The first reviews of The Many Saints of Newark, a prequel to The Sopranos, An acceptable and lovable film is reported.
Many Newark City celebrities are set to portray the reasons and how Tony Soprano was formed as the protagonist of the acclaimed soprano collection. The young soprano is rising in one of the most turbulent periods in Newark City history; An era in which rival gangsters revolt and challenge the powerful Dimeo family in a city of racial strife. Meanwhile, Dickie Multisant, who has been arrested several times by law, is trying to turn Tony into a powerful and influential gangster.
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The story of the film is told in Newark, New Jersey. Where Tony Soprano, following the example of his uncle, Dickey Multisanti, intends to change his life, and this relationship opens the door for both of them to violent currents. The film is directed by Alan Taylor, best known for "The Exterminator: Genesis" and "Thor: The Dark World." Vera Farmiga, Alessandro Nivola, Corey Stoll and John Brenthall are among New York City's most acclaimed actors in the New York City. 100 out of 100 and 77 out of 100 have been recorded for this drama and crime film.
Forgiven can not be what sopranos were; Especially without the time and people who told the story of the series. But this film is so fascinating in its duration of a few hundred minutes that it gives us the feeling of returning home (to the world of serials).
James Mutram from Total Film
- Score: 80 out of 100
Newark City's Many Forgetful People can be described as: Rough, captivating, hilarious, and deeply human. In other words, Alan Taylor's new work is all you expect from a soprano story.
Owen Gliberman from Variety
- Rating: 80 out of 100/ul>
The Many Forgivers of Newark City is a clever and lively film that provides a useful explanation of how the world of sopranos came into being. The main problem with this film is that it does not convince fans of the series about Tony's transformation. The creators may think that Tony Soprano's journey from an ordinary Italian-American teenager to a dangerous gangster has been explored enough, but this payment is not enough for those who have returned to the soprano world after 14 years.
The Hollywood Reporter: David Rooney Score: 60 out of 100 Create; The atmosphere is enhanced by the good soundtrack of the film. But Newark City's many apostates are more of a footnote than a valuable narrative for the series.
Although the cast of Michael Gandolfini and William Ludwig is good, it's weak. In characterization, their characters do not mature enough. Alan Taylor has tried to satisfy the die-hard fans of the soprano series by making an independent film that is understandable to any cinema-goer. This has damaged the overall quality of the film.
Jake Cole of Eslant Magazine
- Score: 50 out of 100 The behind-the-scenes politics, the
intimate family drama, and the scenes that occasionally lead to
conflict and conflict give the viewer the feeling that the content
of an episode of the series is summarized in a two-hour film, and
this is not a good thing./p>
The sopranos have often described the style of directing the series as "cinematic," a feature that sets sopranos apart from other television series, but the city's many admirers. Despite all the decorative movements of its camera, which may reflect the unusual nature of the story, Newark is reaching this level of directing. It stays, and with its cool, icy color palette, it looks very much like any other movie like this. It is also available in cinemas through the HBO Max online service.
- Score: 50 out of 100 The behind-the-scenes politics, the intimate family drama, and the scenes that occasionally lead to conflict and conflict give the viewer the feeling that the content of an episode of the series is summarized in a two-hour film, and this is not a good thing./p>
Source: Metacritic </ a>