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Top 12 Psychological Horror Movies That You Must See

BingMag.com Top 12 Psychological Horror Movies That You Must See

In psychological horror cinema, the source of fear is within the characters, and they suffer from the presence of something in their mind or a disease in their soul. Sometimes the disease manifests itself and causes harm to others, and sometimes it only kills the person himself. In such films, the element of horror stems from the confusion, fear, distrust, and weakness of the people, which, according to Jung, can be hidden in the "shadow" part of the human psyche and in the form of paranoia or in its more complex and dangerous form, illusion and seeing another world. Real update. In this list, we will focus on 10 important psychological horror films in the history of cinema. The genre has sought to create a sudden panic or use the principle of surprise. But on the other hand, there is another subgenre in horror cinema that incorporates these inner fears into the characters themselves.

After this perspective, we are faced with films that may not seem so scary at first glance. , Because less in these films, monsters have external appearances or bloodthirsty murderers commit crimes. Basically, these films are miles away from Slacher cinema or even supernatural horrors or Gothic horror movies with Dracula and his vampires because in them monsters are completely out of place and the presence of an evil in the streets or a neighborhood or a house makes a crime. Becoming an inevitable part of such films along with heartbreaking scenes. In fact, in that kind of cinema, the arrival of a horrible sequence will happen sooner or later, and it is only a matter of time.

While psychological horror cinema can be like this, but sometimes it is not. In fact, in many cases, there is no horror sequence at all in the conventional sense, and there may not even be any news of death or bleeding. In many cases, the person is only involved with himself and all the manifestations of fear are inside him and sometimes he does not find an objective and external presence at all. Even in cases where this presence becomes public and endangers the lives of others, the filmmaker still focuses on the soul and psyche of his chosen character.

So at first glance, these films may be worth watching with a circle of friends. They are not meant to be intimidating and frightening, but on closer inspection you will find them more frightening than any other film in the history of cinema; Because they say it from within us, and certainly their effect is not limited to the duration of the film. After watching any good psychological horror movie, the viewer is involved with it for a long time, and if he is in the circle of his friends, he has a hot topic to talk and socialize after the movie is over; Because a good movie is something that all of us humans understand, or at least have touched at some point in our lives.

There is another difference between this type of cinema and other horror movies; In psychological horror, the concept of the real world and the normal state are disrupted. The question may arise that horror cinema is basically not commensurate with the normal situation and realism, which of course is true, but it means the world that makes the film itself. In supernatural horror cinema, for example, the presence of the element of evil or the monster has become a real and inseparable part of that world, and the audience accepts its presence in that world and considers it as one of the axioms of the film world. In the psychological horror, however, the filmmaker deliberately escapes such normalization. In fact, he does his best not to make anything in this world look definite and therefore natural, and it seems that every part of it has a mental quality.

So the director blurs the line between objective reality. And mental reality advances its work and sometimes forgets the whole real world and penetrates into the inner self of its own personality; Like the greatest psychological horror in the history of cinema (number one on the list), which speaks of the human psyche and has nothing to do with the ordinary and everyday relations of the world.

1. The Cabinet of Dr. Caligari

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • Director : Robert Wien
  • Cast: Conrad Witt, Werner Krauss
  • Product: 1920, Germany
  • IMDb movie rating: 8.1 out of 10
  • Movie rating on Raton Tomitoz: 99.

As mentioned, Robert Wine digs into his main character in this film and has little to do with the objective manifestations of human daily life. But Dr. Caligari's office is historically not just an ordinary film that does just that. We are dealing here with a film which, by virtue of the value of cinematic history, is less capable of equaling its status and can claim to be so influential.

Dr. Caligari's office The first expressionist film in history It is a cinema. This artistic and cinematic movement is rooted in the fears of the German people after their historic and devastating defeat in World War I, and reflects the worn-out spirit of society on the verge of collapse. In fact, the expressionist artist is screaming out of inner pain and trying to turn that scream into a work of art. Thus, from the very beginning, this school of art deals with the subjectivity and neurosis of man, and even the objects of life complement the world, which portrays that neurosis in the best possible way.

Another distinguishing feature of these works is the figure Decor payment as well as lighting and filming. Exotic decor with sharp and disturbing angles, the presence of a sharp contrast between darkness and light in the lighting and the use of camera angles in a way that conveys a sense of dread or at least inaccuracy in combination with mezzanine. Slow is one of the characteristics of this cinema.

In this first film of this artistic movement, Robert Wien did all this for the first time and created a film that goes completely into a person's neurosis and his fears. Says. It is no longer a matter of external appearance of fear, and the source of human presence in front of the filmmaker's camera has nothing to do with material reality.

The beginning and the end of the film together can express the essence of this type of cinema. Where the filmmaker plays with the mind of the audience and makes them dig into themselves and think about the root of their inner fears and ask themselves the question of what the film really says about the material world and what of Has it originated in the human psyche? What is right and what is the construction of the sick mind of people?

Another achievement of the film is drawing a melancholy world. In this world, future events are predicted by Dr. Caligari, and strangely enough, these predictions come true quickly. Thinking that a person can do such a thing in itself causes anxiety and fear in the audience, but do not imagine that in another mental world there is no news of death or murder. There are still those who commit murder in a disturbed human mind so that the director can convey the fear and horror in the male mind to the viewer of the film by showing them.

Dr. Caligari's office Many consider it one of the best works in the history of cinema, and many consider Herman Warm's stage design to be the most creative design in the history of cinema. What this film did with the history of cinema is not really measurable. Because if it did not exist, today's cinema would definitely be something different, and perhaps different genres, such as noir films, would have appeared in a different way and would not have had such a richness in illustration. Or maybe there was no news of Orson Welles and his fellow citizen Kane at all, and the history of cinema went on in a different way. To understand these issues, you should watch this film as well as the mentioned films and pay attention to the illustrations and frames in all of them.

Who has the power to predict the future through the human being he controls. "Over time, this takes on a frightening form and is associated with murders that seem to be Dr. Caligari's own work"

2. Your Devil (Diabolique)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • Director: Henri Georges Clouseau
  • Cast: Simone Siniure, Vera Clouseau
  • Product: 1955, France
  • strong> IMDb movie rating: 8.1 out of 10
  • Movie rating on Raton Tomitoz site: 96.

Like Alfred Hitchcock, Henri Georges Closo is a master of fear. Both of them had reached the level of a master in the use of suspension, who could easily hold the pulse of the audience and put themselves in the place of the god of the film. Like Hitchcock, Klose knew full well that there was no fear of horrific events happening immediately, but that real fear was waiting for them to happen.

Now, with that in mind, step into the world of film. The incident will happen, but Clouseau knows very well how to play with his soul to scare the audience. Basically, the movie "Satan" describes you as a subgenre of psychological horror, which, in addition to having a psychotic personality and on the verge of nervous breakdown; It also plays well with the audience's psyche and tolerance threshold. In dealing with the film, the audience is constantly thirsty to understand the end of the film, but Henri Georges Clouseau constantly plays with this expectation like a masterful trick, and then in the end, by showing something different, he pushes the audience to the threshold of spiritual satisfaction.

There is less filmmaking in the history of cinema that has such a unique ability to hold our pulse like wax in its hands. Clouseau, of course, has other things to face; His intention with himself and his film is not to play only with our expectations and to challenge it, that if this were the case, we would be faced with a one-time effect that would lose its function and charm after watching it once, and something else to Did not present.

Close goes further and turns his film into a work examining the mental states of his people; A work that deals with how evil arises in human existence and the factors that shape it, and tries to explore such a subject in a micro-texture. From this perspective, we are dealing with a leading film in the history of cinema, because it does not see evil in the essence of its main character, but seeks step by step to discover why it exists in a human being who adheres to moral values. So instead of normalizing evil or making fun of its presence, Clouseau seeks to present it to the audience without discount, and to warn him of the inadvertent consequence of such a thing. The scariest thing is that evil is lurking somewhere nearby.

But again, the film does not end there; Wherever you think you have guessed the end of the film or you know what will happen in the future, Klose has a surprise and something else to look forward to. For this reason, guessing the end of the film by reading this article or reading the synopsis is not an easy task. Considering all this and what has been said, be sure to watch the movie and try to pay attention to the details of the game of a great actor like Simon Signora. Meanwhile, the bathtub sequence of the film has become one of the symbolic sequences of horror cinema and even the history of cinema. . A reconstruction that is miles away from the original version in terms of artistic quality.

Everyone calls her husband, Michelle, Mr. Manager. There is another woman in that school named Nicole who has been in a relationship with Michelle in the past. Nicole constantly asks Christina not to tolerate Michelle's harassment and humiliation and kills her, but Christina considers this against the values of her life until

3. The Silence of the Lambs

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • Director : Jonathan Demi
  • Cast: Judy Foster, Anthony Hopkins
  • Product: 1991, USA
  • IMDb movie rating: 8.6 out of 10
  • Movie rating on Raton Tomitoz: 96.

The Silence of the Lambs is one of the symbols of psychological horror cinema in the history of cinema. The reason for this goes back exactly to the space in which the story takes place. There is no mention of supernatural forces here, like Roman Polanski's rosmary's baby, wandering between the two subgenres of psychological horror and supernatural horror, or, like Alfred Hitchcock's psycho film, showing signs of Slasher cinema. Incidentally, the bloodthirsty killer of this film is a very clever psychologist who gives professional advice to the police force.

With such a background, it is natural to consider it as a symbol for defining this important cinematic subgenre. But the reason for its presence at the beginning of the list goes back to something beyond the definition and explanation of the elements of the genre. The first point is Jonathan Demi's impeccable storytelling as a director, which both controls the rhythm of the film properly and makes the characters believable. This treatment of his characters throughout the drama makes the audience worry about each of the positive characters in the story and pray in their hearts for the murderer to be trapped. But the film culminates in characterization when the viewer does not know what to do with Dr. Hannibal Lecter? As well as being a symbol of the devil, he is also charismatic, and that destroys all our moral values in the face of him.

The next point concerns the excellent play of the two main characters; Both Judy Foster as FBI Detective and Anthony Hopkins as Dr. Hannibal Lecter are in their best form. Especially Hopkins, who is playing the most flawless and famous game of his career and creates his character with such miniature precision that he cannot be loved, and this is why our fear of him is accompanied by a kind of interest. An interest that cannot be explained but can be touched and felt; A mixture of love and hate.

The fact that both the negative and the positive poles of the story evoke the audience's feelings is not a small achievement for any film, but the silence of the moments is still not satisfied with this and despite all the efforts Has an audience to intimidate. It is enough to pay attention to the scenes in which Dr. Hannibal Lecter talks to the detective behind a glass, how he affects the other side with those eyes that do not even blink, or when he feels that he has to kill someone, how with His mouth recreates the feeling of eating a delicious meal. He sits in a cage but is scarier than any other free creature. The character of Hannibal Lecter is a continuation of the success of this film and is based on Harris' books. The character of Hannibal Lecter, played by Anthony Hopkins in Silence of the Lambs, was ranked No. 1 in the American Film Foundation's list of the worst villains in the history of cinema.

The daughter of a high-ranking US official is elected. His boss believes that talking to a serial killer named Hannibal Lecter, who is being held in a psychiatric hospital, can help resolve the case. Misery

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • Director: Rob Rainer
  • Actors: Katie Bates, James Kahn and Lauren Bacall
  • Product: 1990, USA
  • IMDb movie rating: 7.8 out of 10
  • Raton Tomitoz movie rating: 90.

The story takes place in a snowy environment. And it goes far from civilization. Both sides of the story are stuck in this miserable environment, and this is great for one side of the story, while the victim suffers from it. This environment allows the filmmaker to address the extent to which each artist is responsible for what he or she has created and to what extent he or she can be indifferent to the subject's fans and whatever he or she likes to do with it; Because the reason for the film's evil character's resentment of the author and the famous person of the story is that he killed his favorite character in the heart of the story and the writer has to revive that person in another story.

This conflict between the two sides causes To turn the conflict between the two into an eternal eternal struggle in examining the relationship between the creator of a work and the audience of his works. The two characters are played by Katie Bates as Johnny in her best form and James Kahn as the writer. Katie Bates' behavior is both terrifying and sympathetic, and this makes her presence terrifying, because her behavior for the next moment cannot be guessed. James Kahn enjoys being a writer, and despite Katie Bates' unparalleled performance, he does not shy away from her. It was Bates' performance that earned her the Academy Award for Best Actress in a Leading Role.

The film's main achievement is in shaping the slow and continuous madness of its negative character. Madness that seems to be no escape from it and turns the victim into a victim and on the other hand causes the other side of the story to have no choice but to use violence to defend themselves. The two sides of the story have to struggle because there is no escape, so an increasing suspense replaces the momentary fears and makes the issue of the timing of the violence more important than the action itself.

"Paul Sheldon a Successful Writer Has decided to finish his sequel called Misery, so he has to destroy the main character in his latest post. At the end of his story, he gets in his car and drives off the mountain roads to the city, but on the way he has an accident and is saved by an extremist fan of his books

5. (Dont look now)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 1973
  • IMDb : 7.3 10
  • : 95

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6. (Shutter Island)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 2010
  • IMDb : 8.2 10
  • : 68

. (cape fear) . (taxi driver) . .

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7. (Jacobs Ladder)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 1990
  • IMDb : 7.5 10
  • : 73

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8. (The Lighthouse)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 2019
  • IMDb : 7.5 10
  • : 90

. (the witch) 2015 .

. 1:1/19 .

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1890 . .

9. (The House that Jack built)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 2018
  • IMDb : 6.8 10
  • : 60

. . .

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: .

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(nymphomaniac) . . .

.

. 12

10. (Funny Games)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 1997
  • IMDb : 7.6 10
  • : 63

. . - - .

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2007 .

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11. (Black Swan)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 2010
  • IMDb : 8 10
  • : 85

. (requiem for a dream) (the fountain) (mother) . . .

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12. (Frailty)

BingMag.com Top 12 Psychological Horror Movies That You Must See

  • :
  • :
  • : 2001
  • IMDb : 7.2 10
  • : 75

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