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Why does the acting method destroy modern cinema? (An excuse for the strange behaviors of the actors on stage)

BingMag.com Why <b>does</b> the <b>acting</b> <b>method</b> <b>destroy</b> <b>modern</b> <b>cinema?</b> <b>(An</b> <b>excuse</b> for the <b>strange</b> <b>behaviors</b> of the <b>actors</b> on stage)

Have you heard that Christine Bell has gained more than 18 kg for her role in "Vice"? Or did Jared Leto send strange and unpleasant packages to his fellow actors while starring in "Suicide Squad"? The term "characterization" has long defined such bizarre behaviors and provides an excuse for actors, especially male actors, to behave as they wish in the filming scene in pursuit of a deeper artistic artistic reality. For people like Daniel De Luis, Christian Bale and Leonardo DiCaprio, embodying a particular character is not enough, they have to suffer to show their art, under a set of redundant rules that only help to strengthen their self.

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This so-called "method" in New York in the 1930s and 1940s by key members of The Group Theater ) Began with Sanford Meisner, Stella Adler, and Lee Strasberg, who based their thinking on Konstantin Stanislavsky's theory of the "system." The "system," like the "method," was an approach to training actors that focused on the "art of experimentation," emphasizing actors who transferred their lived experiences to their characters and helped them to respond more naturally to specific situations.

As the "system" became more popular and the actors committed to finding more sophisticated ways to prove themselves as artists, "Method" was born thanks to people like James Dean, Marlon Brando and Dustin Hoffman. Although the actors' techniques were not those expressed by Konstantin Stanislavsky, "method" had instead become what the actors saw as a 24-hour commitment to life rather than the character they were to play. They did not convey a lived experience, but became emotionally a character that could only be extracted through mental and physical torment. From Vincent van Gogh's psychosis to the mental health problems of former Nirvana leader Kurt Cobain, to the point where some now mistakenly portray this form of torture as idealistic.

Of course, no one has to. Suffer to legitimize your creativity or work, although looking at the cinema will not forgive any way of thinking contrary to this claim. For a deeper truth in the performance, people like Daniel DeLouis wanted to be fed with a spoon while playing the role of a disabled man in "My Left Foot" and Jim Carrey all the actors in "The Man" He tormented The Man on the Moon under the pretext of being "conquered" by Andy Kaufman's ghost. There are countless such stories throughout contemporary cinema, including Gary Oldman and Leonardo. DiCaprio and Tom Hanks, with actors who's apparently trying to surpass each other to win critical acclaim and the Academy Award for Best Actor. No matter how good each of these performances is, such actors have consistently been a favorite of the award-winning corpses who feel that an important acting achievement equals suffering.

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Is "Method Acting" a success in performance and art or is it really useless? The rotten behavior of people like Jared Leto in the "Suicide Squad" filming scene, which quickly became the standard for quality performances in Hollywood, has been accepted as a legitimate form of access to deeper performance. "I'm an artist," the actor recently told Entertainment Weekly. It does not matter if I do something dangerous and you do not like it. " "Suffering equals quality." In this way, people like Gary Oldman, Christian Bale and Leonardo DiCaprio will continue to seek physical and mental suffering while disrupting the health of their group, all in the name of "method".

acting can be mastered in several different ways, and popular cinema should not ignore other methods. As Lawrence Olivier the Great on the stage of "Marathon Man" told Dustin Hoffman: "My dear son, why not just try acting? "It's a lot easier."


Source: farout magazine

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