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Where do we start to watch Ken Loach's work? British political filmmaker

In the face of filmmaking, which has been active for more than five decades in various branches of television filmmaking and documentary and fiction filmmaking, finding a starting point is very important. it's hard; A filmmaker who, as much as he is a filmmaker, is also a political activist, and although he makes feature films, he is a well-known name among mainstream followers.

It is a fact that any reference to Ken Loach, The concept of "class" is associated. His filmmaking is to meet his need to tell the story of working-class people and to express his anger at exploitative institutions and austerity politicians. He has a strong love for his characters and exhibits unforgettable performances of the acting talents he discovers. Some praise him and some hate him. Because he is unquestionably a progressive and has produced some of the most iconic works of British thoughtful cinema.

Best film to begin with; "Katie Come Home"

BingMag.com <b>Where</b> do we <b>start</b> to <b>watch</b> <b>Ken</b> <b>Loach's</b> <b>work?</b> <b>British</b> <b>political</b> filmmaker

Starting an activity is always one of the best opportunities to engage with a filmmaker's work . This film is almost the beginning of Ken Loach's career. The film was part of the BBC's "Wednesday Show" series. "Wednesday Show" was also the starting point for many of Ken Loach's contemporaries; Letters such as Steven Frears, Alan Clark, Mike Newell and Mike Lee also made headlines with this important series. New authors were used in the series to tell the stories of ordinary people, and their narratives of the lives of ordinary British people disappointed conservative commentators disturbed by this progressive program; Just like the rest of Ken Loach's work, it causes this confusion and frustration in the conservative class. Is to lose their child as well. The challenge that the family faces is that it has attracted the attention of many BBC viewers, with 6 million people watching it on the night of the film. Ken Loach portrayed the reality of homelessness in Britain in November 1966 reinforced a discourse that spoke of the suffering of people like Katie (played by Carol White). While a title can never alone reflect an artist's career, "Katie Come Home" clearly illustrates Ken Loach's approach. This heartbreaking and deeply compassionate film promises the beginning of a special stream; The emergence of a new voice in British cinema that combines empathy and inseparability, politics and the personal.

What to watch next?

BingMag.com <b>Where</b> do we <b>start</b> to <b>watch</b> <b>Ken</b> <b>Loach's</b> <b>work?</b> <b>British</b> <b>political</b> filmmaker

The path that began in" Wednesday Show "soon continued with the making of Kes 1969. The film tells the story of a working class boy. This boy, named Billy Caspar, has a special relationship with a chicken. This relationship makes it easier for him to endure the unbearable and unpopular hardships of school. This film characterizes Loach's approach; Elimination of Godard Strings Experiments to achieve a more natural style.

In the 1970s, Loach created works for both cinema and television. His Trotskyist epic documentary for the BBC, Days of Hope (1975), is about the rise of the British labor movement in the first quarter of a century. The work culminated in a heated academic debate about the potential of cinema to inspire real political action.

The 1980s were a difficult time for Ken Loach. Because during this period he faced many cases of censorship due to sensitivities towards his political positions. Neither the documentary "Leadership Questions" nor "Which side are you on" were allowed to air. The second reason for the non-broadcast was that he included scenes of police violence in the midst of the miners' strike in the form of a film allegedly about folk music.

In the 1990s, the paper returned somewhat to Loach. He took advantage of the political turmoil of the late 1980s in Britain, as well as increasing the budget of Channel 4, the new broadcaster, to create a number of iconic cinematic works.

, Then published "Rain of Stone (1993)" and finally "Ladybird Ladybird (1994)". The first two works left little to the imagination and articulated professionally. Ken Loach was outraged by the Conservative government and relentlessly attacked the government of Margaret Thatcher, who pushed the people to the point of defeat, regardless of the vulnerability of society. "Rain of Stone" also addressed the audience in particular and asked them to readjust their moral compass. Bruce Jones's portrayal of a father who is unable to buy new clothes for his daughter provides an opportunity for Loach to enter the church this time; Another institution to which he is highly critical.

"Ladybird Ladybird, considered by some to be Loach's best film, is starring Chrissy Rock. Based on a true story, the film tells the story of a woman who loses custody of her children after a horrific accident. This film, though a little far from straightforward, tends to criticize the liberal and conservative policies of the government as much as any other filmmaker. This period of Loach's filmmaking continues with other works such as "My Name is Joe", "Sweet Sixteen", both written by Loach's old colleague, Paul Lowry. Another landmark film of the period is the thriller Hayden Agenda, starring Francis Durmand, which has not received the praise it deserves.

Where not to start!

BingMag.com <b>Where</b> do we <b>start</b> to <b>watch</b> <b>Ken</b> <b>Loach's</b> <b>work?</b> <b>British</b> <b>political</b> filmmaker

Loach output in the last decade lacks that primary energy. In "In Search of Eric" and "The Share of Angels", the delicate balance between politics and cinema that was well established in Loach's earlier works is lost. "Daniel Blake" was critically acclaimed and won the BAFTA and the Palme d'Or for Loach, but this film also shows a growing distrust of Loach towards his viewers.

His characters in this film Have been reproduced from the former; Innocent saints with a pleasant humor that arouse the sympathy of the audience; It was as if they were the only way to do this, which aroused the sympathy of the audience and was effective. And although Loach and Lowry themselves argue that the film provides examples of sad images of working-class people, the film seems somewhat at odds with Loach's other works.


Source: BFI

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