such as Meryl Streep once called him a "sexist". Initially, the women employed at the Disney animation studio worked in the inking and painting department, which were considered less artistically valuable than the work of male animators.

When Mary V. Ford in In 1938, she applied for a job at Disney as an animator, her rejection letter stating that women "do not do any of the creative work involved in preparing cartoons for the screen, as that work is generally done by young men." The department was reportedly called "The Nunnery" because Disney only hired women for the job (and usually young, good-looking ones), and they were paid significantly less than their male counterparts (26). up to $32 a week compared to $300 a week for men)

Eventually, many women found success in animation rooms. Bianca Majolica was the first woman hired for Walt Disney's story department. Mary Blair's concept art helped shape the beautiful images of Disney animation for decades. Rita Scott was the first woman to star in a Disney animated film. Even Walt Disney stated: "Girl artists have as much right to the same chance as men, and I honestly believe that they may eventually do something in this business that men will never be able or possible to do."

This is a remarkably forward-looking statement from a man known as a misogynist. However, while women at Disney made strides in animation, they were still paid less, kept out of directorial positions, and held back by sexism in the industry.

The situation for women It's getting better in the animation world

BingMag.com Why is the role of women in making animations weak?

Gender gap in animation considering how much American animation is The widespread representation of women in modern popular culture is even more strange. For many of us, the few female heroes we saw on the big screen were Disney princesses. However, it wasn't until 2013's Frozen that a woman directed one of these Disney princess movies; Jennifer Lee, who is now the chief creative officer of Walt Disney Animation Studios.

Many representations of gender and Female and girl narratives throughout animation, from Belle in "Devil and Sweetheart" to Lisa in "The Simpsons" and beyond, emerge from the prism of male creators. Of course, this is not meant to disparage these characters, but it does show how often this pattern repeats itself over the decades. It's important when women of all races and colors can be pioneers in the stories we tell.

  • Why did Disney stop making 2D animation?

But things are slowly improving. Consider Dammy Shea's Turning Red; A layered film about coming of age, family strife and discovering your path in life. Or "Loving Vincent," a very beautiful experimental biopic made entirely through oil paintings directed by Dorota Kubila.

It's even better in the world of television, with women. Pioneers and presenters such as Lisa Hanawalt, creator of "Tuca and Bertie", N. Dee Stevenson, producer of "She-Ra and the Princesses of Power" and Rebecca Sugar, producer of "Robinson's World". Women may remain a disappointing minority in American animation, but their influence is undeniable.

However, this shift has happened primarily to white women. Women of color are seen far less prominently in the world of animation and their characters are still unfairly defined by white people. 2208/22779-4.jpg" class="content-pics" alt="BingMag.com Why is the role of women in making animations weak?" title="BingMag.com Why is the role of women in making animations weak?" loading="lazy">

Of course, to fully explain gender inequality in the world of animation and any related sector we need to discuss the pervasive culture of harassment, abuse and discrimination. In October 2017, 217 women and other people in the animation industry sent a letter to more than a dozen studios, including Disney, demanding an end to sexual discrimination and harassment in the animation industry. This open letter states:

In the wake of the Harvey Weinstein scandal, many women working in the animation industry have begun to more openly discuss issues that we During our professional life we have dealt with them quietly. As we came together to share stories of discrimination, harassment and, in some cases, sexual assault, we were struck by the pervasiveness of this problem. Each of us has a story to share, from offhand comments about our body parts taken as "jokes" to women being assaulted by male colleagues in dark rooms.

Animation is a relatively small industry where everyone knows each other, and talking about such things often feels like any whistleblower's career is at stake. Even during the #MayTo movement, many felt that their fears were ignored and that nothing came of any claims or disclosures. , a former employee noted that executive vice president Mike Lazo said in 2011 that women in the writers' room were "confrontational and divisive" rather than creating comedy. Some sources described an "aggressive administrative environment" created by Lazo's actions under the pretext of feeling uncomfortable with the presence of women in the creative sphere of our justice.

This concern was especially heightened when John Lester , the former chief creative officer of Pixar and Disney Animation, has been forced out of the franchise after admitting to a long history of making "missteps" in the treatment of female employees. After leaving the company in 2018, Lester was hired almost immediately to head Skydance's fledgling animation division.

Indeed, while Peggy Holmes is not credited as the director of Chance, Lester is referred to as "the visionary creative artist of Toy Story and Cars." The animation industry, much like Hollywood, seems more interested in paying constant attention to the same handful of established white men, regardless of their abhorrent behavior towards women, than a chance to discover undiscovered talent. Who can blame women for not wanting to continue working in such a toxic environment?

  • 9 Sad Facts About Watching Old Anime You Probably Didn't Know

None of this is specific to animation, but its concentrated force of misogyny and lack of opportunity shows a systemic rot at the heart of the entertainment world. The stories we consider can be told as differently as possible and create a more accurate reflection of reality than what is usually presented to us. For this to happen, the animation industry must actively work to eradicate the plague of workplace harassment and intimidation that has marginalized so many.

Source: slash film

Leave a Reply

Your email address will not be published.