9 The romantic relationship of comedy-romantic films from a psychological point of view; What are healthy relationships?
Love and romantic relationships in cinema have always been controversial among the analysts of societies, ie sociologists, psychologists, film critics and so on. . Although cinema is a product of the human imagination, because it is directly and extensively related to popular culture and is in fact one of the main tools of culture-building in societies, thinkers and analysts believe that cinema's view of love in many cases The reason for being too imaginative has a negative impact on at least part of the society that watches cinema. And since love is one of the most popular human themes in art and literature, artists and creators of works have a more serious responsibility in displaying and representing it.
romantic comedies, one of the most popular cinematic genres, come with a positive outlook on love and happy endings. Joining is supposed to happen in the most beautiful way possible in these films, usually with a bit of hassle, mischief and a series of obstacles. In an article on the best and worst romantic relationships, Insider magazine has approached a couple of therapists who believe that romantic comedy films are unrealistic and show only the first stage of acquaintance in a relationship in which the two parties are obsessively together and watching each other. They see only the good and the perfect.
Neither modern psychology nor our collective wisdom tells us that this period is very short in any relationship, and that when films are merely representing this period, they are usually without any obstacles or obstacles. The problems that couples actually face in their relationships are not addressed. So teenagers and young audiences keep these films in a bubble that the relationship and marriage will be a paradise like the one shown in these films.
On the other hand, the romantic comedy genre has come a long way. And it has made some changes. For example, over the past decade, he has distanced himself from the flower and nightingale atmosphere he creates in movies. from love based on refusal and desire in classical cinema, to designs and stories that have a deeper and more complex look at love and its delicacies. However, even the best romantic comedy films should be viewed with a little skepticism, knowing that What lies ahead is cinema, not real life. Consider a list of the best and worst examples of romantic comedy films from the perspective of some marriage experts.
"Isn't it romantic?" (Isn't It Romantic) admirable for satirizing the biggest problems of most comedy-romantic films
- Product: USA
- Broadcast: 2019, Warner Bros., (International Broadcast) Netflix
- Director: Todd Strauss-Ashkalsen
- Cast : Rebel Wilson, Liam Hamsworth, Priyanka Chopra
- Raton Tomitoz Score: 70 out of 100
"Isn't It Romantic?" Playing Rebel Wilson is a romantic comedy that's heavier in comedy. In this film, the main character suddenly gets out of a romantic comedy due to a blow to the head. Her apartment in Brooklyn, New York, is now very large, her closet is full of expensive things, and an attractive man (Liam Hamsworth) takes her to such luxurious appointments.
Psychotherapist Irene Schreiner says: The critique of the romantic comedy genre is admirable. "This is the only romantic comedy that I think is a good psychotherapist, because it works very well to ridicule all the romantic clichs of all the romantic comedy films."
2. "Crazy, Stupid, Love" gives a somewhat realistic picture of the intricacies of human relationships
- Produced by: United States
- Broadcast: 2011, Warner Bros.
- Director: Glenn Ficara, John Ricoh
- Cast: Steve Carl, Ryan Gosling, Julianne Moore, Emma Stone,
Merissa Tommy, Kevin Bacon Marriage and family consider "Crazy,
Stupid, Love" one of the best romantic comedies in
Hollywood. The film tells the story of a couple on the verge of
divorce and shows its impact on their children.
Patford says: It is necessary in the relationship, it works very well. "The film reveals the contradictory nature of strength while fragility in a relationship, and that any relationship must be accompanied by awareness and at the same time self-care and the existence and identity of another."
This film provides a true picture of the vulnerabilities that In case of carelessness, it shows a relationship, as well as wrong and irreversible strategies that people take to compensate for this shortcoming that has the potential to widen the gap or eventually disintegrate the family unit altogether.
3. "The Big Sick" shows the real problems of couples
- Product: USA
- Broadcast: 2017, Amazon, Linesgate
- Director: Michael Schwalter
- Cast: Kamil Nanjiani, Zoe Kazan, Holly Hunter
- Raton Tomitoz's Score: 98 out of 100
"The Big Sick" follows the life of a not-so-successful Pakistani-American Uber driver and comedian (Kamil Nanjiani) who falls in love with a student He gets an American master's degree (Zoe Kazan). As the two get closer and their relationship becomes more serious, the boy's character is concerned about the opinion of his traditional Muslim mother and father, who believe in traditional marriage and choose their son's wife themselves, about the girl. When a girl suffers from a mysterious illness and becomes seriously ill, the boy is forced to pursue his own emotional struggles on his own.
The night's work of relationship therapists, and at the same time, shows how family expectations and cultural differences manifest themselves when two people with different family and cultural backgrounds decide to reunite.
That families are personal It is not new that their child wants to choose to get married. But this particular film depicts a situation where parental boundaries are completely unchanged for the person their child wants to marry.
"As a couple psychotherapist, I say that cultural differences Shape, in any size, occurs in all relationships and engages the psyche of the parties with values that are good. These differences are natural and are in fact part of the story. "The 'big patient' paints a wonderful picture of this kind of relationship."
"10 Things I Hate About You" (10 Things I Hate About You) teaches us a good lesson about relationship
- Product: 1999, USA
- Director: Gil Jangar
- Cast: Julie Styles, Heath Ledger, Joseph Gordon Levitt
"Ten Things I Hate In You" is one of the nostalgic romantic comedies of the nineties that, according to Lions, is one of the most important scenes of critical truth. Talks About Relationships.
A modern adaptation of Shakespeare's The Taming of the Shrew is a high school romance focusing on a complex web of lies and love. Narrates. But it's the character Julie Styles, Kat, who teaches us an important lesson about love. "From the boots the boy wears to the carelessness he has in the relationship, but in the end it turns out that despite all these objections, he still loves the boy." , Is telling a universal truth about relationships; That when two people are put together with different personalities, habits, traits and values, tension and friction are inevitable. They do not have to ignore or, over time, come to terms with the complex and imperfect person next to them. "
5. "It Complicated" honestly examines and illustrates the complex feelings that come with a divorce.
- Product: USA
- Broadcast: 2009, Universal Pictures
- Director: Nancy Myers
- Cast: Meryl Streep, Alec Baldwin, Steve Martin
- Raton Tomitoz's Score: 58 out of 100
"It's Complex" paints a candid picture of divorce. The film tells the story of a divorced couple, Jane and Jake (Meryl Streep and Alec Baldwin) who reconnect after divorce and now have to hide their relationship from their children. Of course, Jane soon finds out that Jake is married and that another divorced man (Steve Martin) is also interested in her.
Petiford says: Shows the emotional complexity of families experiencing divorce. "Many divorced couples still feel for each other and the lives they once had together, and sometimes even want to give it another chance to live and feel."
And re-exploring these feelings can sometimes have painful emotional consequences, especially for adult children who have witnessed their parents' divorce. Apart from this, it is often proved that even after the referral, the main problem between the couples was the same. This is What the film "Complex" takes with an honest look.
6. "Pretty Woman" shouts that her romantic relationship will not last in the end
- Product: 1990, USA
- Director: Gary Marshall
- Cast: Julia Roberts, Richard Gere
- Raton Tomitoz Score: 64 out of 100
"Beautiful Woman" tells the story of a street woman (Julia Roberts) who, at the suggestion of a wealthy businessman (Richard Gere), agrees to spend a week working with him, but the deal goes to a relationship. A romance between the two leads. It's a very lovable film, and one of the most popular "Knock and Build" movies is Hollywood's romantic comedy in popular culture, but it has its drawbacks, at least psychologically.
"We do not see in the film that How are the couple supposed to get along with such a different class, economic, educational background and biological experience; "When the initial tension and excitement between two people subsides and reveals its real life and everyday issues."
The film is a fairy tale that, like all fairy tales, has a happy ending. Men and women meet in spite of all obstacles in joy and happiness. But Petiford says there is a clear inequality between the couple that cannot be ignored, and that this power imbalance will be problematic.
"Sex and the City" is a clear example of things not to do before marriage
- Product: USA,
- Broadcast: 2008, Warner Bros.
- Director: Michael Patrick King
- Cast: Sarah Jessica Parker, Kim Catral, Christine Davis,
Cynthia Nixon, Chris Knoth, Jennifer Hudson And 2000 who live alone
in New York, each with a different personality and outlook on life,
pursuing their daily lives focused on romantic
relationships, perhaps thanks to actors (especially New Yorker
Sarah Jessica Parker) and fashion. Remarkably won many fans and
awards. But in reality, it can be a very destructive role model for
its followers. In general, the lifestyle and relationships
introduced and promoted in the feature series "Gender and the City"
are unrealistic, and the first film sequel based on this series
follows the same formula; Zooming in on a very minor issue. It's as
if they're a bunch of high school kids who still don't know
What they want out of life and a relationship.
He tells his longtime lover Kerry (Parker) about his doubts, and he writes down the most childish reaction possible: attack and blame. This is the sequel to the abnormal patient relationship that the two had broken and resumed over and over again throughout the series. A kind of sadistic masochistic relationship that aims to both follow the series and attract more audiences. The result of this unbelievable reaction is the awfulness that arises on the couple's wedding day and reopens the old wound.
Salem is a decision that is supposed to change people's lives completely. Couples often think that they should hide these feelings and worries because they are afraid that a destructive flaw in themselves or their relationship will be revealed. "This is exactly the kind of human work that Bigg's character does in 'Gender and the City,' but he gets a very negative and destructive reaction from the other side."
8. "The Notebook" shows unhealthy relationships
- Product : United States
- Broadcast: 2004, Newline Cinema
- Director: Nick Cassavetes
- Cast: Ryan Gosling, Rachel McAdams, James Garner, Jenna Rowlands, Joan Allen
- Raton Tomitoz's rating for the film: 49 out of 100
Yet another hot forbidden romantic relationship with all its obstacles and clichs (based on the novel of the same name by Nicholas Sparks, who is popular with romantic comedy audiences, is unrealistic and destructive to psychologists. , The relationship between Ellie and Noah (Rachel McAdams and Ryan Gosling) is unrealistic and unhealthy. If we look at the film from the perspective of a psychotherapist, we see that the film is precisely one of the main actors in the stereotypical image of the exaggerated behaviors of love among adolescents and young people, which says that such behaviors are an effective response to the challenges of a relationship.
For example, Noah writes a letter to Eli every day, without receiving a reply from him, telling him about building a big, dream house, and obsessively believes that this is the situation in Ellie's life that her mother is not happy with and her husband. He will change the rich man for his daughter.
Expressing love in the rain and turning anger into romantic intercourse are exactly the false patterns that such films work in the minds of the audience. This is a feature of all Hollywood romantic comedy films; The message he conveys to the world is: Satisfaction with the relationship can only be achieved in the big, bold and daring moments.
Haynes says: They experience and practice together. It is these experiences and interactions with all its differences and details that deepen the love, affection and admiration of two people for each other during the time of love. "
9. "My Big Fat Greek Wedding" presents an unhealthy picture of family interference in marriage
- Product: 2002, USA, Canada
- Director: Joel Zwick
- Cast: Nia Verdalos, John Corbett, Lini Kazan, Michael Constantine , Jane Eastwood
- Raton Tomitoz Score: 76 out of 100
Tula (screenwriter Nia Verdalos) is a 30-year-old Greek-American woman in a Greek restaurant. His parents work in Chicago and he is still single. Until she meets a seemingly flawless man named Ian Miller (John Corbett) who is a schoolteacher. The two soon fall in love with each other. But there are two problems; First, Ian is not Greek, and second, he is a vegetarian, and both of these things terrify the Tula family.
Petiford says: "It's not worthy of imitation."
It's true that the storyline creates countless comedic situations (the Iranian version of the film was made because of the cultural similarities and potentials of the comedy, "Marriage in the Iranian Style"). Made by Hassan Fathi) and it is important to pay attention to different family, racial and cultural backgrounds in relationships, but excessive family intervention on the issue of marriage is wrong and destructive.
Tula, the main character of the film to marry his beloved He has to cross his father's barrier and eventually succeeds, but from Pettiford's point of view the film is struck by the young couple's daughter donating a house in their neighborhood.
Petiford explains: "This level Interfering with a relationship that is about to end in marriage is interesting to watch comic tension on the big screen, but it is uncontrollable, and the result "It's not that the couple will not be able to get married peacefully in the end."
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