Top 10 New York movies chosen by Martin Scorsese

Martin Scorsese, along with Woody Allen, is one of the New York directors who loves his hometown and made his best movies there. But this interest has never caused him not to see the dark and hidden corners of the city and shed light on them. Many consider Scorsese to be the best portrayer of the dark, dark and cold part of New York City in the history of cinema, and they praise him for that. So it is natural that his view of the image of this city in other people's films is different from the audience's view. In this list, we will look at 10 movies that take place in New York City and Martin Scorsese loves them the most.

BingMag.com Top 10 New York movies chosen by Martin Scorsese

Martin Scorsese, along with Woody Allen, is one of the New York directors who loves his hometown and made his best movies there. But this interest has never caused him not to see the dark and hidden corners of the city and shed light on them. Many consider Scorsese to be the best portrayer of the dark, dark and cold part of New York City in the history of cinema, and they praise him for that. So it is natural that his view of the image of this city in other people's films is different from the audience's view. In this list, we will look at 10 movies that take place in New York City and Martin Scorsese loves them the most.

  • Scorsese's cinema and the evolution of his characters; The face of a criminal
  • 6 lesser-known films of Martin Scorsese that you must see

New York is a special city in the history of cinema and has left a precious legacy. This place has been the background of some of the most fascinating, dramatic, funny, and of course the darkest stories of these hundred and several years, which could not be told in any other city, and of course, with its special features, such as the presence of skyscrapers, buildings, and gray sidewalks, it is the best place to tell the story of a person. The modern of the 20th century and the 21st century was considered to be a city built for this new world due to the advancement of technology and the changing of the meaning of all aspects of life.

Therefore, New York is clearly different from big European cities. has it. The history of European cities goes back to before the invention of cinema, and you can see pictures of this history in the background of every movie. But the glory period of New York City is almost as long as the life of cinema. Since the cinema in America is more prosperous than any other country, it is natural that this city has a special contribution in the production of cinematographic works. At the same time, its modern characteristics and the absence of an ancient history have made this city a special environment for narrating the life of a new person, through a new artistic medium.

From Times Square to the narrow streets of the Bronx, from From the stately buildings of Manhattan's 5th Avenue to the bustling neighborhoods of Queens, from the little-known Staten Island to the lively sidewalks of Central Park, this city has been the holy city of American intellectual directors. Directors who, instead of the warmth and momentary pleasures of Los Angeles, were looking for the coldness of relationships and the ontological depth of modern human life, and found it in the midst of the hustle and bustle of New York, somewhere among the cramped and dark houses.

In the last fifty years. , some directors put their hands on the pulse of a city that never sleeps; People like Martin Scorsese. He is not only one of the best living directors in the world, but he is also the narrator of a part of contemporary American history; The same history that takes place in the back alleys of New York, and by knowing it, you can get a better understanding of American life in particular and human destiny in general.

Before getting to the movies, mention a The important point is mandatory. Scorsese didn't choose the films on the list just because they're set in New York City. Rather, he included films in his list that are somehow related to the specific way of life in this city; The way of living in a small city with buildings where the only view in front of them is another building and it remains like a beehive trapped between the ocean and different rivers, and this makes its people have a different lifestyle than a city like Los Angeles with those villa houses and the vast desert area. have.

1. Shadows

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: John Cassavetes li>
  • Stars: Hugh Heard, Ben Carruthers, Lilia Gladney and David Jones
  • Production: 1959, USA
  • IMDb site rating for the movie: 7.2 out of 10
  • Rotten Tomatoes site rating for the movie: 100%

John Cassavetes is one of the pioneers of New York independent directors. The same ones that have stopped the monotony of the market cinema located in the Hollywood hills of Los Angeles. For this reason, many considered Cassavetes to be ahead of his time and appreciated his concerned and artistic images of human life in the new world. Now years have passed since then and the words of his cinema lovers have been proven correct. Cassavetes was the initiator of a way that allowed young directors to imagine outside the conventional view and experiment outside its framework. goes. The reason for this goes back to the time when the film was made, the way it was produced, and of course, the story, which until then had received less attention in America. Cassavetes has placed the life story of three black brothers and sisters in the center of the drama and has addressed the difficulties of their lives in the late 1950s; So this is a natural issue It seems obvious that his work had a limited budget and was filmed with a 16 mm camera.

But these limitations not only did not affect the film, but also recorded a brilliant image of a part of the history of the American people in the metropolis. It's like New York. Cassavetes's humanistic view of life and his artistic presentation of human sufferings separate him from the directors of his time and place him in the position of the lonely narrator of modern man in a crowded environment like New York City. An honest narrator who has philanthropic concerns and instead of spending time and making expensive films, he cares about his inner voice. Because it not only shows the shape and form of independent cinema in the future, but by emphasizing the loneliness of people much earlier than the collapse of the studio system and the beginning of the Hollywood renaissance in the late 1960s, it abandons classic cinema and turns to modern cinema and dealing with the inner People and subjects are subjective instead of objective motivations.

Most of the images in the film were improvised and the film crew did not get permission to use the locations. They would go somewhere, open their things, quickly take a video and leave the place before trouble arises; A guerilla way of making a film. Of course, this form of filmmaking was related to the story of the film and the time it was made. The struggle of American blacks for their rights was ongoing and many of these people's rights were still not recognized.

Once Scorsese said about Cassavetes' cinema: "All of Cassavetes' films were epics about human inner motivations." In the early 1970s, Cassavetes was considered a master for independent directors such as Scorsese, who was an admirer of Chuck Way. After "Shadows", there were no more excuses for young directors. Now they saw a way in front of them that would end in the creation of their dreams and nightmares in the language of cinema, without the intervention of studios; Or as Scorsese says: "If he can, so can we."

"The story of the lives of two black brothers and a sister in New York City in the 1950s. Hugh, the older brother, who is a musician and, like many blacks at the time, works as a jazz musician, tries to support his sister Lilia and brother Ben. Hugh agrees to live as a black man, but Lilia and Ben are not interested and do not like to accept the limitations of this life. Hugh sees how the system ignores Ben and Lilia's efforts and crushes them under its gears. He likes to do something but...

2. Sweet Smell Of Success

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: Alexander McKendrick
  • Actors: Burt Lancaster, Susan Harrison and Tony Curtis
  • Production: 1957, USA
  • IMDb site rating for the movie: 8 out of 10
  • Rotten Tomatoes site rating for the movie: 98%

At a time when film noir was trying to find an identity for itself in Los Angeles and filmmakers were telling their dark stories under the ever-burning sun, the film "Smell of Success" brought its grim story to New York City. Tell about the dark side and the current corruption in the press and in this way also sting those in power. Given the power of the press in New York, this city was considered a more suitable place to tell such a story.

On the other hand, Senator McCarthy's inquisition was going on, television was expanding and the state of the entertainment industry. And the show changed day by day, newspapers and media people got a section that covered yellow news and finally all of these together led to a new way of life that immersed itself in deception and consumerism. In this situation, the film "Smell of Success" came to be an unretouched and biting image of life under the shadow of such a new life. Each one was enough to pull up a movie. As an example of Elmer Bernstein's brilliant music, which remains magical and accompanies the film's images, it immerses the audience in the ongoing horror in the frame. It is in such a framework that Burt Lancaster, as the star of the film, is comfortable in the negative role of the film, and of course Tony Curtis also presents the best performance of his life. who uses his power and influence over the novice to destroy his sister's emotional relationship. This interference leads to the creation of a disaster, and finally, when everything turns out, the curtain is removed from a hypocritical, corrupt, lying society that is ready to do anything to succeed. The name of the film was chosen for this reason and it refers to a society where success is only limited to power and wealth and any action is allowed to achieve it.

So it is natural that filmmaking like Martin Scorsese Enjoy watching such a movie. Because in addition to being cinematically flawless, it shows an image of his hometown that is somehow close to his own cinema. Here, there is no news of showing the beautiful part of New York and the lively life of its people, but the filmmaker told the story of men and women to reach a goal; His goal is to break the myth and fantasy called the American dream. It means exactly what Scorsese does. He also starts to rebuild the myth and then, by collapsing it, shows a different image of the society and the city of New York.

The movie "Smell of Success" is based on a story written by Lehman called Farda about it to me. Say, it's made up.

JJ Hunsaker is a well-known journalist and columnist in New York City who is unhappy about his young sister's relationship with a man named Steve. He wants to do something and break this relationship. Because of this, Sidney assigns a rookie journalist who needs Hunsaker's power and influence to do something about it. Sydney also takes some drugs and hides them in Steve's belongings and informs the police. But instead of breaking up the relationship of Hunsaker's sister with Steve, the girl commits suicide and...

3. Klute

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: Alan Jay Pakula
  • Actors: Donald Sutherland, Jane Fonda and Roy Scheider
  • Product: 1971, USA
  • IMDb site rating for the movie: 7.2 out of 10
  • Rotten Tomatoes site rating for the movie: 93%

"Kloot" is perhaps the most bitter image anyone has ever presented of New York City. The image of a swamp that pulls everyone into it and can easily cause people to get lost. Just pay attention to how different people disappear without leaving a trace and worry some. The labyrinth created by Alan J. Pakula seems to have no way to escape, and as soon as someone steps into it, he sinks into his heart.

Alan J. Pakula is one of the most important filmmakers of the 1970s and a narrator of fear. Hidden in the American society is the result of the veils going back and the scandal of the politicians of the past falling. In all his films, he portrays people who are in awe and do not believe the darkness they see in front of them. It is in such a situation that the people of his cinema try to stand up against this ugliness, but the dark world in front of them is so vast, hidden and ugly, that these heroes have no choice but to accept defeat.

In the movie "Clot", a famous man mysteriously disappears. The only clue is his letter to a notorious woman named Barry Daniels. This short story summary in the hands of Alan J. Pakula has become a symbol of terror and paranoia of the early 1970s. At first, everything seems normal and the audience may imagine that they are facing a crime movie like the classics; Movies in which a detective comes to a conclusion by investigating a case and putting together the clues, but this is not the case here. Following the clues, the protagonist enters a labyrinth and sees a dark world in front of him where nothing is in its place and the smell of conspiracy and betrayal is strong from every corner.

Empty streets, rainy sky, Men and women who meet each other in the basements and places of Nemur, a dark and cold atmosphere that destroys the possibility of developing human relationships and people whose words cannot be counted on the truth or lies, all of them can be seen in this work by Alan J. Pakula.

The film "Klot" was made under the influence of Hitchcock's cinema, and even like his works, it emphasizes the loneliness of a person. But if in Hitchcock's cinema this loneliness has a phenomenological meaning, in "Klot" this loneliness is the product of living in the shadow of social fear due to living in a terrified society. On the other hand, in the movie "Klot" we are faced with crimes that have their roots in an underground culture and the lives of people pushed out of everyday social relations. The sinful atmosphere in the film is formed by a camera that conveys the suffocation and fear in people's lives well, and the collapse of the protagonists' lives becomes believable through this atmosphere.

Moral codes in the world of "Klot" It is not a guarantee to live an ideal life and sometimes it even destroys a person. In any case, the upside-down world of Alan J. Pakula's film, where everything is either rotting and rotting or shedding its skin and nothing has the heartwarming meaning of yesterday, easily scares the audience from this hellish environment. According to all the explanations given, it seems that the presence of such a neon light in this list is quite obvious. In any case, we are facing one of the iconic films of the era of paranoia in American cinema, that is, the era when Martin Scorsese started working and recorded part of the history of that time on celluloid tapes forever.

" A famous man mysteriously disappears. The only clue is his letter to a notorious woman named Barry Daniels. After six months from the beginning The investigation and finding no trace of the man, police detective and close friend of the man, John Klott quits his job to look for him himself. Clute watches Barry to maybe find a solution but...

4. Pickup On The South Street

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: Samuel Fuller
  • Actors: Richard Widmark, Jane Peter and Thelma Ritter
  • Production: 1953, USA
  • IMDb site rating for the movie: 7.6 out of 10
  • Rotten Tomatoes site rating for the movie: 92%

Martin Scorsese is a great admirer of Samuel Fuller and loves his cinema. Fuller was the narrator of the life of married and battered people who had no one but themselves and dragged their wounded bodies here and there. The pride of his men did not disappear even until the last moments of his life and made others admire him. Fuller told the story of these men to reject the appearance of a society that, immersed in external pleasures, had forgotten the painful hearts of these people. In addition, Samuel Fuller was well acquainted with the dark side of the city and such men because of working as a crime reporter before turning to directing. One of these men has left the solution of a national problem in his hands, and the man is picking on the same deceitful society as much as he can, the same society that has rejected him. Samuel Fuller poses a fundamental question: Why should this man care about the safety of the society that rejected him? Why should he care at all? For this reason, he invites people from all over the city to kneel before him and make them recognize his existence even for a few days. The current spy story in the work is just an excuse in the hands of Samuel Fuller to tell the story of his chosen man. It doesn't matter what the law enforcers are looking for and what the spies have lost, what matters is the character of the man who decided to show off his power. is also present; A woman who, like a man, is involved in the hypocritical society around her and does not distinguish right from wrong. Going to the man in the story and walking this path with him will lead to his self-awareness so that he can decide for himself from now on and not be a tool in the hands of others. Of course, walking on this path and reaching this awareness will not be without losses and injuries, but the woman learns that nothing can be achieved without sacrifice.

Finally, Samuel Fuller could easily write any story. make it an important work. Here, a simple thief steals the contents of a woman's bag, but what he stole, his life is tied to security issues, and the police, like spies, try to arrest him. The story is an interesting story, but it is Samuel Fuller's human perspective that makes the film a work for all seasons. One of the strong points of the film is the performance of Richard Widmark in the main role. He was a powerful actor who could play the role of stubborn and proud men. Now here he has combined the material poverty of the character with this inherent pride and the result has become one of the best games in the history of cinema. The police have no evidence of him. That is why they are chasing him. He grabs a woman's purse in the subway, thinking of pocketing money. Skip does his job so cleanly that the cops don't even notice his theft. But the woman's bag contains microfilm belonging to dangerous spies. Now the spies are looking for the microfilm from door to door and the agents who have learned about its existence are also looking for it. This is while the girl's life is also in danger, but...

5. Do The Right Thing

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: Spike Lee
  • Starring: Spike Lee, Danny Aiello, Ossie Davis, John Turturro, John Sage and Samuel L. Jackson
  • Product : 1989, USA
  • IMDb site rating for the movie: 7.9 out of 10
  • Rotten Tomatoes site rating for the movie: 91%

We know Spike Lee as a rebel director. It was just a few years ago that he boycotted all movie events because of the racial inequality in the American cinema industry, and he spoke about these inequalities wherever he saw a camera or a microphone was placed in front of him. He has always maintained this rebellious spirit, and in his best film, "Do the Right Thing", you can see signs of this rebelliousness and rebellion.

He is one of those directors whom we call filmmakers in Iran. We call social cinema; with various concerns regarding social issues around him and quick reaction to them. Here he took his camera and took it to one of the neighborhoods of Brooklyn, New York, on the hottest day of the year, and talked about the conflicts and conflicts that are buried under the skin of the city, from New York. Build a city on the verge of explosion. New York City is a famous place for its racial diversity as well as the presence of a large number of immigrants, and its residents are proud of their city for living peacefully together despite all these differences. But Spike Lee shows that there are other things going on and only a spark is needed to dissolve the burning flames of this charming appearance and give New York a different look.

Of course, Spike Lee to show this side. Tarik Shahr has chosen a comedy tone in such a way that the audience always has a smile on their face while dealing with the film. All the people in the frame are representatives of the class and thinking that can be seen everywhere in New York, and for this reason, Spike Lee keeps them as acceptable types to advance his story and constantly touch them. . In this way, not only does the movie "Do the Right Thing" become a work that can be generalized to the limits of New York City, but also extends its criticism beyond the city's borders, to a wider society, to a place the size of a country.

The image that Spike Lee of Italian-Americans And the life presented by them has many differences with the cinema of Martin Scorsese. But if you look carefully, both of them act openly in showing the violence of these people. In addition, the presence of racism in the thoughts and views of these people can be seen more or less in Scorsese's films and traces of it can be seen in his various films. The Brooklyn resident owns a pizzeria. He runs the place with his two sons. On the other hand, a boy named Muki works for him. Mookie is a black man who lives with his sister. One day, a black man named Baggin Out comes to Sal's pizzeria and complains why there are no black people's photos next to the photos of celebrities in the pizzeria. This issue leads to a conflict that involves all the residents of the neighborhood. Mookie is the only person stuck in the middle of this fight. until..."

6. Prince Of The City

BingMag.com Top 10 New York movies chosen by Martin Scorsese

  • Director: Sidney Lumet
  • Stars: Treat Williams, Jerry Auerbach and Bob Balaban
  • Product: 1981, USA
  • Sidney Lumet is another great director in the history of cinema who made many films in New York City. Before making the movie "City Prince", Sidney Lumet made another movie based on the corruption of the police force, inspired by a true story. Many consider that movie called "Serpico" to be his best movie. There, Al Pacino, early in his career, played the role of a policeman who noticed deep-rooted corruption among the police forces and because he could not turn a blind eye to them, he was threatened by his colleagues.

    Now Lumet has gone back to such a story and has again discussed the pressure of the New York police system on its personnel. There are men here who use the existing gaps and sew bags of gold for themselves, and on the other side there are people who have to deal with them. By the way, Sidney Lumet has acted more maturely in dealing with this issue than when he made the movie "Serpico" and there is no more elements of the protest cinema of the 1970s here, who likes to show a rebellious image of a generation and the justice-seeking behavior of his hero against the side of evil. to attach the police department to the rebellion of young people.

    On the other hand, the New York City present here is more complicated and darker than the New York City of Serpico. The border between white and black is not so clear anymore and the wrongdoing does not happen only in the backward and dirty neighborhoods where terror rains down on them. Here there is a labyrinth that challenges the hero of the drama both morally and professionally. Even the head and condition of the main character of the drama is the same as others, and there is no more of Al Pacino's rebellious appearance. In Greenwich Village, from the Brooklyn bank heist in Dog Day Afternoon and from the courtroom drama 12 Angry Men, to his lesser-known epic, indicates a point; that To what extent the absence of well-known actors can mislead even the serious cinema audience in paying attention to a good work. Fortunately, Martin Scorsese is still there to lead us out of the way and talk about brilliant films that have been overshadowed by famous films over the years.

    Like in the case of "Serpico", Sidney Lumet has gone back to a true story. Cold streets, dirty sidewalks, dirty skyscrapers, married men and women addicted to drugs and a police force that doesn't do its job properly become the dominant image of Lumet's film. He works in the Special Investigation Unit of the police or SIU. Other policemen call him and his colleagues the princes of the city; Because their hands are open to do anything and they only interfere in big cases and also conduct internal investigations against the police forces themselves. During a small drug deal, Danny beats up an addict and gets the Internal Investigation Department involved. The Internal Affairs Bureau wants him to gather evidence for an internal corruption case, otherwise he will face trouble...

    7. The Hustler

    BingMag.com Top 10 New York movies chosen by Martin Scorsese

    • Director: Robert Rossen
    • Stars: Paul Newman, Jackie Gleason and George C. Scott
    • Production: 1961, USA
    • IMDb site rating for the movie: 8 out of 10
    • Rotten Tomatoes site rating for the movie: 96%

    Watching the first sequence is enough to get along with the movie "Billiard Player". Two men enter a billiard club and pick other people's pockets in such a way that the audience cannot take their eyes off them. But this sequence, unlike the usual pickpocketing and counter-attack sequences, shows the brilliant genius of the main character. The genius that will finally bring him down, and Robert Rossen is going to deal with the same story. He has an extraordinary talent in billiards and there is no one who can compete with him. He has only one enemy; himself It is he himself who rebels against himself all the time and, like a person who has rebelled against himself, starts destroying all the things he gets. This has made him a loser, even though he has everything he needs to win.

    In a glorious sequence, the person in charge of his books tells him the reason for these failures: "Not having Character". This man accuses the hero of the story of having no character, and alas, he is right. The lovely man in the story, just like you and me, sometimes doesn't know how to take care of all his achievements and when he loses each one, he just understands their meaning and regrets losing it.

    Unlike the rest of the films on the list, the movie "Billiard Player" introduces us to another part of New York City. Here, the story takes place either in Nemur's basements or in smoky streets and nightclubs. Most of the events of the story take place in the dark of night, and if something happens in the light of day, it is due to the presence of an innocent woman who gives meaning to life and can lead the hero of the drama to happy days.

    Paul Newman in He has played the role of rebellious youth in many films. But this is one of his best achievements. Here, he had to internalize all the pressures caused by living in a changing society and use it against the external factor at the end. In the sense that the rebellion against oneself gradually turns into rebellion against the system and the hero finds what he was looking for from the beginning; It means the same character.

    In short, the story of the movie "Billiard Player" is the life story of a man who at first is satisfied with eating bread and never dying, and then one day he meets a man who offers him a job. This offer is like making a deal with the devil. Now this talented young man can participate in big competitions and show his talent, but gradually the glamorous world in front of him blinds him so much that he sees everything as lost. He goes to different billiard clubs with a friend and after playing a lot of movies, he pretends that he is not very good at playing billiards. This is despite the fact that he is a full-fledged professional and few people have the ability to defeat him. This issue causes the people present in the club to be tempted to bet on his rival. But his boss wins the game and pockets all the money. One day he plays with a real rival; A man named Minnesota Barrel. The competition of these two lasts for hours and finally Eddie loses. A man approaches Eddie and calls him the best player in the world despite his defeat and offers to cooperate with Eddie..."

    8. Rear Window

    BingMag.com Top 10 New York movies chosen by Martin Scorsese

    • Director: Alfred Hitchcock
    • Actors: James Stewart, Grace Kelly
    • Product: 1954, USA
    • IMDb site rating for the movie: 8.5 out of 10
    • Rotten Tomatoes site rating for the movie: 98%

    Apartments stuck to each other, living in cramped cages that are just for survival, not living, lack of privacy and men and women who have nothing to do but stare at other houses. In this film, Alfred Hitchcock takes the audience by the hand and introduces another type of life in New York City. He takes us to the narrow and dark houses that, after turning aside the windows, instead of the sunlight, the view of the neighbor's house appears. If at the beginning of his career in America, he started with the movie "Rebecca" to reach the perfection of the movie "Notorious", now he is creating masterpieces, each of which has the same perfection as "Notorious"; Movies for all eras and for all cinema lovers. In fact, many not so serious cinema audiences remember Alfred Hitchcock with the films of this part of his career; Movies like Vertigo, North By Northwest or the same movie.

    Could it be that he was fond of the thriller genre and did not like the cinema of the great Alfred Hitchcock? If he is not the most important filmmaker in the world, he is definitely the most important thriller maker in history. His suspenseful adventures are still a source of inspiration for many filmmakers. In "Rear Window", Hitchcock puts the audience in the heart of the drama to solve a mystery that gets more complicated every moment, along with the main character played by James Stewart. The way of giving information in the film is in such a way that it goes according to the mysterious structure of the film; The structure of the film is based on the assumption that the hero is not disabled and based on the character's job, whose job is to take pictures of various subjects. So the information is transmitted to the audience and the main character through this camera.

    Alfred Hitchcock knows well that in this film, paying the right location is the most important factor to attract the audience. Therefore, he designs this environment in such a way that, in addition to being attractive, it also becomes an identity and affects the heart of the story and its events; Both the main character's room and the environment in front of him have a unique identity that cannot be replaced with any other place. Of course, in this way, Hitchcock is also protesting to wander into the lives of others within the framework of the new way of life of modern man, in a box of matches called "apartment". And it is impossible for them to leave that environment. This causes tension and excitement. In this film, a cramped interior conveys a sense of helplessness to the audience, and the inability to leave the environment for various reasons brings a sense of incompetence. Hitchcock bases the narrative of his film on solving a puzzle and introduces each person in the frame so that the audience can see him putting together the pieces of the puzzle together with the main characters to solve this puzzle. In the following, he adds a moral to his next story and poses a basic question: Is it correct to look at other people's houses and does being bored and not being able to leave the house justify such a thing?

    Another topic in cinema Alfred Hitchcock always exists and that is the possibility of crime happening anywhere and by anyone. This person can be the most ordinary person in the world with a completely normal life. Someone like your common neighbor. Someone who we see every day and has nothing special or strange to attract attention. Such an issue complicates and frightens the dimensions of insecurity in modern human life, and of course it resembles Hannah Arendt's ideas about the vulgarity of evil. It must be admitted that no filmmaker in history has been able to portray this idea as brilliantly as Alfred Hitchcock in the movie "Window Facing the Yard".

    James Stewart in the movie "Rear Window" one of the best performances of his career has presented He was a serious actor who has an unparalleled career, on the one hand, he shines in comedies such as Frank Capra or Ernst Lubitsch films, and on the other hand, he appears in Anthony Mann's westerns. This speaks of his stunning ability, but despite this prolific career, the role of the photographer on a wheelchair in the movie "Window Facing the Yard" is somewhere at the top of the long list of his films.

    Of course, the film is from It also has first-class general grease. His performance in this movie alone can make us face this eternal regret that we wish he never left the cinema and we could enjoy his acting in more movies. The chemistry between him and James Stewart works well and the two of them together make one of the best couples in Alfred Hitchcock's cinema. Stay at home and in a wheelchair. He spends his days prying into the lives of his neighbors with his camera. Until he imagines that a crime is happening in the neighborhood, but because of a broken leg, he cannot leave the house..."

    9. Bad Lieutenant (Bad Lieutenant)

    BingMag.com Top 10 New York movies chosen by Martin Scorsese

    • Director: Abel Ferrara
    • Actors: Harvey Keitel, Zoe Lund
    • Production: 1992, USA
    • IMDb rating for the movie: 7 out of 10 li>
    • Rating of the film on Rotten Tomatoes: 77%

    In the history of cinema, there has been less spectacle than seeing an innocent nun brutally raped. Placed in the movie "The Bad Lieutenant" is painful. Even horror cinema cannot depict such naked violence, because in horror movies, violence has a fantasy aspect and the audience already knows what kind of movie they are facing, but in the movie "Bad Lieutenant" this naked violence is shown in a realistic way. It will be given. Even more strange is what happens after that: the nun has no idea of revenge and wants to forgive the aggressors. This is the cause of our anger; Because the movie audience likes to see the establishment of justice on the screen, not for the filmmaker to relegate it to an unknown time and place that will never happen on the screen.

    It is in this context that Abel Ferrara with Its unique look, fueled by New York independent cinema, presents a haunting image of New York City. It is interesting that we are again dealing with the corrupt New York police system like in Sidney Lumet's movie "Prince of the City", but there are fundamental differences; The main character of Abel Ferrara's film is the same corrupt policeman who happens to work alone and is not satisfied with just making a little money. Like characters in horror movies, he tramples the city and brings horror and bitterness wherever he goes. But unaware that this city still has a darker and evil side and can make him its victim.

    It is this bitter and black image that makes Abel Ferrara's film a difficult work to watch. "Bad Lieutenant" is a great movie, but it's definitely not worth watching with a circle of friends to spend free time. Here we are dealing with a film that requires both concentration and strong nerves to last until the end.

    Harvey Keitel was once a regular actor in Scorsese's films. In the movie "Mean Streets" he played the main role and in "Taxi Driver" he played the role of the negative character. We also remember him mostly for his villainous characters. But here he has taken evil to another level and the filmmaker has used his abilities in such a way that the audience is disgusted by his character. At all, the fact that the filmmaker wants to introduce his main character as a completely negative man and accompany us with his film until the end is one of those first-class achievements that can only come from great directors.

    "A police lieutenant instead of Arresting thieves and criminals is cooperating with them. He, who is heavily involved in betting, drug use, and sexual problems, faces a case of assaulting a nun. One day he finds some drugs at a crime scene and gives them to a drug dealer. The salesman promises to pay her in a few days. At the same time, he also bet on some baseball games and may lose a lot of money. In the meantime, a betting broker is looking for the lieutenant because of a debt. The lieutenant desperately needs money, but

    10. Force Of Evil

    BingMag.com Top 10 New York movies chosen by Martin Scorsese

    • Director: Abraham Polonsky
    • Stars: John Garfield, Thomas Gomez and Mary Winsdor
    • Product: 1948, USA
    • IMDb site rating for the movie: 7.2 out of 10
    • Rotten Tomatoes site rating for the movie: 100%

    In all the films on the list, there is a dark and grim image of New York City. The main characters were wandering in all this darkness and in the end they either perished or found it in the corner in search of a bit of salvation. But none of those films presented the efforts of its characters as absurd and meaningless. Here, there is no news of salvation, no news of a particle of goodness or a ray of light as a sign of the existence of hope. Everything originates from a place that the name of the film eloquently declares: the demonic force.

    Here there is not even a mention of those bitter noirs that surrender their moral and fatalistic world to the presence of blackness and White divides and the characters just have to find their way in between. Rather, the story seems to originate from a dark world where one cannot see or expect a single ray of light; Nihilism at its limit. The fatalism that dominates the film easily shuts down any kind of hope.

    Martin Scorsese, in a discussion with film critic Kenneth Jones, in Criterion's version of the film "Devil's Force", introduced it as an influential work on his career. he does. He claims that "The Force Awakens" was the first film to show a world he knew and was actually around; The same New York that was around his house and the people he saw every day on the street and messed with them.

    This word Scorsese has a point. In 1948, filmmakers tried to distance themselves from realism in their films and show it in a fantasy way, so that its impact on the audience's psyche would be reduced. It seemed like a strange thing for a film to follow the path of photography and show New York City as it is, and not every filmmaker would approach it. This work required both the power to take risks and it had to come from a deep knowledge. He got it 21 years later. Many accused him of leftist tendencies and lamented his bitter cinematic image. This caused the world of cinema to lose one of its talented directors and not be able to benefit from all of his art. But the existence of this one film in his career is enough to make us realize what a great director Polonsky was and what gems he could leave behind.

    John Garfield, the popular actor of that time. Unfortunately, it is not well known today. But if you are going to choose only one of his games to introduce to someone who will know about his abilities, you can name this one movie. He's definitely given the best performance of his career here.

    "Joe is a rough-and-tumble lawyer who works for a local tough named Ben Tucker. Ben Tucker wants to control the entire betting and gambling industry in New York. Part of this work is done by Brother Joe. As much as Joe's brother advances in his work, it ends up at Joe's disadvantage, but...

Leave a Reply

Your email address will not be published. Required fields are marked *