"New Yorkers are running from the roofs of taxis, trying hard to escape the oncoming giant tsunami. "In the rearview mirror of the bus, you can see a huge wave flowing rapidly through the network of city streets." This is one of the most iconic scenes in a movie about the end of the world. The main characters, Sam and Laura, climb the stairs of the famous New York Public Library to take refuge in higher places, and just as the revolving doors close behind them, the pressure of the water wave breaks the windows and the water in the library building begins to rise. he does. We know that the whole of New York City and its iconic architecture will soon be destroyed and become one of the ruined cities, without the film showing detailed scenes of it.
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"The Day After Tomorrow", a 2004 film based on the book (The Coming Global Superstorm) by Art Bell and Whitley Streiber depicts stories of the potentially catastrophic effects of climate change that will occur if scientists' warnings are ignored. The result of these climate changes is a variety of extreme climate change on a scale never seen before, followed by global cooling and eventually the New Ice Age.
New York City and other cities around the world, from Los Angeles, Tokyo, London and Paris, for cinematic pleasure, are not safe from destruction. "The Day After Tomorrow" is not the first case in which the Big Apple (New York) is experiencing devastation, and it certainly will not be the last. There is one thing about watching the destruction of a city and its monuments that we enjoy, no matter if it is the result of a natural disaster, or a meteorite hit and an alien invasion, or an attack by a giant and unstoppable creature. When the worst-case scenarios come to light, we are actually imagining ourselves in a world where our greatest fears are happening in an exaggerated and almost impossible way. But there is the question "What if?" It is in our minds that makes us follow this genre of film.
But why do we enjoy watching the destruction of cities? This answer is rooted in the psychological principles first proposed by Sigmund Freud. He had come to the conclusion that when we watch the realization of our worst fears, a small element of joy arises in us. Watching images of tsunamis destroying cities, aliens invading our planet, and other destructive events gives our minds the power to control our imaginations about these events. Anti-utopia films often have a critical and interpretive look. These films warn us that if we do not do something, it may be the result, although this warning is generally exaggerated and adds real fantasy threats. Will New York City freeze if we do not take steps to stop climate change? If we leave the monkeys in San Francisco like the actors in "Planet of the Apes", will civilization eventually collapse? No one knows the definitive answer to these questions, but seeing that the places we are familiar with and even live in suddenly fall apart makes our minds want to take control of the situation immediately. In addition, seeing some of the greatest institutions and symbols of society that represent the ideals of nations and civilizations, such as the head of the Statue of Liberty rolling down the street or the demolition of parliament buildings, gives the impression that civilization will end soon.>
In 1952, after the release of Godzilla, moviegoers reported scenes in which a crawling monster The giant was destroying Tokyo, terrifying them so much that the screams ran out of the cinema. Still, it was a very popular film for a nation that only a decade ago saw the destruction of its two major cities by nuclear attacks in World War II. What was lost in the evolution of a creature called Godzilla and its devastation was the powerful anti-nuclear message that the director wanted to send to Japan on the long road to post-war reconstruction. The filmmakers also incorporated ideas about modernity, technology, and science into the film that were directly related to the real world and anti-American thinking of Japan at the time. The destruction of Tokyo was a metaphor for how Godzilla was both a blessing and a curse, as well as showing that Western influence could give the nation a chance to rebuild according to its own circumstances.
"The Day After Tomorrow" ends with a dramatic scene: After rescuing survivors from the icy windows of New York Towers, two astronauts are shown from The window of the International Space Station looks at the northern hemisphere, and what they see is an ice blanket drawn on it. "Have you ever seen the air so clear?" One astronaut said to another. A direct indication that the cause of this global catastrophe was our own and the impact of our uncontrolled pollution on the ecosystem. This and other apocalyptic films do not completely destroy the world just for the sake of creating excitement for the audience, but often their main message is to warn us to pay attention to points that we may want to put into action right now; Before we can live in the cities we build.