Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

Sometimes life in its absolute sense has enough ups and downs to seem more dramatic than any movie or story. Sometimes you can learn things from life itself that cannot be deduced from the frames and concepts of any movie. Especially the life of some people, which due to a special condition, can become a full-view mirror of an era. It is by finding the heads and heads of such people that not only historians but also storytellers start working and by dramatizing the story of that life, they start creating different stories from different angles. In this list, the top 5 biographical films that you must see have been reviewed.

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

Sometimes life in its absolute sense has enough ups and downs to seem more dramatic than any movie or story. Sometimes you can learn things from life itself that cannot be deduced from the frames and concepts of any movie. Especially the life of some people, which due to a special condition, can become a full-view mirror of an era. It is by finding the heads and heads of such people that not only historians but also storytellers start working and by dramatizing the story of that life, they start creating different stories from different angles. In this list, the top 5 biographical films that you must see have been reviewed.

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Just like historical cinema, biographical cinema does not need to be completely faithful to reality. The director and writer can reach their goal by dramatizing the events wherever they like. Because every story needs to have ups and downs in order to become a movie, and due to its short time compared to a person's life, it is not possible to cover all aspects and only keep the things that are relevant to the story and perspective. Builders help. Therefore, only events from a person's life are kept that are useful for the story, and naturally the rest are also deleted. This is, of course, except for the cases and events that the creators use their imagination to add to the story of a person's life.

Some movies only choose a part of a person's life for their narrative. For example, in this list, the movie "The Fall" is dedicated to the last few days of Hitler's life, or the movie "Infiltration" only deals with the case of a famous news producer in America. But some films describe a few years or even the whole life of a person. It depends on the strategy of the builders and the goal they have in mind. But in any case, all these works are categorized under biographical cinema.

On the other hand, all biographical films can be considered historical. Because they both happened in the past and, despite all the manipulations, originated from real events. But according to an unwritten law, only those biographical films are addressed with the historical title that deal with the life story of real people in the pre-industrial era. This issue goes back to the definition of the historical genre, which has another story and has already been discussed.

Before reaching the list, it is necessary to mention one thing; Films such as "Lawrence of Arabia" by David Lean, "The Passion of Joan of Arc" by Carl Theodor Dreyer, "A Man for All Seasons" by Fred Zinemann Or "All The President's Men" (All The President's Men) by Alan J. Pakula should definitely be in such a list. But because they were recently discussed in other lists with the titles of epic, adventure or political cinema by this pen, they were removed from the list. But if you are interested in biographical movies, be sure to watch them.

5. Downfall

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

  • Director: Oliver Hershbigel li>
  • Actors: Bruno Gantz, Alexandra Maria Lara
  • Product: 2004, Germany, Italy and Austria
  • IMDb site rating for the movie: 8.2 out of 10
  • Rotten Tomatoes site rating for the movie: 90%

So the last days of such a man's life can be attractive to anyone. . A man who once shook the whole world with his power and went to the brink of victory by stepping into a war against the entire earth, now he was at the height of humiliation and nothing was left of all that glory and bravery. Certainly, dealing with such days, in addition to showing the lows and highs of life, can have many messages hidden inside. He uses the approach of the Soviet Red Army to the gates of Berlin as an excuse to add to the current madness in his frame. Of course, the closer the defeat gets, the worse the condition of Hitler himself and those around him, but this deterioration is not only displayed in the context of an imminent defeat and its acceptance, but a complete madness. Ayar connects.

We all know the end of the story, but that doesn't mean that the director can't handle a full-fledged suspenseful creation. To achieve this purpose, he describes the last few days of Hitler's life through the eyes of one of his secretaries who has no free will and is very innocent. Such a spectator is accompanied by someone to sympathize with, while the devil in person is right in front of him. Therefore, in such a situation, this film becomes a story about the last days of the Second World War and the life of the senior officials of the Nazi Party. Sometimes we see them as men in distress who deserve a little attention and concern. This issue stems from the realism of the director in presenting his image of Hitler. Because he has done so many horrible things in his life that there is no need for the director to increase his so-called hot onion. The fact that he presents a picture of Hitler close to reality (based on the surviving documents) who can suffer from the betrayals of those around him, not only does not diminish his monstrosity, but also adds to the impact of the story.

There is no shortage of action sequences. The sequence of Hitler yelling at the army commanders, played by Bruno Gantz, has been shared many times online. But the sequence that affects the audience the most is the one where Joseph Goebbels's wife decides to destroy her family. that only a German can turn it into a film. This is the reason why the movie must be seen, because it has no substitute in the history of cinema. In addition, Herschbiegel made the most expensive film in the history of German cinema, and for this reason, it is easily equal to Hollywood products in terms of the quality of creating war situations. It is an adapted work that shows the last twelve days of Hitler's life, and in it, the fear and terror that those around him, especially the employees of the underground and the people of Berlin, went through in those hellish days are well depicted.

"The story of the last days of Hitler's life in a shelter in Berlin and also the end of the rule of the Nazi Party in Germany with the defeat of this country's army in the war. The film is told from the point of view of Hitler's last personal secretary...

My Battle book written by Adolf Hitler

4. The Insider

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

  • Director: Michael Mann
  • Stars: Al Pacino, Russell Crowe and Christopher Plummer
  • Product: 1999, USA
  • IMDb site rating for the movie: 7.8 out of 10
  • Rotten Tomatoes site rating for the movie: 96%

The events that take place in the corridors of journalists and news networks are a suitable subject for making a film. But here, Michael Mann has gone to a real story, a story in which two men with the support of their perseverance and ideals go to war with a multinational super-corporation and defeat them. The story of his film is a story about honor and humanity, taken from the lives of ordinary men who made history.

Michael Mann's male world here tells the story of men who, in order to solve an issue, have to Go to the threshold of hell. They don't have a conventional job, nor can they stick to life easily like others and enjoy the blessings that have been prepared for them. They are men who do not compromise their honor with anything and consider truth-telling to be preferable to their short-term interests.

In such a situation, Michael Mann creates an environment where even his chosen people are forced to live in strange places. go to meet each other Sitting in a car while it's raining heavily or going to the gym in the middle of the night, hitting the sea for a moment to talk, going through life and preparing for the worst make these men's lives day and night. . But they must remain steadfast to succeed.

In Michael Mann's cinema, the presence of women is transitory and they are only observers of the lives of men who go to war with events like ancient knights, and Michael Mann's men wherever they are. see them in danger, they will hit the heart of the enemy. In "Infiltration", more than any other work of Michael Mann, the filmmaker directs his sharp criticism towards the male world, which he himself loves very much, but he paints it in such a way as if all the troubles of this world were created by men sitting around the tables. They sit big and make decisions for everyone, but in broad daylight they lie to the enemy's people.

Perhaps at first glance and after watching the movie "Infiltration", you remember the paranoid cinema of the 1970s. Maybe this movie will remind you of the movies "All the President's Men" or "Parallax View" (Parallax View), both from the renowned director Alan J. Pakula. But there is a fundamental difference between this film and those; Here is the focus Instead of creating an atmosphere full of suspicion and crime, the filmmaker focuses on the characters and does not even show the victims of the story in which the two main characters are caught. In fact, Michael Mann's chosen men and their behavior are even more important than the story of the film itself in "Influence".

The half hour at the end of the film is brilliant. Where Al Pacino alone and no longer to save the American people from a multi-billion dollar company, but to save only one person, his friend and companion, and in fact, to prove his truth, he drowned himself in water and it burns This last half hour is not only brilliant in Michael Mann's career, but it is one of the high points of cinema in the late nineties. He goes step by step. You won't forget the way he blinks when he's stressed or the way he shouts from behind the phone in that glorious hotel room sequence. The presence of these two actors together and trying to perform the role correctly is one of the most important achievements of the film.

The title sequence of the film is the best title sequence made by Michael Mann and the ending is top notch. Both of these sequences remind again how much he knows how to match the soundtrack of the film with its images.

"This film is based on a true story. The producer of a popular news program finds out that someone from the huge American cigarette and tobacco establishment is ready to testify against this complex and powerful network. His testimony will reveal behind their veil. This issue puts both of them in a difficult position because both the news network and the tobacco establishment are trying to discredit them..."

3. Catch Me If You Can

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

  • Director: Steven Spielberg
  • Stars: Tom Hanks, Leonardo DiCaprio, Christopher Walken and Jennifer Garner
  • Product: 2002, America
  • IMDb rating for the movie: 8.1 out of 10
  • Rating for the movie on Rotten Tomatoes: 96%

You have to be Steven Spielberg to be able to make a fun movie out of the life story of one of the most notorious forgers in history that anyone can enjoy watching. "Catch Me If You Can" is full of dangerous events. For example, someone who has no experience in piloting poses as a pilot and creates a deadly suspense, but Spielberg makes us smile the whole time. He knows well how to make an entertaining movie out of the life of a dangerous person.

Catch me if you can is definitely a crime story. In this movie, the audience is dealing with a criminal who makes a living through fraud and is very skilled in his work. But the most important thing is that he enjoys this work. This factor, that is to enjoy what the character feels he is best at, becomes a window to understanding the film and can explain why Spielberg mixed his work with a comedic tone. In fact, he emphasizes this point and this genius more than anything else.

Spielberg explained and advanced his story based on a strategy in which the enjoyment of the action becomes the main reason for our association with the characters. to be Nothing in this world gives a person more pleasure than doing what we are best at. In the history of cinema and television, various directors have told such stories and told the stories of men and women who did something to achieve this pleasure, not because of the financial benefit that lies in it. This is the story of men like Walter White played by Brian Croston in the series "Breaking Bad" or Eddie Felson played by Paul Newman in the movie "The Hustler" and finally reaching the peak of such pleasure and becoming addicted to Experiencing it is what makes the character fall from the top. Most of the time, he does things that bring him the joy of being superior to others; Otherwise, the financial benefit of his scams would be obtained by forging checks. In fact, new experiences and numerous risks are to prove something to yourself. But Spielberg and the production team of Nick know that showing this side of the story alone does not make the film a good work; For this reason, they add another aspect to their personality, which is the need to be understood.

This is where the detective's foot opens to drama. He is both an admirer of the actions of this clever forger and his pursuer. But he can only arrest him when he understands him. For this, he must first be able to put himself in the position of the other party and then predict his next step by understanding his needs. It is in such a framework that the two sides gradually influence each other and with mutual understanding, they find a relationship other than the criminal and the law officer. It cannot be imagined at all that acting is weak in Spielberg's cinema, and this ability in acting makes DiCaprio's acting better; Otherwise, this actor is still far from the peak of his career, and for that reason, he is inferior to the work of someone like Tom Hanks, who is in front of him, and leaves the field empty for his presence.

"In the 1960s Frank is a young man who has been involved in illegal activities since the age of sixteen and has been engaged in forging various checks. He earns a lot of money by cashing these checks, but he is not satisfied with this, and he pretends to be an airplane pilot, and after no one succeeds in identifying him, he introduces himself as a lawyer and is involved in several cases. advocates Meanwhile, an FBI agent named Carl Henarty is looking for him all the time, but he is always one step behind Frank...

2. Raging Bull

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

  • Director: Martin Scorsese
  • Stars: Robert De Niro, Kathy Moriarty and Joe Pesci
  • Product: 1980, USA
  • IMDb site rating for the movie: 8.2 out of 10
  • Rotten Tomatoes site rating for the movie: 94%

The film opens with Jake LaMotta, played by Robert De Niro, practicing in front of a mirror. He is preparing to perform a stand-up comedy. Now the flashback begins and we are faced with the life story of a strange man who feels a heavy burden on his shoulders. He is a professional boxer, but Scorsese has told the story of this choice and stepping into the ring in a way that is different from movies like this from the ground to the sky. Accused and tortured. In this situation, what becomes important in order for this presence in the ring to become a ritual for ego gilding and mental torture, is Scorsese's arrangement in using slow motion and also separating the ring space from the atmosphere around it. It is as if the protagonist decides to bear the burden of his sins every time he enters the boxing ring. It is as if he is a Christian carrying his cross.

From here it is as if we are not dealing with a sports venue, but we are looking at a temple where a man is worshiping. To understand this issue and Martin Scorsese's mastery in creating the desired atmosphere, it is enough to pay attention to the title sequence of the film. Robert De Niro is standing somewhere in the middle of the boxing ring and the camera is outside. The character is warming up and his movements are shown in slow motion.

On the other hand, it seems that boxing is fundamentally different from other sports for American directors. By using this sport, physical wounds can be connected to the human soul and it can be used as a metaphor about the value of effort and patience, or on the contrary, like in this movie, about the messed up human psyche. You don't need to know the rules of boxing to understand the movie "Raging Bull". "Raging Bull" may be a sports movie in terms of genre, but the impact of boxing in this movie and understanding the behavior of the main character is as great as the impact of playing billiards in the movie "Billiard Player". In both of these films, the protagonist's sport is just an excuse in the hands of the director to get close to the character and tell him what he wants. He has been able to use the inherent madness of the character and also draw the path that leads to regression. This game brought him an Oscar. On the other hand, Joe Pesci is excellent as always in a movie by Martin Scorsese and whenever he is in the frame of the filmmaker, he takes it all. In characterization, it has made us join characters during the drama and feel sorry for them, who are not very positive. Because in a blind rebellion, they have committed self-destruction and do not find any way to save themselves. Paul Schrader and Mardic Martin wrote the screenplay based on the book "Raging Bull: My Story" which tells the life of American boxer named Jake LaMotta.

When the movie "Raging Bull" was made, less Someone used to tell the stories of his films in a black and white space. So this choice of Martin Scorsese was artistic; He intended to make the mood of his film look old, and of course, this black and white space helped the filmmaker to better emphasize the inner bright shadows of his main character. At that time, Martin Scorsese A young but well-known director who had won the Palme d'Or at the Cannes Film Festival with the movie "Taxi Driver" and every work of his was a surprise. The downfall of Jake LaMotta, a boxer who was once considered the middleweight champion of the world, but family problems, as well as his rebellious spirit, caused him to lose everything.

1. Young Mr. Lincoln

BingMag.com Top 5 biographical movies that you must see; From the biography of Hitler to Lincoln

  • Director: John Ford
  • Actors: Henry Fonda, Alice Brady and Ward Bond
  • Production: 1939, USA
  • IMDb site rating for the movie: 7.6 out of 10
  • Rotten Tomatoes site rating for the movie: 100%

No character in American history has the place of Abraham Lincoln. He is the most popular president of his country and the most important historical figure of this country along with George Washington, the founder of America. Therefore, it is natural that the life of such a man is under the microscope of American directors and the cinema of this country, and some try to look at the American dream in the light of his life. John Ford, who is basically an American storyteller and mythmaker whom he knows and loves; Lincoln and his life are also a part of this America.

John Ford in "Young Mr. Lincoln" dealt with the life of Abraham Lincoln before his presidency and gave this character a sacred aspect. The characterization of the film is such that the position of all the people in the drama process is defined based on their distance and proximity from the main character; This means that if a character during the film has the farthest mentality and thinking towards Abraham Lincoln, he will be the negative pole of the film, and the closer he gets to him, the closer he is to the positive pole of the story and the protagonist.

Of course, the story puts obstacles in front of Abraham Lincoln to reach that historical position. But John Ford's storytelling is such that the audience knows from the very beginning that he will overcome all obstacles and find his way to a bright future. John Ford is careful to show reaching this way in such a way that the audience immediately realizes that this way will be a clear path for a society, a country and a civilization. John Ford creates his own myth.

John Ford rarely went for biographical films and even when he used a historical figure in his film, he appropriated his life and told his own story. Because he made American history in his own way and with his own people, and he was always a mythologist of his country's people.

In his hands, how the Wild West became civilized with the narrative of lonely and wounded men and patient and brave women. It goes without saying that they don't want much for themselves and what they leave behind in the end is a better place to live and prosper; Ordinary men and women who, in the midst of great problems, show such great ability and greatness that it turns them into legends for all time. So, it is quite obvious that John Ford would make a film about the life of the famous hero of his country, Abraham Lincoln.

In such a frame, it can be concluded that this mythology is also present in his non-western films. John Ford always loved the heroes of his stories, and whenever he wanted to portray a man who wanted justice and was very pure, he first of all went to Henry Fonda to play that role. He understood the inner purity of this important American actor more than anyone else and could take advantage of it more than any other director.

So it is natural that when it comes to the life of the most important and popular figure in American history. To make a movie and cover it with his mythical aura, go to Henry Fonda. In fact, John Ford had discovered in him the image of an honest person who could be a manifestation of the good side of his country. That's why, in addition to choosing him to bring Abraham Lincoln to life, he dressed another legendary icon and gave him the role of Wyatt Earp, a legendary sheriff in "My Darling Clementine". /p>

Henry Fonda has brought Lincoln's youth to life very well. It's true that the movie has a courtroom and a mystery is supposed to be solved, but Ford is clearly moving away from mystery cinema to focus on the main character, because this movie is about Abraham Lincoln, not a historical event that happened due to an accident that caused one of the actors to die. This is a historical figure.

"Abraham Lincoln is a young shopkeeper who after losing his favorite girl decides to study law and become a lawyer. After finishing his studies, he starts practicing law and solves a complicated and very difficult case; He succeeds in acquitting the two brothers, who all the evidences testify to their guilt. Now a bright future is waiting for this young man..."

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