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5 Tips Every Screenwriter Must Know Before Writing a Blockbuster Movie

BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

Screenwriters should always think more broadly about their work. Everyone wants their movies to be seen by as many audiences as possible. In the old studio term, Blockbuster was used to describe an audience queuing up to see a film, which resulted in an unparalleled sales of the film. Blockbusters are often associated with lavish scenes, stunts, costumes, visual and practical effects. Other than that, what else is there to love? Read on to find out the 5 most important things a Screenwriter needs to Know to write Blockbuster movies.

  • 10 unappreciated 21st century blockbusters; From Star Wars to the Fall of Johnny Depp

Where he teaches "best-selling entertainment marketing," what screenwriters need to consider is that the big idea behind the best-selling film is more important than the big performance. "The big idea has to be based on a big feeling for a film to be successful," he said. Great performance should reinforce that feeling.

The natural order of Writing successful films is:/

  • A good narrative to stimulate that feeling
  • An action to clarify the narrative
  • Del Vacio cites films such as "Inside Out", "Soul" and "Beauty and the Beast" as examples of great ideas that worked great. Although a great idea is often associated with a huge budget, this is not always the case. Consider the Oscar-winning film Parasite, which was made with a budget of $ 11.4 million and has sold almost $ 260 million worldwide.

    It is not just about the structure of the story. This is about content where there is structure. Many screenwriters do not pay enough attention to their target audience. They do not think about what makes the audience happy, they think about what makes themselves happy.

    Screenwriters need to understand Every story at a rudimentary level. Then, each story performs the same main function based on Maslow's hierarchy of needs. Every movie is about the child inside us; Through nostalgia, happy times, bad days, daily life or unfulfilled dreams. Del Vecchio concluded: "The best Blockbuster films usually have stories that connect with children and all of us in an amazing way."

    Let's look at the key components of a box office success:

    >

    1. Maslow's hierarchy of needs

    BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

    These are the basic requirements of human motivation proposed by Abraham Maslow. Satisfying these human needs leads to feelings of satisfaction, discovery, and excitement in both your characters and your audience.

    Physiological needs: These are the most basic needs of human existence.

    >

    Basic needs: These are physiological needs for survival such as air, food, water, shelter, clothing, heat, entertainment and rest.

    Safety: These include safety and security needs such as health care, defense and financial well-being.

    Psychological needs: These are mid-level requirements for human happiness. .

    Love and belonging: These refer to relationships, friendships, family and partners.

    Reputation: These refer to credibility Achievements refer to respect, appreciation, appreciation, self-confidence, winning, control and mastery. Overall, they equate to increased social status and self-satisfaction.

    Self-fulfilling prophecies: These are the highest levels of human success needs. Self-fulfillment means achieving your full potential as a human being.

    Screenwriters need to Know that popular films generally fall into one of these categories. The most successful are divided into several categories to use our innermost desires and communicate with a wider audience. Note that applying and paying attention to these needs does not mean throwing them all in a pot like the leftovers of a food. You also do not have to add the same amount of each.

    Consider Indiana Jones (played by Harrison Ford) in "Raiders Of The Lost Ark." His main goal was self-actualization by locating the lost treasure. During his adventures, he also had to meet his physiological needs by fighting the Nazis. The arrival of Marion Ravenwood's ex-boyfriend (played by Karen Allen) to Indiana's psychological needs for love and belonging.

    Audience

    BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

    For better or worse, world cinema audiences are still divided into four main parts: man, Woman, young and old. This is a crude description, but it's important for writers to determine who their main target audience is to write for them. "If you try to write a screenplay for everyone, you will not write a screenplay for anyone in the end," he explains. If you focus on just a quarter or a quarter, can you justify ignoring the other three quarters?

    Screenwriters should start with the target audience, but add some extra emotional elements. Also offer to eventually reach a universal product, that is, to include everyone, regardless of all age groups in a script. How? Choose a group and act with comprehensive details and emotional elements.

    Del Vacio cites "Magic Mike" as an example of a film that primarily targets older women had been given. More than 90 percent of the audience was female, selling more than $ 122 million at the box office. Compare that to "Bridesmaids," who mostly had male characters and had $ 288 million at the box office. Adding complementary characters that non-target audiences can join can strengthen the box office. It can also be suitable for family gatherings and friendly gatherings.

    3. Genre

    BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

    Screenwriters are often told that each screenplay should have one or at most two dominant genres Be. Hence, mixed genres such as comedy-horror or action-adventure films were introduced. This is a good recommendation, given that most screenwriters shy away from their original genre because they do not fully adjust or even recognize the parameters of their screenplay.

    Del Wakio also noted that the most successful films They are in three separate genres. "Dead Pool" is an action-adventure comedy and "Zootopia" is an animated (more of a platform than a genre) adventure comedy. "You're not just adding the genre, you're adding the audience," he continued. Due to the size of the genre, it will fail to attract the global audience of the film. This is like taking a multivitamin instead of the two vitamins your body needs, because you think it will make you healthier! Screenwriters need to think about the emotions they want to convey Before creating a hybrid genre. You have to create emotional stimuli that have their own audience.

    Maslow's hierarchy of needs is attractive to men and women, young and old, and connects audiences around the world. p>

    Take a look at the best-selling movies at the time of release:

    • "Avengers: Endgame" Box Office $ 2.8 Billion
    • "Avatar" gross box office $ 2.8 billion
    • "Titanic" Gross box office $ 2.2 billion
    • "War Star Wars: The Force Awakens gross $ 2.0 billion box office

    Now let's look at the genres and their rankings:

    • Avengers; End of Game: Action, Adventure, Drama - PG 13
    • Avatar: Action, Adventure, Fantasy - PG 13
    • Titanic: Drama, Romance, Action - PG 13

    Vakio finds this process magical. Screenwriters need to understand and use all of the story elements that are most popular in each quarter. "If you only serve a quarter, you have to make an exception to it to reach the entire audience, or justify boring 75% of the other audience."

    You have to write blockbusters that make sense to each audience. Be. You have to adapt to cultural trends to make up your story in a timely manner. It has to be contemporary for people to care about it. Genres also define the worlds in which your stories take place.

    Age category

    BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

    Note that the above samples all have a PG score of 13, which means that They are all family movies. The difference between the PG (Parental Decision) and PG 13 (Parental Reminder) ratings is small but distinct. However, it does make a difference in adults' decisions about whether or not to take their children to the movies. The PG 13 rating makes the story more comprehensible to adults while children enjoy it.

    Steven Spielberg says: we do." Child film is one thing and family film is another. Like "ET" and "Jurassic Park," which ignited the hearts of moviegoers of all ages. Which is enjoyable for more audiences. If a movie is mostly written in the action genre, find out the type of action. If a topic is more appealing to a younger population, add something that appeals to older people as well. For example, slapstick comedies (comedies with funny fights) may be more appealing to children, so adding some clever humor may make adults laugh.

    5. Symbolic characters

    BingMag.com 5 <b>Tips</b> <b>Every</b> <b>Screenwriter</b> <b>Must</b> <b>Know</b> <b>Before</b> <b>Writing</b> a <b>Blockbuster</b> Movie

    Symbolic characters may appear more extraordinary than what we Know in real life. Like warriors, kings and queens, adventurers, gods and goddesses, rock stars and movies. They are a symbol of our ideal nature, which has in fact been removed from everyday life.

    They may even be any man or woman with prominent occupations such as undercover agents and superheroes who work in offices throughout the day. Whether these characters are cloaked crosses or office suits, they have to be in Maslow's hierarchy of needs at times to be attractive to the audience.

    Characters Must also be believable and reflect the needs of the current audience. One of the fastest ways to break up an audience is to make the characters irrelevant to their lives. They Must represent themselves or well-known individuals.

    Writers Must ensure that each main character has the opposite character, not only in terms of purpose, but also in terms of individual and personality traits. A hero has to face the villain, a naive person has to face a serious person, or an intelligent character has to face a stupid character.

    Audiences want to be unique . This is not always the same as being different. They want to see a simple twist of personality. "People do not want anything new," says Del Wakio. "They want the old to be presented in a new and unique way."

    There are a few simple ways to differentiate your characters. Screenwriters can change their age, gender, character defect or dramatic performance from hero to villain. They can also change the style, tone and genre of their film. Like James Bond, who became Austin Powers with some of these changes.

    These results for best-selling Blockbuster films are observations based on data from years of research on film audiences. These rules are not immutable. However, if you are Writing an R-rated comedy, Know that statistically, it will not be as good as a PG 13 comedy at the box office. This should not discourage screenwriters from Writing them.

    Screenwriters should not reverse engineer their stories to fit the format of a billion-dollar franchise. Not all films need to meet all four quarters of the age group, nor do they need to cross the billion-dollar box office mark. No studio likes to spend hundreds of millions of dollars on their films.

    However, screenwriters need to consider marketing their films, especially in terms of who they write their scripts for. . You may even want to define what a page or poster of your movie looks like so you can continue on your way.


    Source: creative screenwriting

    Tags: tips, every, screenwriter, must, know, before, writing, blockbuster, movie

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