Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

The film "Get Out" directed by Jordan Peele was made with a limited budget of 5 million dollars, but it conquered the box office so much that it was able to sell 225 million dollars. And to be called one of the most profitable films of 2017. This film, which was considered the phenomenon of 2017, quickly made its director famous; So that everyone was waiting for his next movie. In addition, unlike most horror films, it was seen by different streams of film criticism and was able to shine in different festivals. In this list, 10 popular thrillers of this director have been reviewed. Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

The film "Get Out" directed by Jordan Peele was made with a limited budget of 5 million dollars, but it conquered the box office so much that it was able to sell 225 million dollars. And to be called one of the most profitable films of 2017. This film, which was considered the phenomenon of 2017, quickly made its director famous; So that everyone was waiting for his next movie. In addition, unlike most horror films, it was seen by different streams of film criticism and was able to shine in different festivals. In this list, 10 popular thrillers of this director have been reviewed.

  • 10 thrillers recommended by Park Chan-wook
  • Top 10 thrillers recommended by Robert Eggers, the director of the film "Northern Man", you must see

Jordan Peel's films reveal the appearance of a society that shows itself to be deeply progressive and forward, but inside nothing has changed. And it has only become proficient in hiding the backwardness and dirt inside it. In these films, the important issue of racism of the pretentious white American society is criticized, which uses any means to cling to its false beliefs with both hands and continue to use the pollen of black people.

Jordan Peel these stories Its purpose is to reject the hidden ugliness of society, it pours in the form of horror cinema to increase its impact and make us disgusted by what we have seen after finishing the film, and this is the right strategy to show the misery under the skin of the city in his works. Because it doesn't pay anything to the audience and exposes the essence of the hypocritical society in front of their eyes. There is no news about the movie "nope" in Iran, but with this compact track record, he is considered one of the talents of horror cinema; To the extent that some people think that if he sticks to this genre and continues to make horror movies, he can find a place for himself among the gods of the horror genre along with greats like George Romero, Wes Craven or John Carpenter. Such an achievement is not small for any director and can make his name last in the history of cinema.

Interestingly, when we look at Jordan Peele's acting career and go back to the previous years, we reach a period when he was more active as an actor. Comedy was known on television. It is in such a framework that putting together these two different periods of the activity of an opposing head seems a bit difficult and makes the audience confused when dealing with his career; It's as if we are dealing with two completely different people who have completely different careers.

But there is a similarity between his works that one can recognize the line of a specific intellectual stream in the middle; Both in his comedy works and in his films, Jordan Peele always deals with issues such as stepping into the era of responsibility and the beginning of an identity crisis. As the films in the list below show, the issue of identity crisis is a fundamental issue for him. It is true that in his works this crisis is tied to other difficulties such as ethnic issues and racism in the American society, but for example in the same movie "Get Out" you can see the isolation of the main character throughout the work and not knowing his place among his beloved's family; Even before the start of the current madness and horror in the film.

On the other hand, it seems that Jordan Peele, unlike many directors of the horror genre today, does not run away from the stereotypes of this genre and enjoys using them. Unlike many, he does not seek to make completely different films, but also welcomes the correct use of stereotypes. In such a situation and by putting all the above issues together, the potential audience of this list can enjoy watching the favorite films of such a director and use them to understand his unique and special world.

1 . The Fly Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

  • Director: David Cronenberg
  • Stars: Jeff Goldblum, Geena Davis
  • Product: 1986, USA
  • Score The IMDb site for the movie: 7.6 out of 10
  • The rating of the movie on the Rotten Tomatoes site: 93%

The story of crisis The identity of the main character of the movie "The Fly" and his rebellious behavior due to the loss of an ideal love is something similar to the action of the main character of the movie "Get Out". In that movie, the black character of the story goes to the slaughterhouse because of his love, and without knowing it, he commits an act that brings him close to death. It is in such a framework that the choice of the movie "Fly" as the first movie of Mr. Jordan Peele's list seems logical.

Of course, there is a difference between this movie and Jordan Peele's horror cinema, and that is David's favorite genre. Cronenberg's return to body horror cinema, while Jordan Peele is experimenting more with the slasher subgenre. Body horror movies They change the human body step by step and turn him into a terrible creature. We all fear changes in our bodies and have experienced the fear of developing a disease, so we can relate to the characters in such movies. On the other hand, these films do not fall under the horror genre because they deal with a disease, in which case they would be considered a melodrama film. These films are supposed to deal with strange changes in human existence and that is why they are scary. A huge fly flies. Here we are dealing with a scientist whose belief in science creates a monster that he has no ability to control. From this point of view, the audience is reminded of the famous story "Frankenstein" by Mary Shelley. In that story, just like the movie "The Fly", the manipulation of the natural state of life and the normal daily routine by man and his science causes the emergence of a monster that the main character and creator himself has no control over. In such a framework, the rapid progress of science and the unquestioning dependence of mankind on it are criticized. On the other hand, a writer like Mary Shelley and a director like David Cronenberg believe that science, as well as being beneficial to mankind, can also cause harm, and this negative side may even be more prominent than the positive side.

Now take a look Throw in the movie "Get Out". In the film, there is a female character who insists that there are scientific reasons for white supremacy. He is like the mad doctors and mad scientists in horror movies, and he keeps trying to do experiments on the unlucky boy. All this makes it possible to find parallels between Cronenberg's cinema and Jordan Peele's.

On the other hand, the story of the movie "The Fly" and its title and form are reminiscent of the book "Metamorphosis" by Franz Kafka. This transformation of man in the modern world is hidden under the layers of the work and can be seen. This belief gives life to scientific positivism and forgetting the smallest details in works like this for metatextual interpretations that deal with the distance and closeness of man from spirituality. It seems that there is still that old war between philosophers who believe in metaphysics and rationalist philosophers after the Enlightenment. This distortion is also present in Jordan Peele's films, and of course, its similarity to Kafka's literature is less than to Cronenberg's works. In the movie "Get Out" you can see signs of this madness in the negative pole of the story, and in the movie "Us" (us) where the selection of the negative pole and the positive pole is a bit more complicated, this distortion can be seen on both sides. The characters neither know who they are nor what they are going through.

But as said, the movie "The Fly" is a work of horror cinema. The film creates this horror by focusing on its main character. His life and his story are more important to the filmmaker than anything else, and all that has been said is by showing his changing moods that takes a real shape. Jeff Goldblum's performance as well as the Oscar-winning make-up greatly contribute to this director's achievement, and the result becomes one of the best physical horror films in history. The film "The Fly" is adapted from a book written by George Langan A film with the same name was made based on it in 1958. Unlike the old film and of course the book, David Cronenberg shows the whole path of his human transformation, and this is what made the film so scary and, of course, terrifying. He meets a female reporter. The work of this device is to separate atoms of matter and recreate it by transferring it to another place. The journalist named Veronika works for a scientific journal and tries to attract the opinion of the editor of the journal to the scientist's research. The editor-in-chief of the publication does not accept this request due to the fact that he had a romantic relationship with Veronika before, and Daneshnamd takes refuge in alcohol from jealousy of this relationship. One day, he decides to try the device on himself and doesn't realize that a fly entered the device with him. The device starts working and...

2. The Witch Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

  • Director: Robert Eggers
  • Actors: Anna Taylor Joy, Ralph Insen
  • Product: 2015, USA and Canada
  • IMDb site rating for the movie: 6.9 out of 10
  • Rotten Tomatoes site rating for the movie: 90%

Robert Eggers and Jordan Peele made a name for themselves in horror cinema almost at the same time. Both of them became known in the second half of the 2010s and both of them turned their attention with the first film. Of course, there are differences in this; Robert Eggers is more into supernatural horror cinema, while Jordan Peele is into slasher cinema. But what is especially present in the first two films of both directors and causes them to be close together, is the display of the disastrous results of clinging to blind prejudices; Now, the story of Robert Eggers' film takes place somewhere in the Middle Ages, and the story of Jordan Peele's film takes place in the same period; Otherwise, the story is the same and the cause of creation Horror is the same.

Robert Eggers, like Jordan Peele, has established his name as one of the futurists of horror cinema with the three feature films he has made so far. As it was said, "Saher" is his first film, it has a quality that horror cinema rarely reaches these days; Paying for the correct relationships between the characters and building a self-sufficient world that the audience fully knows its coordinates and goes along with it. Imagine that in such a movie, the temperament of the father or the moral weakness of the mother in raising her children would not come out right; In the event of such a situation, we must have faced an unwanted comedy that would make us laugh instead of scaring us.

Human beliefs and the disaster that a person's inflexibility brings about them is Robert Eggers' favorite subject. . He takes his chosen people to an environment and provides conditions around them so that they can annoy themselves and others in such a way that there is no need for any scary creatures throughout the film. Of course, an invisible force has cast its heavy shadow over the entire film, but in the absence of that force, these pathetic and ill-fated creatures will have nothing but death and nothingness and suffering for themselves and others. In such an environment, even the children in the story do not have any innocence and can easily be the servants and allies of the evil in the film. For this reason, in drawing children's characters in horror works, we are facing a different film than all the children in the list. Even a simple frame has an uncanny quality for him to put something inside that makes us question and arouse our suspicion. For this reason, in many cases, nothing is as it seems and appears upside down. In "Sahra" there is a black and evil spirit in the forest that traps family members one by one and drains them from the inside. But again, instead of dealing directly with this issue, Eggers arranges the world of the film in such a way that we constantly ask ourselves: are these people the reason for such disasters?

Like any other good supernatural horror film in this At the same time, creating space has helped the final result. During the entire duration of the film, there is almost no clear view in the film. The environment is always dark and this makes the presence of the evil something invisible to be felt. The acting of the actors is also beyond expectations and this helps to create space for the audience to accompany the events in the frame. The disintegrated relationships of people in such an environment find a supernatural side and are the result of the wrong decisions of the father of the family. (hereditary) is one of the best supernatural horrors of this century. Anne Taylor-Joy managed to make her name known by appearing in this film and later became an international star by playing the main role in the Queen's Gambit series.

"In 1630 A family that has been driven out of their town due to their religious beliefs and lives alone in the heart of the forest, loses one of their children. The parents of the eldest daughter's family are responsible for the disappearance of that child because she was supposed to take care of him. Meanwhile, there is a danger lurking in the forest that they are unaware of..."

3. Jaws Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

  • Director: Steven Spielberg li>
  • Stars: Roy Scheider, Richard Dreyfuss and Robert Shaw
  • Product: 1975, USA
  • Of course. In all these years, Spielberg's film has been accused of being a conservative work; Because this hornless and tailless giant who was found in the water and takes victims one by one, doesn't say anything about the society and only seeks to fill his stomach. In a psychological and sociological reading, some critics believe that the monster in horror films is a symbol of collective perversions and repressed complexes, and the more open display of this dark side of society makes the film more reckless and progressive, while the shark in "Jaws" " None of our society tells us.

    For years, the interpretations of this way of measuring horror cinema have lost their validity and especially when dealing with the movie "Jaws" it no longer works. Today, "Jaws" is not only an important work in terms of cinema history, but it still surprises the audience in front of the cinema screen and gives them pleasure, just like the first day of the release. So those metatextual interpretations of their function they lose; Especially since the work has stood the test of time.

    We said that "Jaws" is also worth the history of cinema. In addition to being a popular film for several generations, it also gave meaning to the concept of blockbuster and became a classic film that is the basis of many film studies. Before the movie "Jaws", the word summer blockbuster did not have much place in the cinema literature. But it was this film that, with the presence of a full-fledged production team and considering its story that was made for the summer and considering the good sales and marketing, it was a group of huge films that are released in this season of the year and their main goal There is a huge sale at the box office and they benefit from a huge production, it gave an identity.

    The story of three men trying side by side to destroy a huge and cannibalistic shark in the hands of Steven Spielberg becomes a way to get inside scared people. who are facing their worst nightmare. No sequence better conveys such an image than the night before the final shark attack in the cabin of the boat. Robert Shaw's story of his life during World War II is scarier than any horror movie. So, on the day of the shark attack, these men prepare themselves for battle like Captain Ehab in Herman Melville's novel "Amber Whale" and then go out to sea to hunt that wild animal.

    The film is more about strategy than anything else. The narration of the story takes advantage of itself. Until the last third, Spielberg only shows the victims and the fear that the shark brought upon the city, and there is no mention of it in the frame of the filmmaker. In this way, Spielberg keeps his heavy shadow on the film and since the audience has a mental image of this creature in the heart of the sea, he does not see the need to explain his appearance. All this helps me and you, the audience, like the main characters, to be surprised by the display of his giant dimensions in the final third, and to tremble on our backs that this hornless and tailless giant cannot be defeated easily.

    From Another shark "Jaws" attacks humans on an island without the inhabitants of that coastal town having anything to do with it. This victimization of innocent people is another reason that makes us surprised by the predatory nature of the shark and the main characters of the story. The victims of the story did not even come to the town to destroy the aquatic environment, but they are only tourists who are there for fun and relaxation, but they suffer a terrible fate. They do this so that the economic wheel of their place of residence turns and calms the place down for the influx of tourists. Therefore, no one has any intention to become a victim of the wrath of the sea monster. In such a frame, the film's references to Herman Melville's Moby-Dick novel make sense, and it is especially manifested in the form of the character played by Robert Shaw. It has shown that it has no claim other than showing the values of the society in which it flourished. Besides all these, what made the movie a spectacular and successful work is the relationship between the main characters. The police chief, the genius scientist and the grumpy boat captain have such a perfect chemistry that their relationship mixed with fear and loathing in the circumstances makes their quest for victory so endearing.

    Roy Scheider, Richard Dreyfuss and Robert Shaw. They have left no stone unturned in drawing these three characters; Especially Robert Shaw in the role of the captain, who seems to carry the entire burden of existence but does not raise an eyebrow. Add to this the way the shark is shown in the final third of the film. A show that is a classroom for the right time to use the principle of surprise to make us feel scared even on the shore of the Caspian Sea where there are no sharks, lest we be suddenly surprised. New York has moved to a small island to pursue his career as a policeman in peace. As the police chief of this resort island, he imagines that he has a peaceful life in this city without crime until one morning the mutilated body of a girl is found on the beach. It appears to be the work of a shark. The chief of police intends to close the beach, but since this island is filled with tourists only during the summer and holidays, and now it is close to the holiday season, he faces the opposition of the city's politicians..."

    4. Candyman Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

    • Director: Bernard Rose
    • Stars: Tony Todd, Virginia Madsen
    • Product: 1992, USA
    • Score IMDb site for the movie: 6.7 out of 10
    • Rating of the movie on the Rotten Tomatoes site: 78%

    The movie "Candy Man" is adapted from a book called "Exiled" or "Forgotten" written by Clive Parker and has the closest atmosphere among the films on this list to the cinema of Jordan Peele. Here too, the oppression of a black person by racist white people has caused a cycle of violence to form and kill other people until almost a century later.

    The story The film takes place in a space between the melancholic world of a half-crazy woman's mind and the crimes of a supernatural agent. The filmmaker has managed to make the audience feel that there is no supernatural element in the drama so that the audience suspects a white woman. It is in such a framework that he can turn over his winning card, which occurs in the final chapter of the film; Where the audience doubts all the images in the film and stands next to a woman whom everyone thought was a ruthless killer.

    The story tells about the modern world and the myths that people create in order to understand the tragedies of life. . If centuries ago and in ancient times, the narration of myths had a therapeutic application and people used myths and stories for events that they did not understand; Now this happens in the modern era and in a poor neighborhood. Due to deep-rooted misery, the people of this region have come to believe about a beloved lover who died a hundred years ago but whose soul returns and takes sacrifices. Now that the foot of a modern society is being pulled in the middle, the filmmaker puts his hands on the wounds that afflict people who try harder, become more miserable and because they have no answer to the tragedies of their lives, they have turned to superstitions.

    But The story is not that simple. This is where the racist beliefs are introduced to the film. Instead of the film, the poor neighborhood of the city is referred to as the "black neighborhood" and the filmmaker even goes further and goes as far as to openly point out that black lives are not important to the police, but they are to a white person. they let. Doesn't all this remind you of Jordan Peele's movies and the story of "Get Out" and "Us"?

    On the other hand, there is a woman in the center of the frame who is clearly rejected by her husband. She wishes to have children and is suspicious of her husband. The woman imagines that her husband is having a relationship with one of his students and is cheating on her. For this reason, the film gives way to psychological analysis, and like the movie "Exorcism" by William Friedkin, it can be about a woman who is not satisfied with her married life, and this has led her to the point of insanity to commit a crime. p>

    But besides all this, the movie "Candy Man" has one of the scariest monsters in horror cinema. Here, the main cause of the crimes is not the woman's illusions, but the lover of a century ago. Although he reveals himself only to the woman (he calls her a woman somewhere early in the film) and others are unable to see him, he looks so scary that it can send shivers down your spine. Tony Todd's good acting is not ineffective in creating so much horror, but the more fundamental factor comes from hearing the story that happened to him. He was a successful man a century ago who experienced a painful death just because of the color of his skin. For this reason, you and I, the audience, have conflicting feelings towards him, and we cannot hate him like other monsters in horror movies, and for this reason, we have a strange feeling until the end of the film.

    Reaching such a conclusion. And evoking such emotions in the audience is not an easy task, and this is what makes the movie "Candy Man" a masterpiece in horror cinema. Unfortunately, like many successful movies of the horror genre, this one was constantly remade or made a sequel, and none of them could live up to the original version and only damaged the memories of the horror cinema audience of this one.

    Music Philip Glass is one of the best soundtracks ever created for a horror film, and it serves the mood of the work, helping to create fear in the audience.

    "Two women researching the They are the myths of the modern world. They're interested in something that happened a hundred years ago and that some in Chicago believe is still around; The story is that in the 1890s, a black man falls in love with a rich white girl, and because of this, he is killed and his body is burned. Some people in Chicago now believe that the same man's spirit is still taking sacrifices. These two students are trying to find an explanation for this legend, but...

    5. Halloween Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

    • Director: John Carpenter li>
    • Stars: Jimmy Lee Curtis, Donald Pleasence
    • Product: 1978, USA
    • Score IMDb site for the movie: 7.7 out of 10
    • Rating of the movie on the Rotten Tomatoes site: 96%

    John Carpenter He is one of the gods of horror cinema and this film is his most famous film, so it is quite natural that young directors of this type of cinema enjoy watching his films. In "Halloween", like Jordan Peele's works, we are faced with a psycho killer who survives as long as he can and suffers from an identity crisis that makes him a deformed person. On the other hand, this film gained credit for the slasher cinema, and since Jordan Peele also ventured into this genre in his first two films, it is natural to be influenced by "Halloween".

    From Look at the movie "Us" by Jordan Peele and the black killers in the story who attack a quiet neighborhood and take victims one by one; Well, this story brings us directly to the origin of such films, which is John Carpenter's film. On the other hand, the tools used by the attackers are similar to the now classic movie, "Halloween". The killers of "our" stories are rejected people who seem to be taking blind revenge. All these are also present in Carpenter's movie.

    So Mike Myers, the heartless killer of this movie, can be called the symbol of slasher cinema. But there is something else that makes Halloween so important; "Halloween", like any other original horror film, reflects the fear of a person from the time in which he lives. Although Michael Myers is looking for a specific person to kill in this movie, he burns wet and dry together with his fiery blade. He is the symbol of evil incarnate in a society that organizes colorful parties and superficial celebrations to escape from its existential fears, so that instead of facing its past with drugs, such shows only cover up its own problems, or run away from it Just like the characters in the movie "Get Out" who use their attractive appearance to trap victims or the privileged characters of "us" who are immersed in their own happiness and have no idea what is going on under the city's underbelly.

    At such a moment in the movie "Halloween", that forgotten past returns and grabs the collar of the audience and the positive characters of the story to remind us that no dirt can be hidden under the carpet and assumed that it no longer exists. Because its terrifying effect may return in the form of a masked man and constantly take victims.

    "Halloween" raises a fundamental question in dealing with the society of its time: it is true that the killer of the movie is found out of nowhere. And it even kills innocent people, but are all people really innocent just because they are not directly involved in the creation and formation of the monster? Does the fact that you stand back and see the formation of such a terrifying and murderous evil and do not take action or try to eliminate it, does it remove the blame from your neck and prevent you from facing its punishment?

    The answer of "Halloween" to all these questions is negative and does not give any discount to the audience. In this situation, the film gives way to various references and even becomes one of the most important films of the strange seventies.

    John Carpenter wrote, directed and composed the film. Like all successful horror films, Halloween spawned a number of sequels. So it shouldn't come as a surprise to the potential reader of this list that there are some bad sequels in there. But hold on for a moment, it doesn't always turn on one heel, but sometimes it is possible that the filmmaking system in America gets out of hand and makes a good movie out of these sequels. An example is Rob Zombie's remake of the same movie of the same name in 2007. If you haven't seen the others, you won't miss anything special.

    Furthermore, "Halloween" and its masked killer are known today as a symbol of slasher cinema, and this reputation continues until even the scary killer of the movie "Scream" is also influenced by him; In fact, every film made after this masterpiece by John Carpenter and belonging to the slasher genre is directly or indirectly paying homage to "Halloween". The image of a tall young man with a knife in his hand and a terrible mask on his face is the most familiar image for the serious audience of slasher cinema.

    "On Halloween night in 1963, 6-year-old Mike Myers stabbed his sister to the brink of death by Knives advances. Now fifteen years have passed since that incident and Mike managed to escape from prison. Now it's Halloween night and he's looking for his former victim..."

    6. Rosemary's baby Top 10 horror movies you should see, according to “Get Out” director Jordan Peele

    • Director: Roman Polanski
    • Actors: Mia Farrow, John Cassavetes
    • Product: 1968, USA
    • IMDb rating for the film: 8 out of 10
    • Rotten Tomatoes rating: 96%

    Whatever this As the list goes on, the would-be reader familiar with the horror genre will be more and more surprised. It may not be possible to imagine that the movie "Rosemary's Baby" is one of Jordan Peele's popular works. But if you look carefully at the movie, you will realize that this choice seems somewhat obvious. Here too, the main character is a deformed person who has a strange idea of his life. Regardless of the fact that Roman Polanski's film lives like any other masterpiece, for different interpretations and discussions, it is also a great horror film that scares the audience, not by showing scary sequences, but by creating a first-class suspense that is more stable and lasting terror. creates.

    The fact that a pregnant woman alone faces an army of wolves in sheep's clothing is scary in itself, but Polanski is not satisfied with this and intends to portray a man in a world where no He has authority over the surrounding world and his own decisions in life. This issue is exactly the same in the movie "Get Out" and in the movie "Us" where the roles of the killer and the victim have been changed, these are the privileged people who have unknowingly started creating a world that is full of victims like the black attackers. /p>

    The monster or the cause of terror in the movie "Rosemary's Baby" is invisible. He only makes us doubt the woman's madness while maddened worship surrounds this demon. From this point of view, the film goes towards creating another fear; Fear of strangers. For example, look at the neighbors of the main character who seem like innocent people, these people are the ones who can be the servants of an invisible devil. "Rosemary's Baby" is forgiving, going beyond a typical horror film and moving towards intellectual cinema, especially of the European type at the time. Similar to modern European cinema, Polanski sometimes places the story in the secondary importance and pays attention to the moods and moods of his first character. Bringing these two factors together is a great blessing not only for a horror movie, but basically for any movie. For example, review different horror movies in your mind; Basically, horror cinema does not stick to telling full stories and does not care much about characterization. Creating horror sequences is more important to a director of this genre than any other factor. But Roman Polanski does not know how to make such a film. He turns fear into an internal factor that can only be conveyed to the audience through a complex character, and that's why the film has such a place in the history of horror cinema to the extent that some consider it the best of its genre.

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