Jean-Luc Godard, the great cinematographer and giant of the French New Wave, has died

Jean-Luc Godard, the director of films such as "Out of breath" and "Alphaville", which were among the influential works of the French new wave movement, passed away at the age of 91. . The last great modernist of the 20th century is now dead. In the words of Peter Bradshaw: Jean-Luc Godard was like an aloof but charismatic popular leader. It was as if Che Guevara had survived his assassination and hid all these years in the jungles of Bolivia to grow old: less visible and less important, but still able to mentally guide those bank robbers from afar and perform spectacular movements. The resistance army that reminds people of his revolutionary career. Godard was first a hero who was worshiped and praised, and then shrugged and yawned in front of him who imitated himself without thinking. He was influential in the same way that the new wave of French cinema shook Hollywood and all filmmakers. His unique experimental method has become video art these days."

BingMag.com Jean-Luc Godard, the great cinematographer and giant of the French New Wave, has died

Jean-Luc Godard, the director of films such as "Out of breath" and "Alphaville", which were among the influential works of the French new wave movement, passed away at the age of 91. . The last great modernist of the 20th century is now dead. In the words of Peter Bradshaw: Jean-Luc Godard was like an aloof but charismatic popular leader. It was as if Che Guevara had survived his assassination and hid all these years in the jungles of Bolivia to grow old: less visible and less important, but still able to mentally guide those bank robbers from afar and perform spectacular movements. The resistance army that reminds people of his revolutionary career. Godard was first a hero who was worshiped and praised, and then shrugged and yawned in front of him who imitated himself without thinking. He was influential in the same way that the new wave of French cinema shook Hollywood and all filmmakers. His unique experimental method has become video art these days."

  • Top 15 films of Jean-Luc Godard; Getting to know the revolutionary director (filmmaker under the microscope)

This French-Swiss director was a key icon of the new wave. The filmmaking movement that was a revolution in cinema in the late 50s and 60s. Godard was known for his deconstructive style of seemingly improvised filmmaking as well as his stubborn radicalism. In the 60s, he made his mark by making a series of increasingly political films. Before he enjoyed the strange revival of his career in recent years, which of course also provoked protests. With films like "Film Socialism" and "Farewell to Language" in which he experienced digital technology.

BingMag.com Jean-Luc Godard, the great cinematographer and giant of the French New Wave, has died

BingMag.com Jean-Luc Godard, the great cinematographer and giant of the French New Wave, has died

The rest of the works Highlights included Woman Is Woman, a personal tribute to Hollywood musicals, in which Kareena again starred and won multiple awards, this time at Belmondo and in Berlin, the radical film Humiliation, a quirky piece about filmmaking with Michel. Piccoli and Brigitte Bardot, Fritz Lang and Jack Palance and the movie "Alphaville", which was an unfamiliar hybrid of science fiction and film noir.

In 1965, Godard broke up with Karina. The last film they worked together was "Made in U.S.A." A tribute to American popular culture that faced a copyright problem in America. This period coincided with the time when Godard defined himself with the revolutionary policies of that era, and his filmmaking also reflected this story. He is a filmmaker It was founded in the name of Zhiga Vertov, the director of the Soviet Union who made the film "Man with a video camera". In 1968, in sympathy with the May student movement, he closed the Cannes Film Festival and collaborated with Marxist student Jean-Pierre Guerin in the film "Everything is Fine", an investigation of the sausage factory strike with Jane Fonda.

In 1970, Godard met Anne-Marie Mayhey, a filmmaker, who became his collaborator. Godard, who met and married Anne Vyazemski in 1967 during the student riots and the making of the film "The Chinese Girl", married for the third time after separating from Vyazemski, and this time his life partner was Mihway.

With the passing of the 70s, Godard's sometimes jarring political and intellectual moods began to fade, and his works in the 80s greatly decreased their influence. Although in an intolerable way, his film "Shah Lear" (produced in 1987) as a post-apocalyptic Persian film (comedy drama with crude and ridiculous characterizations) with the presence of a gangster in the center named Leir, was profited by the experts of the action canon of the film.

The feature film "In Praise of Love" (produced in 2001) was Godard's comeback and was selected to appear at the Cannes Film Festival. While the screening of the film "Socialism Film" happened in 2010 following the honorary Oscar that was awarded to him in the same year. ("For passion. For confrontation. For a new kind of cinema.") Godard personally failed to collect the film. His 2014 film, "Farewell to Language", again put Godard in the position of winning various international awards and also won him the Cannes Jury Prize. His last feature film "Picture Book", which was selected to appear at the 2018 Cannes Film Festival, won an honorary Palme d'Or.

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