8 joint films of Woody Allen and Diane Keaton from worst to best

In 1970, Woody Allen began a romantic relationship with Diane Keaton. Woody Allen had just made a name for himself with the movie "take the money and run" and Diane Keaton was still an unknown actress. Two years had to pass before the movie "The Godfather" was made and he became famous in the world of cinema. This relationship lasted nearly a year, but Diane Keaton always remained the ideal image of a woman in Woody Allen's mind; For this reason, he reached out to him from time to time and collaborated with him in a film. In this list, all the collaborations of these two, in any film format, are under the microscope.

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

In 1970, Woody Allen began a romantic relationship with Diane Keaton. Woody Allen had just made a name for himself with the movie "take the money and run" and Diane Keaton was still an unknown actress. Two years had to pass before the movie "The Godfather" was made and he became famous in the world of cinema. This relationship lasted nearly a year, but Diane Keaton always remained the ideal image of a woman in Woody Allen's mind; For this reason, he reached out to him from time to time and collaborated with him in a film. In this list, all the collaborations of these two, in any film format, are under the microscope.

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One of Woody Allen's constant concerns is the complexities of the emotional relationship between men and women. He has always dealt with this issue in his various films, looking for an answer to understand why the complexities of this apparently simple event, and has always confronted his audience with ancient and eternal issues. For this reason, there are always women as the main characters in his movies; The women whom the men in his movies (mainly with his own acting in his youth) are on the one hand obsessed with and on the other hand feel afraid next to. Great actors have also taken the form of these ideal women, but the most important of them is Diane Keaton, who brought to life the most perfect character created in Woody Allen's cinema, the female character of the movie "Annie Hall".

Today. Woody Allen is one of the symbols of American intellectual cinema. The point is that he raises all his concerns and thoughts in the form of comedy cinema. In this way, both the general cinema audience communicates with him and the more serious audience creates a part of their cinematic memories with him; Because many believe that Woody Allen is the most important comedy maker after the decline of classic cinema. On the other hand, comedy is one of the most attractive and entertaining forms of entertainment in the present age.

Most people know comedy cinema by the presence of one or more comedians on the screen, and the creation of laughter and jokes comes from Comedians know that humor and wit are not influenced by the script of a good-smelling screenwriter or the brilliant decoupage of a filmmaker. Of course, the type of comedy that relies on historical comedians is as long as the history of cinema, and its roots can be traced from people like Max Lander and after him Charlie Chaplin and Buster Keaton in the silent era to Jim Carrey in the present era, but among these many films There have also been those who have washed their hands of this reliance and by creating different situations or creating exaggerated conditions in criticizing a phenomenon, they have gotten a smile or even a laugh from their audience; People like Billy Wilder are among these filmmakers with the ability to make comedic and yet bitter movies.

But the case of Woody Allen is completely different and is among the brilliant exceptions of this field. He was able to reconcile these two forms of satire in such a way that no one before him or after him could achieve such a position. In the seventies, under the influence of the greats, he slowly and steadily created his own fixed type, but he did not stop there and was able to make his audience laugh and make him think, like the greats of classical cinema, by creating humorous situations. A shining example of such unique creativity can be identified in his film "Zelig" which, although references from silent comedies to Bergman's cinema can be found in it, is deeply Woody Allen, original and self-sufficient.

On the other hand. Diane Keaton slowly and steadily built a persona for herself that was different from many actresses in the history of cinema. She was never the seductive woman who could ruin men's homes and lead them to crime, but she always remained a symbol of women who, despite their sobriety and dignity, remain in men's minds in a different way and are not forgotten; Unattainable women who are etched in memory not only because of their beauty, but also because of something else that can be called the perfection of character, and disturb men's solitude and loneliness. This type of madness that his cinematic persona brings to the lives of the men in the story is not an instant madness, but a permanent feeling from which there is no way out.

That is why the final return of Michael Corleone in the movie "The Godfather" 3" to his wife is so believable and seems so inevitable, or Woody Allen's own mania in the movie "Annie Hall" who, despite the presence of other women in his life, still thinks of a woman instead of the usual clothes of a woman. , he wore a tie and a hat.

Before we get to the list itself, it's important to mention one thing: the third movie on this list, Play Again, Sam, is not directed by Woody Allen. Rather, it was made by Herbert Rossi, who, along with works like "The Goodbye Girl", has a place in the memory of cinema friends. He has struggled for himself. For this reason, the name of the film was added to the list, the screenplay of which was written by Woody Allen and is deeply dependent on his vision and cinematic world. In addition, he plays alongside Diane Keaton and is one of the main actors of the film.

8. Sleeper

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Woody Allen, Diane Keaton, Peter Hobbs and Whitney Ridbeck
  • Product: 1973, USA
  • IMDb rating for the movie: 7.1 out of 10
  • Film score on Rotten Tomatoes site: 100%

Woody Allen in his first period of filmmaking, which includes five films, all fixed components He used to watch the cinema and express his concerns through this. For example, in the movie "Take the money and run", he touches on the concept of democracy in the masterpiece sequence of bank robbery and shows how stupid a person can be sometimes. Or in the movie "Love and Death" he looks at the history of Europe and, in addition to paying tribute to Fyodor Dostoyevsky and Tolstoy, he jokes with concepts such as the sanctity of the land and homeland, war, aristocracy or death. Among other features of Woody Allen's films of this period, it can be mentioned that everything is free and easy. In the sense that the audience feels that the filmmakers pay more attention to the concepts behind the frames than to the shape and image of the frame itself. By the way, this liberation and unrestrainedness is the result of a kind of worldview and look at cinema. For Alan, cinematographic images are not complex images and frames that require a lot of effort to create, as soon as he can express his desired image in the simplest possible way, he has done his job and does not see the need to spend more money and energy. Now, in the movie "Sleepy", he went to the science-fiction cinema with the same look, which coincidentally was going through its boom period at the same time, with the landing of a man on the surface of the moon and the space competition between the Soviet Union and the United States.

In "Sleepy", Woody Allen links technological progress to the loss of human freedom and the establishment of a totalitarian government, and moves towards the creation of a dystopian world inspired by literary works such as George Orwell's 1984 or Ray Bradbury's Fahrenheit 451. It is in such a frame that he touches many of the concepts of science-fiction cinema.

Diane Keaton plays the role of a woman named Luna, who is sheltered by the main character of the drama played by Woody Allen. Together, these two help an underground movement that is fighting against the authoritarian government. These conditions provide a good opportunity for the clever Woody Allen to touch the world of politics as well as science-fiction cinema.

"1973. Miles owns a grocery store in a village. He needs to go to the hospital for an operation, but he doesn't want to do it. Finally, he makes his decision and goes to the hospital, but the operation is not successful and he may die. For this reason, his cousin, in cooperation with the hospital doctors, quickly freezes him so that they can find the medicine he needs. But Miles wakes up two hundred years later and sees a new and advanced world in front of him...

7. Interiors

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Diane Keaton, Geraldine Chaplin and Mary Beth Hurt
  • Product: 1978, USA
  • IMDb rating for the movie: 7.3 out of 10
  • Rating of the movie on Rotten Tomatoes site: 81%

After making the movie "Annie Hall", Woody Allen became a filmmaker that the world Women and their concerns were very important to him. Like his mentor, Ingmar Bergman, he placed women in the center of his frames and analyzed their behavior; What happens to them and what they think in certain situations.

In the movie "Domestic Scenes", a woman is left alone with her daughters after the man leaves the house. These new conditions make them face a situation they have never experienced. In all the years of living together, the woman has tried to provide a safe and peaceful environment for her husband and children, and now with the departure of the man, she realizes that not only all her efforts have not been seen, but also that her sacrifices have not been of any use.

The other daughter, being a realist, tries to make the mother understand that she has to deal with reality. But he himself does not know what the reality of life is and is helpless to understand it. The third girl, who seems to have come to terms with the situation, is looking for a life somewhere outside the home. This is how Woody Allen creates a feminine world that falls apart in the absence of a man. As if the women of the story with the departure of the husband and Their fathers are empty from the inside and just stare at the door frame that he might come back; It may seem that all of them are at least outwardly resistant, but in their loneliness they know that nothing will ever be the same.

Diane Keaton plays one of the girls here. She has a writer husband who is struggling to write and everything he tries is closed. There is no mention of Woody Allen himself in the cast of the film, and of course this one is not a comedy film like most of his works.

"One day, a rich lawyer announces to his wife and three children that he has a duty to his family. He has done everything and now he wants to live alone for a while. The mother is left alone with her daughters after the man of the family leaves, and this new life affects their relationship. The girls, each busy with their own lives, try to help their mother, but...

6. Radio Days

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Diane Keaton , Woody Allen, Mia Farrow and Michael Tucker
  • Product: 1987, America
  • IMDb rating for the movie: 7. 4 out of 10
  • Rating of the movie on Rotten Tomatoes site: 90%

Woody Allen is one of the symbols of New York City. In America, New York is called "Big Apple" and Los Angeles is called "Big Orange". Life in them is really different. Because everything is different; From the weather of the two cities to the culture governing each of them or even the concerns and views of the citizens' lives. New York is considered to be the world dominated by logic and Los Angeles is the world dominated by emotion.

Woody Allen has emphasized these differences in his various films, and for example, in "Annie Hall", he touches on life in Beverly Hills. Or, for example, in his real life, he has declared many times that he hates Los Angeles and will not travel there until he has to. Now, with this level of interest in his city, New York, it is quite natural for him to make a film about a New York family that is very similar to his own family during his childhood and adolescence. Woody Allen spent his childhood, the radio was the most important family entertainment and of course the most important means to get the news of the day. Many stories and stories were transmitted through this medium, and unlike television, which limits the power of human imagination, it encouraged imagination and dreaming. (Compare, just for a moment, hearing a story on the radio to watching a movie on television.)

The same issue gave Woody Allen an excuse to pay homage to his past days and the world in which he grew up. The colorful world that he creates from those days, although it is not complete and perfect, but it is full of life and is exactly what a person needs to grow and understand the world. The people in front of the camera and in the frame of the filmmaker have been chosen in such a way that they help to convey the same desired concept and create a unique world.

In this film, Alan avoids telling stories in a conventional way and creates Different situations happen, each of which forms a part of his childhood memories. The atmosphere that governs the work, in combination with the music used, creates a nostalgic atmosphere to complete the filmmaker's devotion to a bygone era. The film has a lot of pure moments that will delight Woody Allen lovers.

Of course, in this film there is no main actor in the conventional sense, because there is no conventional story, but Mia Farrow is most of all in front of the filmmaker's camera. and Diane Keaton and Woody Allen have a small role. But the short appearance of Diane Keaton is enough to impress; Meanwhile, the audience looks for a trace of his presence in every work of Woody Allen and feels relieved when he appears in the frame.

"Joe is the little son of a family from Brooklyn, New York in the 1940s. From his point of view, the filmmaker shows the interests and concerns of a typical New York family..."

5. Manhattan Murder Mystery

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Diane Keaton, Woody Allen, Anjelica Huston and Alan Alda
  • Product: 1993, USA
  • IMDb rating for the movie: 7.3 out of 10
  • Rating of the film on Rotten Tomatoes site: 94%

A black comedy that clearly pays homage to films like "The Lady from Shanghai" by Arsen Welles, "Double Indemnity" by Billy Wilder and "Rear Window" by Alfred Hitchcock. The result of this performance of religion has become a fun work that uses both fighting games and an intelligent calculation.

Woody Allen here links a crime story to the relationship between men and women and its complexities. And by putting their behavior under the microscope, he tries to understand why they make their decisions and also their choices. It was said that this is an old favorite of Woody Allen, and as he entered middle age, only the tone and shape of his films changed. otherwise the stories are the same stories and the concerns are the same concerns.

The layered effect of Woody Allen is on the one hand a crime and on the other hand it focuses on the behavior of the characters, on the one hand it is about solving a murder mystery. And on the other hand, he analyzes the relationship between men and women in different ages, on the one hand, he is busy with detective literature and cinema, and on the other hand, he pays homage to all those magnificent works. Achieving such an achievement can only be the work of a great director like him. Woody Allen is good in the role of the coward. Of course, he has always played the role of conservative and clumsy men who suffer from a lack of self-confidence. In this way, he is joking with his own image. Diane Keaton is what she should be; A woman full of passion for life and ready to step into the next chapter of life, that is, the same woman who drags and takes a man with her. But Anjelica Huston's game is something else; He was able to satirize a writer's character very well.

"Larry and Carol are a couple who are left alone after their son goes to university. Larry is a book editor and a timid character, but Carol is full of zest for life and loves adventure. Carol suspects her neighbor and thinks he killed her husband. He plans to investigate this case, while Larry is against it. But Carol asks her friend, who is a private detective, to help her solve this mystery. until..."

4. Love and death

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Woody Allen, Diane Keaton and Aubrey Morris
  • Product: 1975, USA
  • IMDb rating for the movie: 7.7 Out of 10
  • Rating of the movie on Rotten Tomatoes site: 100%

It is not easy to define a straightforward story for this Woody Allen movie. The film is full of different situations, each of which has a purpose, and together they have become a work that, more than anything else, tells about the creator's thoughts, concerns and outlook on life. Woody Allen, who as an intellectual, is also a voracious reader, borrows from his favorite books (here Russian literature) and touches everything he can.

Here the main character, shortly before He remembers the execution of the past days. When he was just a child or when he was afraid of guns in the army. But in one of his funniest films, Woody Allen plays with the concept of everything, where a coward can become a war hero or the god of death can dance with him. This representation of death in the film is obviously a tribute to the cinema of Ingmar Bergman and his films such as "The Seventh Seal" and "The Wild Strawberries" and indicates an existentialist concern among Woody Allen's thoughts. /p>

The film "Love and Death" is one of the works of Woody Allen's first period of filmmaking, in which the filmmaker produced a satirical film inspired by the plot of classic cinema stories. Here, this tribute goes beyond silent comedy cinematographers or his favorite filmmaker, Ingmar Bergman (as we see, for example, in a film like "Take the Money and Run") and also refers to other directors such as Sergei Eisenstein.

The narration of the film is divided into two separate parts. From the beginning to the end of the war, the story revolves around comic situations, but suddenly the philosophical and rhetorical discussions of the characters take the place of satire; It seems that the filmmaker has a lot to say and is afraid of running out of time. This is perhaps the film's biggest problem; An incident that caused the film to become fragmented and distanced it from an absolute masterpiece.

In the second half of his work, Woody Allen criticizes the European aristocracy and plays with their relationships. It shows the moral depravity of this class from behind their false appearance until it reaches the assassination of Napoleon Bonaparte in a masterpiece sequence. This sequence is one of the most challenging sequences in Woody Allen's cinema to lose his image as a comedian.

Diane Keaton plays the role of Sonia, the lover and wife of the main character. She still has obvious differences with the perfect woman in Allen's career, and she will have to wait a few more years before she can fit into that wonderful persona.

"Russia. Year 1812. The night before his execution in prison, Boris remembers his past; Childhood and Sonia, his beautiful relative. He remembers that he was sent to fight against Napoleon's army in 1805, and after he was wounded in a battle, he was saved by Sonia, who came there as a nurse. In the meantime, Boris is suddenly and accidentally introduced as a war hero and sits on top. In 1812, after marrying Sonya, Boris was sent to Moscow to assassinate Napoleon, but...

3. Play it again, Sam (Play it again, Sam)

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Director: Herbert Ross
  • Writer: Woody Allen
  • Stars: Woody Allen, Diane Keaton and Tony Roberts
  • Product: 1972, USA
  • IMDb rating for the movie: 7.6 out of 10
  • Score of the movie on Rotten Tomatoes site: 97%

Woody Allen wrote the screenplay for the movie "Play Again, Sam" based on a play of the same name, and Herbert Ross wrote it. directed For this reason, Woody Allen's favorite themes are like the constant arguments of a couple and also the internal conflicts of the characters to understand the concept of relationship or the concept of life. Woody Allen made another movie in the year 1972, which of course is not as good as this movie.

The movie refers to a famous sequence from the movie "Casablanca" by Michael Curtiz and starring Humphrey Bogart and Ingrid Bergman. Starts. The name of the movie also refers to the famous sequence of the movie "Casablanca"; Where Humphrey Bogart begs his bar musician to play the haunting song he played for his love again. The name of this child is of course Sam. The main character played by Woody Allen is also in love with Humphrey Bogart and even talks to his ghost. This contrast between these two conveys one of the basic concepts of the world of the work; Humphrey Bogart was one of the eternal symbols of masculinity in his time, while Woody Allen consciously knows that he is miles away from that charisma and creatively makes fun of his own image.

That iconic sequence of the movie "Casablanca". It shows the inability of humans to escape from the past. The main character loves cinema and is open about the past and endures the grief of losing a loved one. In this way, he again falls in love with a woman with whom he has a friendly relationship, played by Diane Keaton.

The first half of the film has a strange ability to make the audience laugh. The fantasy and comic situations of the film are lined up in a crazy way and create laughter, but gradually with the penetration of the film into the main characters, the amount of this comedy decreases and the film finds a calmer rhythm according to the fit of the story. In the following, this tribute to cinema and its history continues until the end and creates a memorable ending for the audience interested in cinema.

The movie "Play Again, Sam" can easily be a movie derived from Woody's worldview. Alan regarded as Herbert Ross. Although Herbert Ross is a great filmmaker who has brilliant films like "Goodbye Girl" starring Richard Dreyfuss and Marsha Rawson in the romantic comedy genre, the world of the film is closer to Woody Allen's cinema due to its approach to the existential concerns of the characters. to the romantic comedy world of Herbert Ross.

The cinematographer of the film is Owen Roizman. Someone who has brilliant works in the 1970s, such as "The French Connection", "The Exorcist" and "Network". In this film, he has been able to eliminate the tensions between a couple in a closed space and limited locations.

"Alan lives in his own apartment. He loves movies, especially Humphrey Bogart, and that's why he has filled the whole house with movie posters. His wife Nancy has left him for some time. One day the ghost of Humphrey Bogart appears and asks Alan to fall in love again. Alan has two friends named Linda and Dick. He is interested in Linda but

2. Manhattan (Manhattan)

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Woody Allen, Diane Keaton, Meryl Hemingway and Meryl Streep
  • Production: 1979, USA
  • IMDb rating for the movie: 7.9 out of 10
  • Rotten Tomatoes Score: 94%

Marshall Brickman, after a successful collaboration with Woody Allen as the co-writer of the film "Annie Hall" went to another brilliant work and wrote the script of "Manhattan" in another collaboration with this filmmaker. Here, both of them have returned to the same world full of misunderstandings of complex human relations and told about the lives of men and women of the middle class of New York City, who live among the high skyscrapers of this city despite an anxiety, caused by a lot of confusion.

Woody Allen links this anxiety, which can be caused by the human condition in the modern world, to deep philosophical thoughts. These men and women are obviously looking for answers to questions about why they are on earth, and even if they don't know it, they conduct all their relationships based on such a need. Maybe it is only the main character played by Woody Allen who sees the answer to this basic question in the existence of a woman who is infatuated. This woman is a symbol of all the delicate and beautiful things that can be loved and enjoyed; She can be a reason for a man to relax and give meaning to his life.

She plays the role of this ideal woman like in the movie "Annie Hall" by Diane Keaton. She is not a charming woman that the man of the story will be lost by seeing her, she is a perfect woman who may not be visible at first glance, but it is impossible to forget her after being seen. Diane Keaton has played this role with great elegance.

It was said that the driving engine of many Woody Allen's stories are about marital relationships and problems on both sides of an emotional relationship. Here, Allen links these complex relationships to the complexities of his favorite city; The New York that he loves and for this reason he used a special cameraman as the cinematographer of his film; Regardless of Woody Allen's mastery in developing and expanding such ideas, what makes the film successful in reaching this connection between the city and a romantic story in the first place is Gordon Willis's strange and brilliant photography.

Because The New York of this film is different from all New Yorks in the history of cinema and is highly desirable. The work of Gordon Willis and adding a dark look to Woody Allen's mental image made the film's images of New York City look like bright postcards depicting a beautiful utopia. Here, there is no news of that dirty city full of garbage of Scorsese's cinema, and no news of car horns and chases of movies like William Friedkin's "The French Connection".

Named Isaac, at the age of 42 and after being separated twice, has romantic dates with a 17-year-old girl. He, who is confused in his life, knows that this relationship will not lead anywhere. In the meantime, he meets his friend's girlfriend and falls in love with her. On the other hand, he is working as a writer for television programs and is not satisfied with his job. That's why he tries to work on his novel..."

1. Annie Hall

BingMag.com 8 joint films of Woody Allen and Diane Keaton from worst to best

  • Actors: Woody Allen , Diane Keaton, Carol Cain, Shelley Duvall and Christopher Walken
  • Product: 1977, USA
  • IMDb rating for the movie: 8 out of 10
  • Rating of the film on Rotten Tomatoes site: 96%

Many believe that Woody Allen after the decline of classic cinema, It is the most important comedy maker of cinema. One of the reasons for this belief is the presence of this film in Woody Allen's career; A film that can easily be remembered as one of the true masterpieces of cinema history.

Like many of Woody Allen's films, the film "Annie Hall" is based on his experiences of his emotional life. The complexities of emotional life and the inability to understand each other's needs in a relationship are the starting point of the story and of course its central theme. Here, Woody Allen is himself, the same man without self-confidence who does not know what the meaning of life is and seeks to understand its meaning, and of course, he is struggling with the same mental and emotional conflicts that he went through in his private life; So the whole movie is devoted to portraying moments of his personal life. He easily talks about his life and opinions by breaking the fourth curtain and facing the audience, and recklessly criticizes the rules of life. The cinema is coming. For someone who is not familiar with cinema and its history, the movie "Annie Hall" may seem complicated and full of defamiliarization. Of course, Woody Allen had such an intention, but he combined this form of storytelling with a content that is complex enough.

The narrative of the film is not so straightforward. Situations keep changing and Woody Allen addresses you and me whenever he feels like it. At the very beginning, he describes his view of life by telling a funny joke, and at the end, he explains his view on the relationship with the opposite sex with another joke. Such a genius in dealing with complex issues has made him a great director who has many fans both among the general audience and among the serious audience of cinema.

Diane Keaton in this best performance, the image of Woody's Armani woman. He played Alan, who is both desirable and unattainable, with delicacy. He is exactly what he should be, with all his charms and perfection, and on the other hand, Woody Allen in the role of Elvis Singer, presented the best performance of his career and became a symbol for confused men who failed in love and confused in understanding concepts like Love is done.

"Alvy Singer is a comedian who is not very satisfied with his life. He's trying to figure out why his relationship with a girl named Annie Hall didn't work out. He met Annie on the tennis court and now he is looking to understand why everything went wrong by remembering the details of the relationship...

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