Home > Art and cinema > Movies and series
Reading time estimate: 57 min

Top 15 Akira Kurosawa Films from Worst to Best (Filmmaker Under the Magnifying Glass)

Akira Kurosawa is the most famous director of Japanese cinema in the history of cinema and one of the most famous artists of the country in the twentieth century. Over the years, he has amassed a treasure trove and released Films that have captivated ordinary audiences, critics and filmmakers such as Francis Ford Coppola, George Lucas, Steven Spielberg, Brother Cohen and many others around the world. . In this list, we will focus on 15 important Films of this great director in the history of cinema.
  • 250 Top directors in the history of cinema

In genre, Japanese cinema falls into two general categories. Is divided. "Jedi Gekki" and "Jendai Gekki". Jeki Geki refers to historical Films and Jinda Geki refers to contemporary stories. "Chambara" or swordsmanship Films are the first subset. Akira Kurosawa experimented with both types of cinema and, unlike many who are Best known for his historical Films Under the category of Jeki Gecki, presented a picture of modern-day Japan after the US occupation at the end of World War II. There is no alternative today.

Akira Kurosawa, in addition to filmmaking, also painted, and the influence of this art can be clearly seen in her work. His interest in combining colors in his later Films is quite evident, and sometimes it turns out mainly because of the film's existence. Kurosawa spread the colors on the screen like a painter, creating a unique atmosphere that emerges only from cinematography at the height of his maturity and perfection. But in non-color Films one can see this interest as well as his dependence on different compositions; Sometimes his camera plays a perfectly geometric scale in front of him, inspired by the talent of a tasteful painter. ul>

Akira Kurosawa was also a master of adapting literary works. In fact, he is an example of the violation of the claim that brilliant Films cannot be extracted from great literary works or plays. Films such as Blood Rush, which is a take on William Shakespeare's Macbeth, and Chaos, directed by King Lear, the great English artist, are the result of the genius of a man who knows the world of literature and theater as well as cinema. It can be argued that he made the Best adaptation of Fyodor Dostoevsky's great novel The Dumb in a film of the same name. Akira Kurosawa used Toshiro Mifone in 16 Films to be one of the director's Best collaborations. An actor in the history of cinema. Toshiro Mifune was a jewel for him that shone in the heart of his films. Kurosawa made many portraits of Mifune, and the great actor did well to all of them, coloring a wide variety of characters in his films; from a bloodthirsty general to a philanthropist, from a barefoot samurai to the wealthy boss of a profiteering company, from a helpless cop to a rapist.

Of course, other great Japanese actors also appeared in Kurosawa's films. Kurosawa's collaboration with Takashi Shimura was as brilliant as his collaboration with Mifune. Toshiro Mifune and Takashi Shimura have worked together in many Films for this great filmmaker, perhaps Best of which are Seven Samurai, but Shimura's Best portrayal in a film by Kurosawa undoubtedly belongs to the film Living, in which he traces the various ups and downs of human emotion. He performs there with a master.

The list goes on to mention Tatsuya Nakada, who played the role of Kurosawa's film heroine after the feud between Mifune and Kurosawa. If Toshiro Mifone represented the hopeful era of Kurosawa's cinematic ethics, Tatsuya Nakada became the film's film hero when he was old-fashioned, and destiny and bitterness pervaded his films. In fact, Tatsuya Nakada was a symbol of the life of men in Kurosawa's cinema who were nothing but nothing and death.

Akira Kurosawa once wished in a letter to the famous Swedish filmmaker Ingmar Bergman that both were over eighty Pass the age and then create new and different Films with new insights that come from maturity and worldliness. Fortunately, he lived long enough, and at the end of his life he created very personal Films that show his mastery at the height of his maturity; Films such as Madadayo, Rhapsody in August, and Dreams. Pay attention to them. It is true that ranking based on these scores does not go in the right direction and often misleads the audience, but when the filmmaking has received so much praise from IMDb users and his work has received very, very high average reviews from critics. It can have only one meaning: that the filmmaker had something to offer that others did not; Something unique that puts only the greats of the history of the seventh art in a position equal to him.

15. The Hidden Fortress

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • Actors: > Toshiro Mifune, Misa Ohara and Takashi Shimura
  • Product: 1958, Japan
  • IMDb Movie Score: 8. 1 out of 10
  • Movie Ratings on Raton Tomitoz: 97.

The story of the film is similar to many historical and fairy tales; A princess in a disguise who poses a great danger to her life and her throne, and a servant on foot, one of whom is a brave and warrior man, and of course others who, wherever necessary, make the singer/spectator laugh, and in fact the clown of the court. Fill the royal. The path that is to be taken is similar to many similar stories/movies; Numerous dangers, a constant battle between betrayal and loyalty, victims who try to defend the princess's soul to the last drop of blood, and enemies to the point of armed teeth who turn all the way in pursuit of the fugitives. If the Hidden Fortress film was just that, it would still be a spectacular work, but not a lasting film that will be perfected. he does. The film begins not with the mighty swordsman's heroism or the hardships of a fugitive prince, but with two awkward people who have neither principles nor anything to offer. But Akira Kurosawa joins them in such a way that these people get stuck in the heart of a devastating war, which the audience joins with them step by step.

The story does not begin for a while. What the two peasants of the film are going through is a prelude to showing the ugliness of war and bloodshed; It is only in this case that the audience understands the continuation of the journey and the danger that the main characters face; Because he has seen all the violence and atrocities before. These two peasants are like two afflicted people constantly in the wrong place at the wrong time, and this association with them makes the audience familiar with the atmosphere of the story.

Now is the time to introduce the main characters, namely the general and the prince. Kurosawa draws them with miniature precision. Sardar's seriousness and loyalty are undeniable, but he knows well how to play a role and find a way to escape. Just the opposite of a prince whose aristocratic temperament allows him to be quickly identified and caught in the enemy's trap. It's just fun. Ordinary people like the two farmers here are not just a means of entertaining the audience or filling the story time. The essence of the story is formed around all of them and in their absence, there will be no new story. On the other hand, the cause of the trouble, the prince, is not very competent, and he is the one who endangers the group. Remain the gold he inherited, which in addition to physical problems, causes greed in others.

In fact, Akira Kurosawa created all human emotions around her two stray men and only war for He kept the general and the aristocracy for the prince. This reversal of the Hidden Fortress makes it a human film that sets it apart from other similar films. Inspired by the film The Hidden Fortress by Akira Kurosawa. If you look at the characters and the whole r2d2 and c-3po heads, the two robots in the story, you see that they are similar to the peasants in Kurosawa.

"Japan, Sixteenth Century, Civil War." The two homeless and greedy peasants, after realizing that they are not fighting and that participating in a war does not bring them status and wealth, face a strict and mysterious man. This man, who is a famous general, disguises himself as an unknown person so that he can cross the princess and put her on the throne. The enemy is looking for this princess, because she is the last survivor of her aristocratic family; So his identity should not be revealed and for this reason he throws himself into Lali. The two peasants promise to help the man in exchange for gold, but they do not know the identity of the companions and do not know what their intention is to cross the border </"

14. The Bad Sleep Well

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • Actors:
  • Product: 1960, Japan
  • IMDb movie rating: 8 out of 10
  • Movie Ratings on Raton Tomitoz: 100%

Akira Kurosawa was saddened by the misery and suffering of her countrymen. When he was making a historical film, he was dealing with the problems of the present and trying to dig into his country now, but because of the appearance of those films, everything was in the wrapper and the audience had to imagine himself to understand the filmmaker. But sometimes Kurosawa would pick up his camera and inform his group to reach out as far as possible to the spot that was bothering him to reveal a scandal. Bad movies sleep well, like living, is one of the filmmaker's revealing films.

The film has a mafia narrative. Some have set up a dreadful empire for themselves, and in this way they pocket good money, and if anyone disturbs them, they do not spare any crime. According to Kurosawa, they are leeches that suck people's blood and the law does not have the power to dismantle them. So a hero must be found to stand up to them. A man who thinks of revenge more than anything, and that is what has blinded him so that he does not see the opposite path. This man is not much different from his opponent, only the goal is a problem for him, and if there are victims in this way, there is no problem. So the film leads to different interpretations.

from this perspective, Akira Kurosawa made his film with an ethical look. Although the theme of the film is social, he tries to challenge the moral concept of justice and question the way it is administered. That is why the film goes beyond an explicit social/political statement to the need for law. So the film Bad Sleeps can be seen as the result of a realist intellectual's view of what is happening in his country. At the same time, in some places, the film shows news behind the scenes, otherwise, we would have faced a film that showed only a unique issue, not a social or even political problem that causes society to lag behind.>

The opening sequence of the film, or the wedding sequence, is one of the Best in Kurosawa's career, and when we talk about his career, it means one of the Best in the history of cinema. This detailed sequence is a complete classroom for understanding the decoupage as well as picking the mezzanine and placing the camera. All the relationships in the film can be understood in this sequence, and who is in the story. The role of a character who has two sides and must establish a balance between the two. The audience must both understand him and stay away from him, and reaching this point is not an easy task. It is this form of acting and, of course, the precise payment of Akira Kurosawa that makes the audience not know who the meaning of the film refers to in the end. Is it the protagonist who sleeps well or a gang of criminals?

Reporters are ready to cover the marriage, and it turns out that a company employee died suspiciously five years ago. On the other hand, this marriage is suspicious in the eyes of the media. At the same time, the police have launched an investigation into bribery by high-ranking company officials, which has caused some concern. This is while the secretary of the manager is getting closer to his boss day by day and further away from his wife; Because he sometimes disappears without anyone knowing

13. Drunken Angel

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • Actors: Toshiro Mifune, Takashi Shimura
  • Product: 1948, Japan
  • IMDb movie rating: 7.7 out of 10
  • Movie rating on Raton Tomitoz: 93.

Akira Kurosawa was dissatisfied with her previous Films while making Drunk Angel; Because he had a lot of control at the time they were made, and at the same time he was not yet a well-known filmmaker that everyone could trust in his abilities; For this reason, many consider the film Drunk Angel to be his first serious work. But finally, during the post-World War II liberation, it was his turn to make his own film. The film Drunk Angel is a strange film in this regard; Because, on the one hand, Kurosawa enjoys the same unprecedented freedoms as before, and on the other hand, his country is burning in the swamp after the war and the beginning of a new era, and of course the military presence of the US Army.

Akira Kurosawa He used the created freedom to capture the contradictions of the people who were trying to live in a new way and to plot in the form of a story. from this perspective, the film is a full-blown mirror of an era that openly shows the current turmoil in society. The opening and closing scenes of the film are a symbol of the same clutter that surrounds these people: the stinking mire that appears to be the result of a wartime bombing, and no one is trying to destroy it. (This attempt to destroy the mire later becomes the subject of a live film.)

The whole film comes and goes, and the events of the story revolve around the mire, and the characters argue and different lives change for the better. But this rotten space remains in place. from this perspective, Akira Kurosawa has made a pessimistic film in which he does not see any improvement in the near future.

The character of the doctor and the patient appear at other times in Akira Kurosawa's films. It's as if Kurosawa's early Films were later reproduced elsewhere in his career. Toshiro Mifune himself later played a devoted doctor in Red Beard who tries to serve the community, just like the doctor in the film. The patient is also present in the film Living, and it is interesting that both characters of the patient in these two Films are looking for a new way after the illness, although it is too late, but their physical weakness changes them. Akira Kurosawa was a master filmmaker in creating gray characters. The characters in his Films are less white or black; Except in a few cases. For this reason, both the doctor and the offender accompany the audience and create a sense of empathy. It should be like this; Because the main problem that the victim suffers from is somewhere out in the middle of society, somewhere around the same mud, and all these criminals and doctors are the victims of that hell out there. It also has a cinema; This was the first film that Akira Kurosawa used Toshiro Mifune, and this collaboration made it one of the most fruitful director/actor collaborations in the history of cinema. Toshiro Mifune plays the villain and Takashi Shimura the Great plays the doctor. The story of the film is such that if one of these two slips, it will be the end result of a catastrophe, but fortunately both have done their job well. The film is credited with Akira Kurosawa's first major work; However, it was built during the American occupation.

"Thugs are roaming the Golan Heights after World War II and scaring everyone. They go about their business through work. One day one of them goes to the doctor to be treated while being shot. The doctor finds out that this young man also has tuberculosis. The doctor asks her to allow him to treat the disease as well. from now on, a unique relationship is created between the two

12. Stray Dog

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • Cast: Toshiro Mifune, Takashi Shimura
  • Product: 1949, Japan
  • IMDb movie rating: 7.9 out of 10
  • Movie rating on Raton Tomitoz: 95.

Akira Kurosawa after making Films such as One Wonderful Sunday and The Angel Drunk and dealing with contemporary Japan from the point of view of ordinary people and criminals, he went beyond the story and made a film that portrayed post-war Japan from the point of view of law enforcement officers. Agents who were not exactly familiar with their new situation and the new society and had to go step by step to find out what was going on in and around the country. The same storyline provides an opportunity for the director to go Under the skin of the community and present a nude picture of the city.

. The first plot is very simple: a man simply says "I lost my gun" It does not seem that such a sentence ends in one of the most beautiful criminal works in the history of cinema, but it is directed by Akira Kurosawa; He can create a masterpiece out of anything.

Akira Kurosawa made every very complex action seem simple; Simplicity is at the height of the complexity of what only cinema masters can do. . . .

. . .

. . . .

. .

. .

11. (Yojimbo)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1961
  • IMDb : 8.2 10
  • : 95

. . .

. .

. . . .

. .

. .

. . .

. . . .

. .

. (a fistful of dollars) . .

. . . .

10. (High and Low)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1963
  • IMDb : 8.4 10
  • : 95

. .

. . . .

. . . . . .

. . . .

(no country for old men) . .

.

. 30 . :

9. (Throne of Blood)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1957
  • IMDb : 8.1 10
  • : 95

. .

. . . .

. . . . . .

. . . . .

. . . .

. . .

. . . . .

8. (Sanjuro)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1962
  • IMDb : 8.1 10
  • : 100

.

. . .

. . . .

9 . : .

. . . . .

. . . . .

. . . . .

. .

. . . .

7. (Kagemusha)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1980
  • IMDb : 8 10
  • : 88

. . . . .

. . . .

. . . . .

. . .

. . .

. .

1980 . . .

. . . . . .

6. (Dersu Uzala)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1975
  • IMDb : 8.3 10
  • : 73

1971 . (dodesukaden) ! ! ! (tora! Tora! Tora!) . .

. . . . .

. . . .

. . . .

. . . . .

. . .

.

. . . .

5. (Ikiru)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1952
  • IMDb : 8.3 10
  • : 98

. . . . .

. . . . . .

. . . . . .

. . . .

. . .

. .

. . . . . . .

4. (Red Beard)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1965
  • IMDb : 8.4 10
  • : 73

. . . .

. . . . . .

. . . .

. . . . . .

. . . . .

( ) . . .

. . . .

3. (Rashomon)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1950
  • IMDb : 8.2 10
  • : 98

. . . . . .

. . . . .

. .

. . . : . .

. . . . .

. . ( ) .

2. (Ran)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1985
  • IMDb : 8.2 10
  • : 96

. . . .

. . . . .

. .

. .

. . . .

. . .

. . . . .

. . .

. . . .

1. (Seven Samurai)

BingMag.com <b>Top</b> 15 <b>Akira</b> <b>Kurosawa</b> <b>Films</b> <b>from</b> <b>Worst</b> to <b>Best</b> <b>(Filmmaker</b> <b>Under</b> the <b>Magnifying</b> Glass)

  • :
  • : 1954
  • IMDb : 8.6 10
  • : 100

(Tokyo story) . . .

. . .

( ) . .

6 ( ) . .

. . () .

. .

. . .

. .

( ) () . .

. . . .


Tags: top, akira, kurosawa, films, from, worst, best, (filmmaker, under, magnifying, glass)

READ NEXT IN: art and cinema / movies and series

BingMag.com 10 Hollywood actors who drowned in their role movies and series

It is generally believed that 10,000 hours of intensive training is necessary to become a master in any field. This rule also applies to acting. Of course, only a handful of actors have achieved such

BingMag.com Top 8 Netflix Original Movies to be released in 2022 movies and series

Netflix has been known as one of the largest video streaming services ever since its inception as a DVD player. From time to time he unveils unprecedented commercial designs. In 2017, for example, it

BingMag.com 10 unique movies about going to the movies! movies and series

The last two years have been difficult years for filmmakers. Quarantine and social restrictions made watching movies take on a different meaning, and screens went out of the way they had adhered to fo

BingMag.com Which films are most eager to watch at the 1400 Fajr Film Festival? movies and series

The ticket sales of Fajr 1400 Festival for the general cinema lovers in Tehran started this morning, and most of the tickets for the films "Lost Man", "Betrayal" and "Private Meeting" started. In less