Top 20 crime movies in the history of cinema from worst to best

Crime genre is one of the most extensive genres of cinema and includes various subcategories. There is a general principle that connects any film with this feature to this genre: the occurrence of a crime or the presence of a criminal in the story. But if we want to categorize every movie in such a simple way, then we have to place every work under at least five or six different genres. So, for example, a movie like "The Lord Of The Rings" series, which belongs entirely to the fantasy genre, should be classified under this genre due to the presence of many crimes. While this is not the case. In this list, we have examined the top 20 crime films of history.

BingMag.com Top 20 crime movies in the history of cinema from worst to best

Crime genre is one of the most extensive genres of cinema and includes various subcategories. There is a general principle that connects any film with this feature to this genre: the occurrence of a crime or the presence of a criminal in the story. But if we want to categorize every movie in such a simple way, then we have to place every work under at least five or six different genres. So, for example, a movie like "The Lord Of The Rings" series, which belongs entirely to the fantasy genre, should be classified under this genre due to the presence of many crimes. While this is not the case. In this list, we have examined the top 20 crime films of history.

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The crime genre, like all film genres, has a pre-cinema history. The genealogy of this genre goes back to ancient Greece and tragedies like Sophocles' Oedipus Shahriar. But perhaps the peak of criminal writings can be found in William Shakespeare's tragedy plays, which revolve around the plot of crime and punishment; A play like Macbeth with the creation of a character who does not give up any crime to gain power and on the other hand suffers from the agony of his conscience so that the tragedy of his life takes shape. The crime genre is gaining strength in literature and the mystery/police stories that revolve around solving a crime are entering a new stage of their development. The works of Sir Arthur Conan Doyle and Agatha Christie at the end of the 19th century and the beginning of the 20th century provided Laisalle as the source for many future films. This tradition began with the beginning of the hard-boiled storytelling movement in America and the brilliance of writers such as Raymond Chandler, Dashiell Hammett, and James. M. Kane and others continue so that in the future the main foundation of noir cinema will be laid by them and cold and cynical detectives will come to life on the silver screen. While the police subgenre is a subset of the large and borderless crime genre. Because all police movies are considered criminal, but the opposite of this issue does not exist. Other sub-genres of crime cinema include court dramas, gangster films, robbery sub-genres, psychological thrillers, stories centered on the lives of drug traffickers, prison escapes, etc. The fall takes place and is based on three main characters: the first character is the person who commits the crime and the main knot of the story is formed by him, the second character is the person against whom this crime is applied and is the victim of the story, and the third character is the hero of the story. is a searcher who seeks to solve the mystery of the crime and unravel the knots of the story.

There are these three characters in every crime film, but sometimes the storyteller deliberately removes one of them or the two sides of this triangle. matches For example, in theft subgenre movies, the thief who commits the crime may also be the searcher; Someone who commits a robbery in order to solve a mystery, or in movies centered around a personal revenge scenario, is always looking for someone who has committed a crime against him. One could even go a step further and remove the two sides entirely, keeping only the viewfinder; The film "12 Angry Men" has such a characteristic.

On the other hand, the crime genre sometimes combined with other genres becomes something that does not have the main essence of this cinema, which is bitterness and the conflict between right and wrong. For example, the tone of the action may dominate its atmosphere, in which case the committed crime becomes an excuse for the formation of action sequences. Or the predominance of the comedy tone that turns the crime into a parody to get laughs from the audience. Or even in the era of postmodernism, when this genre gives an excuse to a director like Tarantino to play with the history of cinema or David Lynch to use its familiar elements and set up his surreal world in a criminal context.

20. The Hole (Le Trou)

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Jacques Becker
  • Stars: Michel Constantin, Jean Crody and Philippe Leroy
  • Production: 1960, France
  • IMDb site rating for the movie: 8.5 out of 10
  • Rotten Tomatoes site rating for the movie:

It was said that all prison break movies belong to the crime genre. Although these films appear to deal with the life of criminals after the crime, the presence of a large number of lives together, in addition to the act of escaping from prison, which itself is a criminal act, makes the criminal label on them look reasonable. In addition, the rise and fall scenario is generally present in such films.

One of the ways to distinguish crime films is the presence of a number of people and the design of a plan to commit a crime. Prison escape movies too They have such a characteristic; A person or people conspire together to escape from a prison and after designing a detailed plan, they try to escape. In the movies of the robbery subgenre, this is the criminal act of stealing from somewhere, and in the escape from prison movies, it is escape from the prison. Unlike similar films, Jacques Becker does not at all seek to show the action of the heroes of his drama as bewildering and full of clever little things. He remains focused on the characters and their smallest actions, and unlike American films that show the escape plan itself as more important than the escapees, nothing is as important to him as his chosen men.

It is in such a framework that the relationships between people It is built bit by bit so that if a tragedy is formed in the end, it will be from the heart of these relationships and not because of a piece of the plan not being executed properly or the other party showing skill. After creating the desired characters, Jacques Becker goes to the execution of the plan. He focuses on people's actions instead of showing the action plan. The audience is informed about its steps with the characters every step of the way. That's why, like them, we fit in with every obstacle and understand the anxiety they endure.

On the other hand, the escape plan seems very simple; Digging a hole and reaching the sewer. If you are looking for those weird plots to make a prison escape action exciting, this movie will satisfy you. But if you give your heart to the characters and accompany them every step of the way, you will face a film that is unlike any other film in the history of cinema. In addition, "The Hole" has one of the best endings in the history of cinema. have taken security They are digging a tunnel from their cell to the sewers to get to freedom. One day, a new prisoner who has high hopes for freedom, joins them. Now some old prisoners don't know if they can trust this newcomer or not. They should either inform this new arrival or run away without caring, but

19. Zodiac (Zodiac)

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: David Fincher li>
  • Stars: Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. and John Carroll Lynch
  • Product: 2007, USA
  • IMDb site rating for the movie: 7.7 out of 10
  • Rotten Tomatoes site rating for the movie: 89%

"Zodiac" is a good example to understand a crime story and its stereotypes. In this story, there is both a victim, a survivor and a seeker. Although David Fincher made his story focusing on his searchers, you can feel the presence of each one in the story. In addition, the film shows both the crime itself and the process of solving the crime. So "Zodiac" can be an important work for understanding the crime genre and its elements.

Crime stories centered on the presence of a serial killer have always been David Fincher's favorite and he has constantly referred to them in his various films. From the movie "Seven" (Seven), which created one of the most attractive serial killers in the history of cinema, to the series "Mindhunter" in which he officially examines the minds of the dead and tries to find out what is in the minds of these insane people. It passes.

But there is a difference between the movie "Zodiac" and his other works, and that is the patience he used in defining his drama. Neither the killer nor those who follow the case are trying to impose anything on the audience, and Fincher tries to involve the audience in his story slowly and continuously, so that the effect of the passage of time on the characters and their frustration over not finding the killer. bring the audience along with it.

In dealing with the movie "Zodiac" it is possible to point out other points; David Fincher is an absolute perfectionist in storytelling. He monitors the smallest components of his film; His perfectionism is to the extent that it can be interpreted as excessive obsession. His dryness on the set and the many takes he takes to get a plan right are a proof of his obsession and perfectionism. A person or people have sunk into dark and angry spaces in search of discovering the truth. In the two subgenres of mystery and detective (from the subgenres of crime cinema), this searcher who advances the story is generally either a policeman who seeks to solve the mystery and arrest criminals or a reporter who is interested in the subject. Sometimes the crime victim himself is trying to solve the mystery and find the answer and execute justice. Here, somehow, all these people are involved in the story and are trying to reveal the secret of the crime; There is a reporter who is only concerned with discovering the truth, and there is a policeman present, and a man who seems to consider himself a victim of this story.

David Fincher knows very well how to make an attractive detective thriller; To For example, not forgetting the characters and the importance of giving them wings and feathers in the heart of a drama full of ups and downs and preferring to know their motivations to advance the plot. Failure to pay attention to this point is a plague that has unfortunately taken the life of today's movie trailers; Because today's storytellers sacrifice everything to the fast rhythm of the story; including their characters. Fincher has learned from the old masters that to make any successful thriller, you must first create attractive characters on the screen.

On the other hand, "Zodiac" tells a real story and is the pinnacle of David Fincher's career in directing and creating. It is a drama. With his multi-layered and complex mise-en-scnes, he depicts the miseries of a society affected by the horror of the presence of an intelligent serial killer accurately and with miniature precision. The way of using the colors and lighting of the film shows Fincher's maturity and maturity. In addition to the three main actors of the film (Jake Gyllenhaal, Robert Downey Jr. and Mark Ruffalo), John Carroll Lynch's performance is brilliant in the role of a person who both seems oppressed and has the ability to commit any violence. He conveys all the conflicting emotions that the audience should have by watching him.

"The story of the film revolves around the real murders of a serial killer known as the Zodiac in the 70s in the city of San Francisco. Zodiac sends coded letters to the office of the San Francisco Chronicle. Now some people are working to discover the secret of these letters..."

18. 12 Angry Men

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Sidney Lumet
  • Stars: Henry Fonda, Lee J. Cobb and Jack Warden
  • Production: 1957, USA
  • IMDb site rating for the movie: 9 out of 10
  • Rotten Tomatoes site rating for the movie: 100%

12 Angry Men omits the crime scene, discards the police investigation process, even forgets the courtroom in order to find another detective for a crime film. Here, as a symbol of a justice-seeking society, the members of the jury are placed in front of the filmmaker's camera to tell about a personal crime. Here, the rise or fall of the criminal is the responsibility of the people who have gathered around the table and make a whole together. In this way, Sidney Lumet moves his courtroom drama behind the doors of the courtroom and a room.

Sidney Lumet does a good job of making the movie "12 Angry Men" in front of the audience's eyes, whose civil institutions lack a sense of responsibility. His people are nothing but a deceptive appearance and fake existence. He easily deals with the direct result of a person's wrong judgments and in a magnificent work shows the audience how dangerous it can be to accept the closeness of appearances and also to accept everything that comes to mind at first glance. In fact, the film is about thinking before judging, not what the public thinks it means not judging.

In dealing with the movie "12 Angry Men", we are on the side of a movie that considers the moral relations of its society to It challenges and makes a person aware of his heavy responsibility towards others. At the beginning of the film, 11 members of the jury, as a symbol of the majority of the society, see only up to the tip of their nose and are deprived of the ability to think and analyze the situation. They accept everything they heard in the court and do not have the power to think for themselves; Except for One Man: The Twelfth Man starring Henry Fonda. He has to think for everyone and try to put 11 other people on the right path. From this point of view, he can be considered as a symbol of an artist or an intellectual of a society who has a human responsibility towards the mass of people. Which of these is not Sidney Lumet has told his story so rhythmically and of course full of tension and has drawn the relationships of people correctly that the audience cannot take their eyes off the screen. Every moment something happens in the frame of the filmmaker and even though the whole story takes place in one location, still the images do not become theatrical and do not tire the eyes of the audience. On the other hand, the work of the film's acting group is brilliant.

Henry Fonda, the main actor of the film, had become a constant icon of good and justice-seeking men since the era of classic cinema in the 1930s, 1940s, and 1950s; Men who fight to establish goodness and justice in their surroundings, whose existence would make life better for everyone. Men without whom it is not known what would have happened to humanity until now. But none of those roles have been as enduring as Sidney Lumet's role as the antagonist in 12 Angry Men. Here, Henry Fonda plays a role that is a glorious complement to his enduring image and brilliant acting career.

"An eighteen-year-old youth has been arrested for the murder of his father, and if he is found guilty, he will be executed. will be. All the evidence is against him, especially the presence of a knife at the crime scene testifies against him the most. Now the 12 members of the jury are together They have gathered to decide the fate of this unfortunate young man. 11 people vote that this person is guilty from the very beginning, but one person disagrees with the others..."

17. The Bad Sleep Well

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Akira Kurosawa
  • Actors: Toshiro Mifune, Takashi Shimura and Masayuki Mori
  • Production: 1960, Japan
  • IMDb site rating for the movie: 8 out of 10
  • Rotten Tomatoes site rating for the movie: 100%

Perhaps the name of another Kurosawa crime film can be included in this list. A movie like "Heaven and Hell" (High And Low) or even "Stray Dog" (Stray Dog). But the reason for the presence of "Bads Sleep Well" is due to the different use of elements and patterns of the crime genre. Here, the victim and the searcher are both the same, and a corrupt system has been placed in the position of a criminal. This pattern can be seen to some extent in "Stray Dog". But the fact that a person commits a crime himself, in order to establish justice and expose the crimes of others, is one of those rare cases in the history of cinema that cannot be forgotten.

The film has a mafia narrative. Some people have started a terrible empire for themselves and in this way they pocket a lot of money and if someone disturbs them, they do not stop from any crime. In Kurosawa's narrative, they are leeches that suck people's blood and the law does not have the ability to dismantle them. So a hero must be found to stand against them. The film "The Bad Sleeps Well" is told from the point of view of this hero or actually the anti-hero. A man who thinks about revenge more than anything else, and this has blinded him to not see the path in front of him. This man is not much different from his opponent, only the goal is important to him and if some people are sacrificed in this way, there is no problem. So the film gives way to different interpretations.

Akira Kurosawa was saddened by the miseries and sufferings of the people of his country. When he made a historical film, he dealt with the problems of the present time, but because of the tone and form of those films, everything was under wraps and the audience had to imagine themselves to understand what the filmmaker was saying. But sometimes Kurosawa took out his camera and informed his team to touch on the point that bothered him in the most expressive way possible and reveal a scandal. The film "The Bad Sleep Well" is considered one of the revealing films of this filmmaker.

Akira Kurosawa made his film with a moralistic point of view. Although the theme of the film is social, he tries to challenge the moral concept of justice and confronts the method of establishing it with a big question mark. This is why the film goes beyond an explicit social/political statement and reaches the necessity of establishing the law. So, the movie "The Bad Sleep Well" can be seen as the result of a realistic intellectual's view of the current events in his country. We do, so it means one of the best in the history of cinema. This detailed sequence is a complete classroom for understanding decoupage, as well as mise-en-scne and camera placement. All the relationships of the film can be understood in this sequence and you can understand who is where in the story.

Toshiro Mifune has always been brilliant, but in the movie "Badah Sleep Well" he has played a first class and new role: acting. Marakeh plays the role of a character who has two sides and must establish a balance between these two. The audience must both understand him and stay away from him, and achieving this is not an easy task. This is the way of his acting and of course Akira Kurosawa's precise payment, which makes the audience not know who the meaning of the film is referring to in the end. Is it the anti-hero who sleeps well or the gang of criminals?

"The daughter of the managing director of the construction of residential settlements marries her father's secretary. Reporters are ready to report on this marriage, and meanwhile it is revealed that five years ago, one of the company's employees died suspiciously. On the other hand, this marriage is suspicious from the point of view of the media. At the same time, the police started an investigation regarding the receipt of bribes by high-ranking officials of the company, and this case has worried some people. Meanwhile, the manager's secretary is getting closer to his boss day by day and further away from his wife; Because sometimes he disappears without anyone knowing..."

16. Blue Velvet

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: David Lynch
  • Stars: Kyle McLachlan, Dennis Hopper and Isabella Rossellini
  • Product: 1986, USA
  • IMDb site rating for the movie: 7.7 out of 10
  • Rotten Tomatoes site rating for the movie: 94%

In the world of "Blue Velvet", nothing Things are not as they seem. The audience may think that they are facing a familiar movie. But in order to accompany the story, the wings of imagination should be left free to go wherever the filmmaker wants. Only then will you be spared from the director's usual games and will enjoy watching his two-hour cinematic feast. Judging the world of the film by the pure realism and logic around us is the worst thing you can do to yourself. There is a sadistic man running it; A man who kidnapped a beautiful woman's child and of course there are other wrong things going on in the meantime. Rather than focusing on the kidnapping issue, David Lynch has made a film that depends more on its mysterious setting and, of course, its surreal substratum. Blue Velvet, then, is the structurally oddest film on this list.

Blue Velvet is sort of David Lynch's glorious return to the world of Erasehead, after his failure to make The worst movie of his career is "Dune". He takes his favorite themes to a small town and provides a criminal and of course noir background to bring his criticism to the inner fears of the American society at the end of the Cold War era and to approach the ideas of the great psychologists by proposing sexual themes. In such context, the hero of his film is like someone who reflects on his past and his place of birth and reaches adulthood and responsibility by knowing his desires.

One of the main strengths of the film is the acting of its actors. Dennis Hopper in the role of a natural Johnny is great and scares you. Isabella Rossellini, with her seductive beauty, does exactly what a seductress in a noir should do: fix problems and set a path to ruin against the protagonist and Kyle McLachlan, who seems to be made for the hero of David's surrealist dramas. be lynched Meanwhile, Angelo Badalamenti's music, as always, makes David Lynch's movies a better work.

"A boy named Jeffrey, after wandering around the city, finds a severed ear in the yard of a house, which makes him Be suspicious of the events around him. This issue puts him on a path to get under the skin of this apparently silent city and reveal its ugliness..."

15. Predicament (Heat)

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Michael Mann li>
  • Stars: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore and Jon Voight
  • Product: 1995, USA
  • IMDb site rating for the movie: 8.2 out of 10
  • Rotten Tomatoes site rating for the movie: 87%

"Predicament" looks like it was made from a crime book. The criminal of the story is shown with flair and the filmmaker devotes enough time to him and his crimes. On the other hand, the same thing happens to the searcher. Michael Mann devotes as much to her and her character's life. But this stereotypical payoff becomes a powerful work for other reasons. The director does not create a negative image of the criminal, nor does he elevate the searcher to the level of a typical hero.

While watching the movie, you and I do not know which side of the story we should stand on and with whom. It is this complex moral world that makes the film "Predicament" so brilliant that the audience can catch new things from it every time they watch it. To create this complex world, it is necessary to create a unique environment that seems to be the home of the two main characters. This special environment is this urban battlefield that Michael Mann knows more than anywhere else.

The second step was to choose the biggest and most famous actors in the world at that time in the form of his chosen men in order to make the audience both follow a measure and in choosing the creative pole of the story, do not fall to one side because of the more prominent actor of that side. It was like this that every step and every mission of these chosen men found a great meaning in the eyes of the audience, and the city became not a place for the lives of ordinary people, but a place for the struggle of both sides of the story.

Michael's heroes When they realize that life no longer has meaning in the way it used to, they accept this point without an iota of hesitation and turn their full attention to what they are best at. In such a situation, the clash of two opposite poles of the story, who have become masters in their work, adds such tension to the film that the audience will watch it until the end of the film regardless of the passage of time.

Al Pacino in this film. He plays the role of a detective who has dedicated his whole life to his job His private life has reached a dead end. Therefore, catching a professional thief who erases all traces behind him becomes a personal issue for him; A problem that he has to solve in order to find an answer to his failure in his personal life. Of course, he gradually realizes that success in this side of the story will end in another tragedy in his life.

On the other hand, Robert De Niro plays the role of the same professional thief. A todar man who is as smart as the story police, but unlike him, he likes his family, who are his assistants, well. In his world, there is no place for waiting and waiting. He must think quickly and make quick decisions. In such a self-made world, he slowly realizes that there is no place for him in the new world where yesterday's colleagues abuse a person and sell others at the cheapest price to save themselves. The two poles of the story become something more than a normal and professional relationship. It seems that in another situation and in another story, they could be each other's best friends. Two smart people who keep the ups and downs narrative of the film at its peak. Two people who have reached perfection in their way of life and in their profession. In such an attractive situation, "Predicament" includes some of the best chase and robbery sequences in the history of cinema. During the robbery, one of the bodyguards is killed by a new member of the group. Neil and his group manage to escape with a huge amount of money. On the other hand, a professional police officer will be responsible for handling the case. He comes close to arresting the gang members when they are planning a big bank robbery and...

14. Klute

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Alan Jay Pakula
  • Actors: Donald Sutherland, Jane Fonda and Roy Scheider
  • Product: 1971, USA
  • IMDb site rating for the movie: 7.2 out of 10
  • Rotten Tomatoes site rating for the movie: 93%

"Clot" uses a crime story as an excuse to tell about a bitter era. From the time when a person gets lost easily and leaves no trace of himself. From a world where anyone can find out the most detailed parts of a person's life and even listen to his phone. From the era when no one trusted even their closest friend and women didn't know their husbands.

Actually, a crime story becomes an excuse for the filmmaker to go through the appearance of the story and the story that happened when someone went missing. go further and visit the life of a woman who tries to stand on her own feet in a dark time. From this point of view, the story-telling method of "Clot" is an innovative method and even still seems innovative. Because the story starts with a missing man and it seems that the main problem is to find him. The mystery is also arranged around her disappearance, but the story slowly changes phase.

There is a woman in the story to whom all the clues reach. From now on, it is as if the filmmaker puts the main mystery on the condition of this woman. It is true that the name of the film is taken from the name of a person who seeks to solve the mystery of his friend's disappearance, but even this man is caught by this woman and from some point on, finding out about her condition becomes more important to him than his mission. But the filmmaker still has another idea in mind. He wants to paint the darkest picture anyone has ever seen of a city and a society. So the story of the woman's life is tied to the story of a city where a crime is happening in every corner.

Alan J. Pakula is one of the most important filmmakers of the 1970s and a narrator of the fear hidden in American society due to backwardness. The hijabs and the sinking of the scandalous pan of politicians are a thing of the past. In all his films, he portrays people who are in awe and do not believe the darkness they see in front of them. It is in such a situation that the people of his cinema try to stand up against this ugliness, but the dark world in front of them is so vast, hidden and ugly, that these heroes have no choice but to accept defeat.

Jane Fonda's performance in the main role is one of the strengths of the film. She has played well the role of a notorious but very innocent woman who is a victim of a dark environment. Men have no place in her life until a different man walks into her life. A man who is different from everyone and wants him because of something new. Now the whole movie is spent building the relationship between these two in a bitter and cold context. The role of this man is played by Donald Sutherland in his best form.

"A famous man mysteriously disappears. The only clue is his letter to a notorious woman named Barry Daniels. After six months of starting the investigation and finding nothing A trace of the man, police detective and the man's best friend, John Klott, quits his job to look for him himself. Clute watches Barry to maybe find a solution but...

13. Double Indemnity

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Billy Wilder
  • Stars: Fred McMurray, Barbara Stanwyck and Edward J. Robinson
  • Product: 1944, USA
  • IMDb site rating for the movie: 8.3 out of 10
  • Rotten Tomatoes site rating for the movie: 97%

The pattern of noir cinema tells about the presence of a seductive woman who opens the story's man's feet to a hidden adventure. The same story inside and out has a sinister fatalism that seems to leave no way out for the hero. On the other hand, the widened trap acts like a swamp against the hero; He puts his foot in it without knowing it and the more he fumbles, the more he sinks. For this reason, cinema noir raised the level of crime cinema so much that it was never repeated in the history of cinema. The limit of perfection is found in it. The narrative of the film is very complicated, but Billy Wilder defines it so simply and easily that the audience quickly gets into the heart of the story. The end of the story is clear from the beginning; Where does this ups and downs story end and what is the fate of these people? So what becomes important is how to tell stories; Billy Wilder is the undisputed master of doing it.

If "The Maltese Falcon" directed by John Huston was the beginning of the formation of noir cinema, it was this brilliant film "Double Compensation" that showed this type of film. What potential does cinema have to show the darkness of human life and the darkness of his soul? Billy Wilder moves his story forward in such a way that there is a danger lurking in every corner and the two main characters are looking for a way to achieve their interests despite their great fear. From this point of view, Billy Wilder defines the characters in greed, greed, and outburst of animal desires. A noir film that is one of the symbols of this genre today, and you will probably say to yourself after seeing it: It is impossible to make another film like this. The film narrates a story in which a man is tempted to commit a crime due to greed and the attractiveness of a woman.

There are no good people here. Like other Billy Wilder movies, the moral world is more complicated than these words that people can be divided into black and white categories. Billy Wilder's camerawork is fantastic; This camera behaves like a search engine that likes to find out everything. But Billy Wilder, as always, doesn't let it get in the way. Playing with light shadows, which is a constant characteristic of noir cinema, is accompanied by the dominance of blackness, which originates from the final victory of evil in the story. This behavior of the camera slowly and continuously pulls the audience into the story so that he and the narrator begin a scary journey that will end in nothing but pain and suffering. It shines in the form of a man who has been tempted and fallen into the trap of a seductive woman. But the film belongs to the performances of "Barbara Stanwyck" who played the role of this seductive woman; He convinces a man to commit a crime as if accepting his request was completely obvious and he had no choice but to do so. This devil in person, this greedy woman has such extraordinary charisma that you and I, the audience, believe her, and of course, all of this, in addition to the brilliant work of the filmmaker, is the actor's own contribution to the film world.

"An insurance agent" As part of his daily duties, he visits potential customers door to door to perhaps persuade them to insure themselves. One day, he meets a beautiful woman and becomes fascinated by her charm. After selling the life insurance to her husband, the woman tempts him to kill the husband so that they can live the rest of their life together with the insurance money, but...

12. The Big Sleep

BingMag.com Top 20 crime movies in the history of cinema from worst to best

  • Director: Howard Hawks
  • Stars: Humphrey Bogart, Lauren Bacall
  • Product: 1946, USA
  • Howard Hawkes and a brilliant adaptation of one of the best crime literature. This time from the book of one of the masters of detective cinema, Raymond Chandler's novel Eternal Sleep. In this book, Chandler tells another story of his famous detective, Philip Marlowe, with the intention of doing An easy job and making simple money starts in a seemingly ordinary and small job, but as the story progresses, it gets bigger and more complicated. In Raymond Chandler's book and Howard Hawks' movie, Philip Marlowe is a pessimistic, hard-drinking man, ready to answer, intelligent, with a harsh and blunt language, but he also gets along well with women.

    Humphrey Bogart has an attractive effect. He gave the character of Philip Marlowe and turned it into the usual type of detective cinema. A man who can survive in a crazy heat and pull his rug out of the water and fall in love at the same time. His relationship with the men and women present in the story is always from a top to bottom angle; Although he is not very smart and sometimes fails, his high self-confidence makes his enemies not notice his weaknesses. Such an image on the screen of a person stuck in a corner, but cheerful and cheerful and finally overcoming problems one by one, became an eternal image in the history of cinema for policemen and detectives, so that even the policemen and detectives of today's cinema, inspired by Bogart's behavior and appearance in his films. Although in film noir, a deep scar always remains on the body of the protagonist at the end.

    Cinema noir with its strong and contrasting bright shadows, strange camera angles and of course the depiction of a hellish city where a person is searching for justice. Stumbling into a labyrinth from which there is no way out, it was the heyday of crime cinema in the history of cinema. Of course, in the case of "Eternal Sleep", this kind of thing does not happen only to the characters; Even the makers of the movie and the author of the book don't really know what happened sometimes; In a sequence of the film, a man's body is found and it is not clear until the end whether he is dead or committed suicide, however, when Howard Hawks asks this question to Raymond Chandler as the author of the novel, he also refuses to answer, and of course how brilliant he is. Hawkes, nor Chandler, did not remove this part from the heart of their story to emphasize the complex atmosphere of their story. It finds it difficult even for the main character, but there is something strange in the film that makes it impossible to take your eyes off it until the end, everything is so fascinating and the work of Howard Hawks is so high and the relationship between Lauren Bacall and Humphrey Bogart is so It's heart-wrenching that makes "Eternal Sleep" an unforgettable post-watching experience.

    "Philip Marlowe is a private detective who goes to the mansion of a famous and wealthy general to settle his little daughter's debts to a bookstore owner. to pay Marlowe meets the general's older daughter while leaving the house. He claims that his father's request is not for paying a gambling debt, but everything has to do with a mysterious murder...

    11. Pulp Fiction

    BingMag.com Top 20 crime movies in the history of cinema from worst to best

    • Director: Quentin Tarantino
    • Stars: John Travolta, Samuel L. Jackson, Bruce Willis and Uma Thurman
    • Product: 1994, USA
    • >
    • IMDb site rating for the movie: 8.9 out of 10
    • Rotten Tomatoes site rating for the movie: 92%

    Quentin Tarantino made a movie that can be classified under different genres. But for some reason, this movie is more of a gangster work that makes fun of the famous elements of this genre. The gangster sub-genre, which is one of the main sub-genres of crime cinema, refers to films in which gangs of criminals commit crimes in an organized manner and there is no mention of the actions of separate or individual groups.

    One of the things that Tarantino misses in this masterpiece is the gangsters. Having seen many gangster films, we have become accustomed to seeing them always dressed up and in suits. They don't stop wearing these suits either in their meetings or while committing crimes. Tarantino clearly violates this stereotype in a magnificent sequence by dressing his gangsters in shorts and slippers.

    On the other hand, crime films deal with the lives of gangsters as if they have nothing to do but act as gangsters. It is as if they are either committing crimes or talking about them from morning to night and from night to morning. Now, in an obvious change of direction, Tarantino has his gangsters talking nonsense even while on a mission. It means doing exactly the opposite. His gangsters don't even talk about eating or going to the movies while they're acting gangster, let alone other times.

    These examples could go on. For example, the sudden change in Jules' behavior played by Samuel L. Jackson, in another film, may include a few years of the gangster's life and lead him to this conclusion, but in Tarantino's film, he leads a mystical life. So, the scenario of the rise and fall of crime cinema takes a different form here, but ultimately it feeds from the same place that this article is related to; That is, to gangster cinema.

    But Tarantino is not satisfied with that either And this breaking of the rules of crime cinema is not limited to content only. He moves his characters back and forth in the fluid flow of life and sometimes makes the audience guess by playing with time and space. The story of several gangsters in his hands is not similar to other stories centered on the lives of these people; One of Tarantino's abilities is to use dialogue-filled sequences; Therefore, it is natural that his characters, unlike similar cases in the world of cinema, talk about the normal experiences of everyday life and sometimes spend their time carelessly. The art of a director like Tarantino is to make these seemingly normal conversations so interesting and entertaining that the audience listens to them with all their heart and while watching the movie, they don't think at all why these people do what they do while committing a crime. .

    Apart from all this, the movie "Popular Story" has a humorous tone that constantly puts a smile on the face of the audience. This black humor sticks all the pieces of the work together like glue so that the audience can easily reach a general understanding of the drama that Tarantino has designed. The presence of this humor is necessary because we are playing with the rules of everything that together make a whole called cinema. In this way, Tarantino creates a new project and presents a new work.

    The cast of "Popular Story" is so successful in implementing the thoughts of a genius filmmaker like Quentin Tarantino that it is impossible to imagine other people in their place. Bruce Willis, Samuel L. Jackson, John Travolta, Uma Thurman and even Christopher Walken are exactly what they should be.

    "In a restaurant in a quiet neighborhood, a young couple is thinking of armed robbery are. In another time and place, two gangsters on their way to carry out their mission and get their boss's bag talk about the different way of life in the city of Amsterdam, Holland. In another time and place, the boss of the gangsters is paying a professional boxer to lose the upcoming match..."

    10. White Heat

    BingMag.com Top 20 crime movies in the history of cinema from worst to best

    • Director: Raoul Walsh
    • Stars: James Cagney, Virginia Mayo and Edmund O'Brien
    • Product: 1949, USA
    • IMDb site rating for the movie: 8.1 out of 10
    • Rotten Tomatoes site rating for the movie: 97%

    That's why. His cinematic universe is clearly different from his contemporaries and all kinds of movies can be found in his works. In the film "Peak of Revolution", which is also his best work, he told the story of a criminal with the same enthusiasm as he directed a romantic story. A story that has everything, an experienced policeman who knows how to do his job, several chases and robberies, a romantic relationship full of betrayal, and a circle of friends who can't be trusted at all.

    The most important strength of the film is the portrayal of the main character. The director has created him in great detail and James Cagney has done his best to perform it. Sometimes he is innocent like a child and needs to be taken care of, but at other times he attacks everything like a hungry wolf and there is no one to stop him. His character is one of those traditional crime cinema characters who have learned to live in the moment, people who know very well that the customs of the surrounding society are worthless and by living in the moment, they make a mockery of it all.

    In terms of genre and the characteristics of crime cinema, the movie "Peak of Inflammation" like "Predicament" has all the characteristics of crime cinema. Both the task of the searcher is clear and so is Jani. Even the victims of crimes are depicted. But we are still dealing with a complex moral world. Even more complicated than "predicament". Because not only do you and I have no sense of identification with the policemen in the story, we also give all the rights to their opposite side, that is, the leader of the robbers. It is in such a situation that the proper design of this thief's character is so important.

    In summary, James Cagney plays the role of a criminal who suffers from a mysterious disease in this masterpiece of Raoul Walsh. This mysterious disease becomes the key to understanding this character and of course the window to enter the movie world. From now on, Raoul Walsh will leave nothing short for you and he cares more about storytelling than anything else, and this film is the peak of his career. , tries to escape from the police after the last robbery, but after being exposed himself Because of what he did not do, he will hand over to the authorities to get a lesser sentence. On the other hand, the police sends an intruder to the prison to get rid of this man. The undercover police officer uses Cody's illness and approaches him, but...

    9. Goodfellas

    BingMag.com Top 20 crime movies in the history of cinema from worst to best

    • Director: Martin Scorsese
    • Stars: Robert De Niro, Ray Liotta, Joe Pesci and Paul Sorvino
    • Product: 1990, USA
    • "Good friends" is one of the peaks of gangster cinema. Scorsese has told the story of men who create a new myth in a decadent society and attempt to form a class that is very complex and interdependent. It is in such a situation that the exposure of a man and being in the hands of the police shakes the whole class and makes everyone listen to the alarm. And it opens nine knots of knots in society. All their actions cause misery; But why do they look so attractive? Scorsese is looking for a way to find an answer to this question.

      Robert De Niro, Joe Pesci and Ray Liotta play the role of men who bring the audience along with them in spite of their cruelty and madness; Look, they don't turn away from any crime and they can easily commit any crime, but instead of running away and being disgusted by them, we worry about their fate. Especially the character played by Joe Peshi, who is like a predatory animal who does not get away with any crime, no matter how senseless, and by the way, that's what he does. The situation becomes scary when we understand that this character apparently had us for real.

      Violence is a common thing in Martin Scorsese's cinema. For example, the last half hour of "Taxi Driver" (Taxi Driver) was considered a break from the habit of showing violence in cinema. Or in the movie "Raging Bull" (Raging Bull), Scorsese did not hesitate to show blood on the head and face of his protagonist. But he had never made a film that was so reckless from the very beginning that some of its sequences were not easy to watch for any audience. In such a framework, he links the display of violence to a lifestyle that separates the lifestyle of his characters from the lifestyle of ordinary people. But his genius is where he connects these chosen people to a symbol of the state of life in America today.

      Martin Scorsese, before this film, was constantly wandering around the gangsters of New York and never went straight to them. would not go You could see some of them in the corners of his frames. Now he went straight to one of their stories. Here, the world of gangsters has a fundamental difference from the world of a film like "The Godfather" and there is no mention of that attractive glory and power, and everything is closer to the real world. Scorsese tells the story of men who think of nothing but themselves.

      On the other hand, the actors have appeared well in their roles. As an example, Joe Peshi in this best role-playing is a gangster portrayer, which has no example in the history of cinema. He makes murder and crime so meaningless and executes it so without reason as if it is a part of everyday and normal life. On the other hand, Robert De Niro shines in the form of a smart person who knows how to manage a criminal organization while dealing with crime. Ray Liotta has also been able to show the rise and fall of a gangster very well, and he uses the way of life of an ordinary person who suddenly finds himself in a position where he can be killed after committing a murder.

      8. The French Connection

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: William Friedkin
      • Actors: Gene Hackman, Fernando Rey and Roy Scheider
      • Product: 1971, USA
      • IMDb site rating for the movie: 7.7 out of 10
      • Rotten Tomatoes site rating for the movie: 96%

      "The French Connection" is one of those epic crimes that has everything. On the one hand, there is a powerful organization that is moving drugs, on the other hand, two police officers who are doing everything to arrest criminals. In the middle of this, there is a whole series of dramatic and long-lasting sequences that either deal with the chase or are designed to help us better understand the situation. wanted For anyone who knows anything about the detective subgenre, this movie acts like a guidebook. Because police cinema is different even from detective cinema. In the police subgenre, the police forces themselves do the work with all the equipment and organizations, while detective films have a single detective, which is generally a private detective. And the dirty situation, a plague-stricken city full of garbage, deserted alleys or alleys full of homeless people and police officers who don't have enough facilities even in their own city, from the movie "French Connection", one of the symbols of the feverish decade. And it was made in 70 AD. In New York, nothing is as it seems, and the discovery of a new criminal heralds the beginning of a new way of criminal activity. For this reason, Friedkin shows the policemen in his films as such a mess.

      The police characters are designed in such a way that they cannot be compared with their predecessors in the classic era of cinema. These are some people with bad clothes and bad mouth who have not smelled much of social etiquette; They are not even intelligent enough to rely on the power of their intellect and narrow the field for intelligent wrongdoing, but on the contrary, they remain like wild animals who rely only on their perseverance and, of course, the strength of their arms. From this point of view, we are faced with gray characters who destroy the city in search of the other party, but the intelligence of the anti-hero fails them every time. in which nothing could create a sense of security and trust, and this gave crime cinema the opportunity to paint a picture full of crime and fear, where danger lurks everywhere and criminal groups have taken over the whole city. There were no more good cops and bad men in these cities, everyone was part of a corrupt system that created a painful image of the city. It has its own place. A breathtaking sequence that begins with a car and continues after a pedestrian accident and finally ends at a subway station. This sequence is one of the best in the history of cinema, both in terms of cinematography, direction and editing, and it is considered a complete classroom for how to make action sequences.

      New York in this film is a city full of It is not light and glamorous that its detectives wear stylish clothes or a city that hides its darkness and ugliness in every corner, in the manner of cinema noir. Here, the ugliness of the city is depicted clearly and without mediation and is a part of everyday life. A labyrinthine city where law enforcers go to every corner to find a criminal, but eventually lose his track in the daylight in the middle of the city.

      "Two detectives named Jimmy and Russo realize that A shipment of heroin has arrived in New York City. They are trying to find this shipment. In the meantime, the leader of the smugglers has also entered the city. He plans to sell the contraband. The police investigation brings these two sides of the story together. But...

      7. Rear Window

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Alfred Hitchcock
      • Actors: James Stewart, Grace Kelly
      • Product: 1954, USA
      • IMDb site rating for the movie: 8.5 out of 10
      • Rotten Tomatoes site rating for the movie: 98%

      In the movie "Window Facing the Yard", the filmmaker focuses on the character of the searcher, he keeps the victim, the victim, and even the crime in the background, and by showing the reactions of his hero, he makes the audience aware of the events. Of course, in order to make such a film, a director like Alfred Hitchcock must be behind the camera, otherwise we will end up with an average work, not a masterpiece for all seasons. Kochuk creates an exciting effect in the story of his film. If you pay attention to the fact that the entire film takes place in an apartment and in front of a window, you will understand what an important thing Hitchcock did. He puts the audience in the heart of the drama to solve a mystery that gets more complicated every moment, together with the main character played by James Stewart. The way of giving information in the film is in such a way that it goes according to the mysterious structure of the film; The structure of the film is based on the assumption that the hero is not disabled and based on the character's job, whose job is to take pictures of various subjects. So, the information is transmitted to the audience and the main character through this camera.

      The same standing next to the main character and accompanying him to understand people's lives and actually spying, the movie "Window Facing the Yard" Beyond an ordinary work about solving a mystery, it becomes a deep film to understand a person and his insatiable desire to wander into people's lives. The action of the main character is definitely not a moral action, but the filmmaker Nick knows that we will go along with him and understand this prying and snooping. So Hitchcock a lot Before the dominance of artistic movements and the beginning of the modern era in cinema, he involved the audience in the story of his film.

      With the beginning of the crime, this pleasure of wandering becomes the desire to solve the mystery. Now we want to know who Johnny is and what the crime is, along with James Stewart. So now, excitement takes the place of nosy. But there is a difference between us and the hero of the drama. He is in a dangerous position in a wheelchair and we follow him in the safe seat of the cinema. So the excitement caused by the events for us becomes a pleasurable excitement that originates from the very safety of our place.

      There is always another theme in Alfred Hitchcock's cinema, and that is the possibility of crime happening anywhere and by anyone. is someone This person can be the most ordinary person in the world with a completely normal life. Someone like your common neighbor. Someone who we see every day and has nothing special or strange to attract attention. Such an issue complicates and frightens the dimensions of insecurity in modern human life, and of course it resembles Hannah Arendt's ideas about the vulgarity of evil. It must be admitted that no filmmaker in history could portray this idea as brilliantly as Alfred Hitchcock in the movie "Window Facing the Courtyard".

      James Stewart in the movie "Window Facing the Courtyard" is one of the best performances He has presented his resume. He was a serious actor who has an unparalleled career, on the one hand, he shines in comedies such as Frank Capra or Ernst Lubitsch films, and on the other hand, he appears in Anthony Mann's westerns. This speaks of his amazing ability, but despite this prolific career, the role of the photographer in the wheelchair in the movie Window to the Yard is somewhere at the top of the long list of his films. It also has first class. His performance in this movie alone can make us face this eternal regret that we wish he never left the cinema and we could enjoy his acting in more movies. The chemistry between him and James Stewart works well and the two of them together make one of the best couples in Alfred Hitchcock's cinema. Stay at home and in a wheelchair. He spends his days prying into the lives of his neighbors with his camera. Until he imagines that a crime is happening in the neighborhood, but because of a broken leg, he cannot leave the house..."

      6. Witness For The Prosecution

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Billy Wilder
      • Actors: Marlene Dietrich, Charles Lawton and Tyrone Power
      • Production: 1957, USA
      • IMDb site rating for the movie: 8.4 out of 10
      • Rotten Tomatoes site rating for the movie: 100%

      We said that courtroom dramas are part of the crime genre. Here, unlike in the case of the movie "12 Angry Men", people go to court to solve a case, and the filmmaker solves the mystery through the presentation of the proceedings. So we are facing a work that is related to both the mystery of the court and the solution of that mystery. From this point of view, the movie "Witness for Prosecution" is undoubtedly the best court drama in the history of cinema. With a twisting and ups and downs story that requires a lot of precision and requires all the audience's senses to understand the story.

      But the director is not satisfied with this either and wants to set up his court to judge all of humanity and life. After World War II, put the world to trial. If you think that a movie should refer to the bitterness of war, directly and indirectly, then you are very wrong. War is such a terrible scourge that it definitely affects the smallest events in the lives of people involved in it. Billy Wilder and his co-screenwriter Harry Kornitz have done exactly this and have linked the story of a criminal case that apparently has nothing to do with war and just a simple love story to this scourge of women.

      Billy Wilder sets up the court to give each character a chance to express themselves. Everyone has the opportunity to defend themselves and talk about what happened to them; But in a brilliant way, this happens in such a way that even for a moment, the story-telling does not suffer a stroke and its process is not disrupted. From this point of view, we are on the side of a completely humane film that gives even the Germans caught in the war the right to speak and, unlike similar examples, does not depict them as evil heads. It is bitter. The people in the story are involved in multiple misfortunes from which they seem to have no escape. But in order to escape from all the bitterness, Billy Wilder has added a subtle humor to the story through the character of the lawyer's nurse to take the poison of all the bitterness. From the very beginning of the film and the sequence in Billy Wilder's car, the seed of such a thing is planted correctly. In the following, he creates comical situations through the confrontation between the lawyer and his nurse and their adherence to their jobs; The nurse cares about her patient's health and so does the lawyer He should think about his client and defend him well; So everyone is just doing their job, but this adherence to professional principles makes for laughs.

      The acting of the actors is excellent. Nothing but this is expected from English Charles Lawton and Jasangin. He is in the form of a well-known and charismatic lawyer, and of course, he was able to carry the comic burden of the story well. On the other hand, Marlene Dietrich is unique as a wounded woman and a professional lover. She has managed to play a balance between dignity and desperation of a helpless woman who was someone for herself in the past. The sequences in which these two great actors in the history of cinema are present are epic sequences and do not compare to each other at all. so that the audience is left to look at and which one to accompany; A dignified but rebellious woman or the warm presence of a male lawyer.

      "Sir Wilfred Roberts is a famous lawyer who has just suffered a stroke. He is going through his recovery period and should be away from excitement and rest; Even according to the doctor, it is better that he no longer undertakes criminal cases. Meanwhile, he accepts the defense of a man accused of murdering a widow. It seems that the man is innocent, but suddenly the prosecutor of the case does something that no one expects; He uses the accused woman against himself..."

      5. M (M)

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Fritz Lang li>
      • Stars: Peter Lorre, Otto Wernicke
      • Product: 1931, Germany
      • Site rating IMDb to the movie: 8.3 out of 10
      • Rating of the movie on Rotten Tomatoes site: 100%

      The movie "M "He raised the level of crime cinema in the talking era so much that the world of cinema had to wait for ten years and the master of noir cinema was found to return to that level again. Here the story focuses on Johnny instead of the seeker or the victim. The filmmaker wants to make his story's Johnny a symbol of a frightened country that is on the verge of collapse at any moment. For this reason, in the end, he is placed in the position of a victim to reveal the moral fall of a society. You can see that we are dealing with a complex film that shows like a full-view mirror the complicated situation of Germany after the First World War, during the Weimar Republic and before Hitler came to power.

      The image of the city in this film It is a symbol of a collapsing society. Long had the pulse of the people of his country in his hand and felt that something was threatening his country. The film "M" is the warning that he presents in the form of a work of art. That threat occurred exactly two years later and shocked the world: the Nazi Party took power and the beginning of Hitler's rule and the elimination of rivals one by one and finally the beginning of the nightmare of World War II.

      This is the first film. The speaker is Fritz Lang. The illustrator of the story of a ruthless killer who has fallen into the life of a modern city and kills innocent girls. The effect of the fear of his presence in the city will increase the pressure on those responsible for maintaining order. Tragedy occurs when even the criminals of the city look for the murderer to reduce the presence of the police.

      The conditions of Germany after World War I and the humiliating defeat in that war, the disgraceful Treaty of Versailles and forcing the country's industries to pay compensation. The victorious governments in the war, unbridled poverty, increasing unemployment and finally unprecedented hyperinflation in the world had caused the German society to reach the point of explosion. If the artists and filmmakers of the expressionism movement, wrapped in this anger, told this cry that was sleeping in the throat and showed it on the cinema screen, Fritz Lang, as if tired of those indirect words, of those artistic protests, made the movie "M" without a curtain. Tell about the destruction of a culture, a country and its people. All the suppressed anger of the Expressionism movement had turned into a cry that can be seen in this film.

      In the film "M", the play with the famous light and shadow of the Expressionism movement reached artistic perfection and the tension in the space It is properly conveyed through the filmmaker's unique spatialization. In the heart of the story, there is little trace of the presence of good, and it seems that evil has won and darkness has won over light in Fritz Lang's desired city for a long time. This theme of the film can be clearly seen in the context of the film as well as in the form of the work. Even the final court of the film and the way the characters appear in it show the victory of the shadows over the light, and from this point of view, the movie "M" can be called a very bitter work with a bitterer ending; Because the director has no interest in giving hope to his audience.

      The serial killer of the film is one of the most famous killers in the history of cinema, and most of the films after "M", whether directly or indirectly, are influenced by this film and game. Peter Lorre's brilliant role as the killer. Fritz Lang liked my film very much and called it his best film.

      "A psychopathic killer is killing children in the city of Berlin and the shadow of terror has disrupted people's lives. The police are trying to arrest him but have no leads. People are so terrified that the police increase their presence in the city day by day. In such a situation, even the criminals of the city of Berlin In order to reduce police surveillance, they join hands to find the murderer and get to their criminal life more easily..."

      4. Samurai (Le Samourai)

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Jean-Pierre Melville
      • Actors: Alain Delon, Cathy Rosier, Nathalie Delon and Francois Perrier
      • Production: 1967, Italy and France
      • li>
      • IMDb site rating for the movie: 8.1 out of 10
      • Rotten Tomatoes site rating for the movie: 100%

      Perhaps no criminal in the history of cinema is as attractive as Jeff Costello in the movie "Samurai" starring Alain Delon. Jean-Pierre Melville created a character who seems to need nothing and no one. He just wants to stay hidden from others. With that hat and that raincoat and that walking in the dark corners of the street, with that amount of unnecessaryness, with that inherent charisma of Alain Delon, with that decency even in committing a crime, with those penetrating eyes, with those firm steps and with that elegance At work, Jeff Costello is one of the most important criminals in the history of cinema.

      His job is murder. Jeff Costello takes money and commits murder. But it has principles for itself. The most important of these principles is the game with its own rules. These rules are also based on the death of awareness and of course the preservation of one's safe privacy. Throughout the film, he tries his best not to be seen. For this reason, after being seen, it destroys the city. On the opposite side is Samji's police, who are trying their best to bring him to light and reveal his identity. This makes for one of the most magnificent endings in the history of cinema.

      The film begins with a sentence from the Bushido religion: no one has the deep loneliness of a samurai, except a tiger alone in the forest. This sentence becomes the key to understanding the world of "Samurai" movie. This solitude gives the personality a dignity that comes from consciously choosing this kind of life. This is the reason why he avoids being seen so much during the narration and Melville has depicted his confrontation with others with great emphasis.

      "Samurai" is one of the best movies in the history of cinema. The position of Jean-Pierre Melville's "Samurai" in the world of art and cinema of the 20th century makes its placement at the top of any list inevitable. Melville is the creator of some of the most brilliant characters in the history of cinema, but the cold-blooded and very charismatic killer "Samurai" is the most famous and brightest of them.

      Alain Delon's performance in this film made him the familiar icon that we know today. A lonely and isolated man, wounded, with a stony and cold face and, of course, piercing eyes that shake the existence of the other party, with a raincoat and a hat, and of course, cool and intelligent, who talks less and acts more. Alain Delon played this role as if his silence was more deadly than any sentence, and of course he shone so that Jean-Pierre Melville and others repeated his immortal image many times.

      The movie "Samurai" is a Film noir is its French type. Full of bright shadows and contrasts, but here, unlike similar American films, there is a pause and reassurance in the behavior of all the characters, which indicates a heavy burden on the shoulders of each person. Before saying any sentence, people make it light and heavy first and then make it flow on the tongue. In such a frame, the movie "Samurai" acquires an ethereal quality that the sadness on the main character's face becomes a summary of the entire movie. "Samurai" is a cold movie, very cold.

      Jeff Costello is a professional killer who makes a living. But it seems that money is not worth much to him. While committing one of his murders, he is seen by a woman but shows mercy to her and does not kill the witness. This becomes a weak point for him, so that the police of Samaj film will try to get it by any means to arrest Jeff Costello. This is while showing mercy to the witness of the murder has caused the other side of the story, that is, the person who hired him, to want to remove Jeff Costello..."

      3. Once Upon A Time In America

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Sergio Leone
      • Stars: Robert De Niro, James Woods, Elizabeth McGown and Joe Pesci
      • Product: 1984 , America and Italy
      • IMDb site rating for the movie: 8.4 out of 10
      • Rotten Tomatoes site rating for the movie: 87%

      Sergio Leone links the way of committing crime to the history of a country. From the thieving hearts of the first film, which shows a primitive society, to the end, when the extent of criminals' work has reached the private lives of American politicians, crime and its methods become an excuse to know a society that only changes its appearance, otherwise it is rotting from the inside. .

      Sergio Leone, after making different films with the presence of American characters and in different places, intended to express his full devotion to this country and its cinema, and of course to deal with the genealogy and history of the formation of civilization in this country. . If his western movies had the same work and the same attitude about the American West, the movie "Once Upon a Time in "America" takes Leone's historical research to the East of America to create a place to place his typical characters.

      The story of the movie "Once Upon a Time in America" is very complex and takes place in three periods of time with single characters. It covers nearly half a century of their lives. By dealing with their lives in the foreground, the filmmaker goes into the history of people in the background and depicts what happened to them from his own perspective. The story of the film includes the friendship of several people from the beginning of adolescence to old age. They learn throughout the story to find their place in a city that is in the process of peeling, violent and on the verge of entering the gates of civilization. A city where there is no way except violence to survive and gain wealth, and these comrades are somehow drawn towards it. They gain fame. But as they get older and become more violent, they distance themselves from that youthful innocence and turn into ravenous wolves that are dangerous even for other members of the group and their relatives. In such a context, what makes the film a magnificent work is Sergio Leone's attention to the characters and their fine texture; In a way, in the end, the audience is both worried about their fate and horrified by their actions.

      The music of the film is by the great Ennio Morricone. From those soundtracks that exist in the cinema, it remains and can continue to exist apart from the world of the film. It was known that Sergio Leone was one of the options to direct the film "The Godfather" by Francis Ford Coppola, but because he wanted to tell his story about the life of criminals on the east coast of America, he did not accept that offer. The result of saying no has become the same movie "Once upon a time in America" which is a magnificent work. The movie "Once Upon a Time in America" is the third and last movie of the trilogy of Once Upon a Time in Sergio Leone's film career. One takes place during the childhood and adolescence of the main character, and its time goes back to the post-World War I period in America. The second is his youth, when the economic crisis started and the era of banning the consumption of alcoholic beverages. The third is the aging of the main character and refers to the era when America was shedding its skin in the late 1960s. In the first story, the audience gets to know the lives of the people in the slums of New York and sees the friendship of some young children who are planning to make money in the wrong way. In the second story, the condition of the comrades has improved and they are in a bad business situation and they control an area, and in the third story, while the group of comrades has been broken up for years, the main character named Noodles returns to the same place of his adolescence and youth, but still There is something from the past that bothers him..."

      2. North By Northwest

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Alfred Hitchcock
      • Stars: Cary Grant, Eva Mary Saint and James Mason
      • Production: 1959, USA
      • IMDb site rating for the movie: 8.3 out of 10
      • Rotten Tomatoes site rating for the movie: 97%

      Sometimes crime cinema can make you feel good. Sometimes it can make us smile and be excited by the events on the screen. Sometimes you can sit down to watch a movie that not only you can't move from your place for a moment, but also the beautiful and glossy world will take the heart of the audience. Of course, to see such a movie, you have to watch a work by Alfred Hitchcock.

      "North by Northwest" uses the same scenario as the famous wrong man by Alfred Hitchcock; The story of men who are mistakenly caught in a predicament and now have to find a way to get rid of themselves, but there is a difference in this; The film "North by Northwest" is not only the most attractive, but also the most exciting film by Alfred Hitchcock.

      The cause and effect relationships and plot of the film "North by Northwest" is something similar to James Bond films. Even the place where the incidents happen is the same, and the places for the battle and conflict are chosen to have more of a dramatic or symbolic effect, in addition to creating meaning, it creates tension and raises the heart rate of the audience. If you pay attention to James Bond movies and note that the pattern of action scenes in this series of movies is such that one scene takes place in the sky, another sequence in the sea and a battle with a car, all in the farthest parts of the world, and then continue to the movie. Play "North by Northwest" and you will realize how James Bonds are influenced by this movie.

      Cary Grant as Roger Thornhill is here in a labyrinth that leads to nothing. does not bring Everything is so complicated that it has made him a mere victim, but in a wonderful way Alfred Hitchcock clarifies everyone's task in the first third of the film and reveals the story of the film and the leading events. But how is it that the audience does not move from its seat and until At the end of the movie, he sits greedily and follows everything and everyone? Alfred Hitchcock creates such suspense that he also plays with the concept of spoiling the story; In fact, he himself reveals the story of his film. So if someone asks you what suspense is and how it keeps the heart rate of the audience high, you can safely introduce the movie "North by Northwest".

      Cary Grant this movie whenever he wants. It can make us laugh. His inherent charisma combined with all the action sequences and of course funny makes the audience worry about the events around him and feel sorry for him. Alfred Hitchcock needed a man who could overcome any problem with his charm, and certainly no actor in the history of cinema can shine as attractive and charismatic men as Cary Grant.

      The movie "North by Northwest" several It has the famous action sequence in the history of cinema in its heart; The sequences that have been referred to many times throughout history and have been paid tribute to by various filmmakers: the sequence of the spraying plane and the final sequence over Mount Rushmore belong to this category. Meanwhile, Bernard Herrmann's first-rate music is known as one of the best soundtracks in the history of cinema. No composer in the history of cinema has been able to put the crisis of human identity or his anxiety in this modern era in the form of a few musical notes like Bernard Herrmann and create such a magic that remains unchanged to this day.

      "A man named Roger" Thornhill is mistakenly kidnapped by a secret organization as an American spy. This organization is trying to kill this man, and for this reason, they put him unconscious behind the wheel of a car to make his murder appear to be an accident, but...

      1. The Godfather Trilogy

      BingMag.com Top 20 crime movies in the history of cinema from worst to best

      • Director: Francis Ford Coppola
      • Stars: Al Pacino, Marlon Brando, Robert De Niro, James Caan, John Casal and Andy Garcia
      • Product: 1972, 1974, 1990, USA
      • IMDb rating for the movie: 9.2, 9, 7.6 out of 10
      • Rating of the movie on Rotten Tomatoes site: 97%, 96%, 68%

      Probably, hearing the name of the crime genre, the movie "The Godfather" immediately comes to mind. Here the crime is done in an organized way and the name of the criminal syndicate can be used for the way the characters work. But the attraction of the movie is not about these issues. The film follows the scenario of the rise and fall of crime cinema from a human point of view. In this way, in the first movie of the series, with the emergence of Michael as the main power of the family, the father falls from the position of power, and in the following episodes, the filmmaker keys the scenario of Michael's fall.

      Until then. that in the third part, the same thing that happened to his father in the first part, now happens to him. Of course, Francis Ford Coppola knows very well that such powerful men always maintain their power over things, so he focuses on their moral downfall. In general, the whole "Godfather" trilogy can be summed up as the story of Michael's powerful rise and then his moral fall. This tragic process is drawn in such a way that it joins the great tragedies of the history of theater and literature and makes the character of Michael a unique character in the history of cinema. It is carefully adjusted between them. Everyone has fallen into place and made a unique work out of such a characterful film. For example, you can pay attention to Michael's relationship with his sister. From the beginning when Michael arrives at her wedding to the end when she is his only companion, this tumultuous relationship defines not only part of the history of a dynasty, but part of the social history and the place of women in 20th century America. also refers This is how a film like "The Adopted Father" has such a demand in the world and many are fighting for it.

      Next, we can show the history of a Shakur in the film. If Sergio Leone connects the history of contemporary America to the friendship of a few friends and makes the movie "Once Upon a Time in America", Coppola shows this history in the light of the actions of a family. On the other hand, the ups and downs of this family go beyond the scope of history and are linked to the history of a person in any time and place; As if this is a story for all seasons.

      In addition to all this, the series "The Godfather" is full of visual appeal. From the first film, which has many lasting sequences in the history of cinema, to the second and third films, some of which are forever etched in the memory of friends' cinema. But if we go back to the topic of this article and seek to discover the roots of the crime genre, we will see that this film presents crime as an inseparable part of human life that can never be avoided. Every time the reason for this crime is the same old thing: protecting the family. It's as if a person is still the same caveman who does any action to protect himself and justifies it. He entered the great temple of actors. The role of Michael Corleone, the younger son of Don Vito Corleone played by Marlon Brando brought him fame, but that was not all there was to it. Al Pacino won the hearts of critics and quickly entered popular culture; In such a way that he is still worshiped for his role and image on the screen, in movies, television and even in comedy shows. And all this is popular with the general audience without any additional explanation. There are few roles in the world that are so well known.

      In 2020, Francis Ford Coppola released a new edited version of the third part of this series called "The Godfather Coda: The Death of Michael Corleone" (The Godfather Coda: The Death Of Michael Corleone) published, which has differences especially in the end with the third part of this series.

      "In the Godfather trilogy, the story of the life of the young son of a powerful Italian family in the criminal organization from the beginning and youth to Old age is displayed."

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