How did Hollywood finally give way to middle-aged actresses?

2019 But sixty-year-old Thompson said of the years that had suddenly diminished. Having spent his youth playing leading roles in romantic films such as Sense and Sensibilty, he could only play what he calls "driving work" as he entered his forties. Bids decreased and maps became smaller; Like the role-playing occultist Harry Potter, the ubiquitous wife of "Love Actually" or the voice in Will Farrell's head in "Stranger Than Fiction." But another decade passed and his job offers became interesting again. For the past five years alone, Thompson has served as a Supreme Court justice in The Children Act, as a complacent TV presenter in Late Night, and twice as Prime Minister of the United Kingdom. Has played. Prior to her busy years, Thompson had gone through what is known as the "Drought Decade," the middle age of women in Hollywood. 2012 Two economists from Clemson University in South Carolina, USA They looked at gender in Hollywood movies from 1920 to 2011 and found that men had two-thirds of all roles in mainstream movies. But age seems to be a very important factor for the main roles. Women play four-fifths of the first roles in their twenties; Hollywood is very interested in women in their heyday. But from this period, when we pass quickly and reach the forties, the statistics and figures change completely. The best roles at this age belong to male actors.

BingMag.com How did Hollywood finally give way to middle-aged actresses?

2019 But sixty-year-old Thompson said of the years that had suddenly diminished. Having spent his youth playing leading roles in romantic films such as Sense and Sensibilty, he could only play what he calls "driving work" as he entered his forties. Bids decreased and maps became smaller; Like the role-playing occultist Harry Potter, the ubiquitous wife of "Love Actually" or the voice in Will Farrell's head in "Stranger Than Fiction." But another decade passed and his job offers became interesting again. For the past five years alone, Thompson has served as a Supreme Court justice in The Children Act, as a complacent TV presenter in Late Night, and twice as Prime Minister of the United Kingdom. Has played. Prior to her busy years, Thompson had gone through what is known as the "Drought Decade," the middle age of women in Hollywood. 2012 Two economists from Clemson University in South Carolina, USA They looked at gender in Hollywood movies from 1920 to 2011 and found that men had two-thirds of all roles in mainstream movies. But age seems to be a very important factor for the main roles. Women play four-fifths of the first roles in their twenties; Hollywood is very interested in women in their heyday. But from this period, when we pass quickly and reach the forties, the statistics and figures change completely. The best roles at this age belong to male actors.

For the few women who successfully survive the drought decade, there is an exciting future ahead; For these older actors, who can no longer play the role of passionate dream girls on the eve of their innocent marriage or take on the many roles in Marvel movies, a window opens on other roles: the witch and the witch. Meryl Streep once described the roles she was offered after the age of 50 as "ugly women or grotesque monsters." Of course, the situation for Ms. Thompson has been a bit promising; The latter, for example, played Baroness "Cruella", or in the movie "King Lear" played the role of Gonril, the eldest daughter of King Lear, is accompanying the musical adaptation of "Matilda"

But it has been discovered that biology should not determine one's fate. The new generation of actors has found a solution to the decade of drought in Hollywood and is showing us what we did not see, stories that address the wholeness of women's lives.

BingMag.com How did Hollywood finally give way to middle-aged actresses?

But to better understand the problem women face, one must consider Tom Hanks. He may be a symbol of the "American father", but his artistic career is replete with a variety of age-appropriate designs that the film industry provides to men. In his thirties, Hanks co-starred with Elizabeth Perkins in "Big," with Meg Ryan in "Sleepless In Seattle," and with Robin Wright in "Forrest Gump." The next decade of her life, the forties, the same decade of drought for women was no less than the thirties. During this period he played the role of an AFBI agent in the movie "Catch Me If You Can", in "Road to Perdition" he appeared as a murderer, in the animation "The Story of a Poker" (Toy Story) spoke for Woody and appeared in Cast Away as a man trapped on a lonely island. And these are just a few of the roles he has played in this period.

But what about the women he played with in the 1930s? What happened in their forties? Nothing special happened. At the age of forty-one, Meg Ryan tarnished her sweet and funny image by starring in "In the Cut" as an English teacher who enters into a relationship with a potential serial killer. Both critics of the film's erotic atmosphere and Ryan's presence in such a role on the screen was very well received. She says the film was a "turning point" for her that her career never improved.

Elizabeth Perkins and Robin Wright met a similar fate in the film industry. But they have succeeded elsewhere, and this is exactly where the decade of drought is changing for women. From the mid to late 1940s, Berkins played Celia, the narcissistic neighbor of the show's main character, in "Weeds" Showtime, for which she was nominated for three Emmy Awards. Wright plays Claire Underwood at forty-six She starred in "House of Cards," and her final season (following the controversy over the Mito movement, which ousted Kevin Spacey), took over as first lady.

BingMag.com How did Hollywood finally give way to middle-aged actresses?

The war between online streaming platforms has created an atmosphere in which actors like Reese Witherspoon In the 1940s, she starred in "Big Little Lies" alongside stars such as Nicole Kidman and Meryl Streep. Elizabeth Perkins and Robin Wright were among the first women to enjoy the golden age of television. Since then, the war between online streaming platforms has created an atmosphere that demands new dramas and, of course, increased job offers for actors. Reese Witherspoon, for example, starred in "Big Little Lies" in the 1940s with stars such as Nicole Kidman and Meryl Streep, as well as in the short series "Little Fires Everywhere." And The Morning Show, a web-TV series with Jennifer Aniston, whom the film industry apparently never knew what to do with; Rachel Greene's role in "Friends" is said to never be erased from her forehead. The four-year-old gave a role that is as challenging as the female protagonists of Henrik Ibsen's plays. At the age of forty-six, Sandra starred in the Holo network "Killing Eve" (which, ironically, featured a powerful female writer like Phoebe Waller Bridge, who made her 100th birthday overnight with "Fleabag"). , Appeared in the role of creator) in the role of a worn-out spy in a deadly chase with an attractive assassin. At the same age, Kate Winslet appeared in one of the most iconic roles in her career, Mir Sheehan, the patient detective on the HB network's Mare of Easttown series.

And what Wright encountered in traditional Hollywood, the career path of Hollywood female stars is actually flourishing in the competition between HBV, Amazon, Apple, Netflix and others. The variety of personal and professional roles in this space has created an opportunity for female actors to get rid of the stereotype of "mother" or "wife" or, conversely, a working woman independent of household responsibilities. Remember the decade of drought; In an effort to transcend the role of mother and find roles outside of this range for women, Hollywood wrote roles for women who were single mothers whose children grew up and are now engaged in a romantic relationship alone.

2012 film Salt, about a CIA spy accused of being a Russian undercover detective, is one of the most famous examples of a fundamental mother issue. The screenplay, originally intended to star Tom Cruise, was rewritten to star Angelina. This made a big difference in the film; Edion Salt was the father; But Evelyn Salt was not a mother. "If a woman has a child, I think we can not easily accept not to see her holding a child throughout the film," Julie said at the time of the film's release. "Which is strange, but as it turns out, the audience can accept that a man has a child and that child is at home with his wife, but they do not accept the opposite from the woman." (Julie herself was the mother of six children, including a two-year-old twin, at the time of Salt.)

BingMag.com How did Hollywood finally give way to middle-aged actresses?

At the age of forty, Kate Winslet also appeared in one of the most prominent roles in her artistic career, Mir Sheehan, the patient detective of the series" Mir Ahl Estown "on the HB network.

The storyline of a TV series allows its cast to grow like a tree root in each season, giving women a new space to grow and develop. In stark contrast to Julie's role in "Salt," Carrie Russell lived and became a mother, a travel agent, and a Soviet spy from the late 1930s to 1940s as Elizabeth Jennings. . In "The Queen's Gambit," the character Alma, played by then-forty-year-old Maril Heller, had an alcoholic stepmother, Beth Harman, with subtleties that skillfully complemented her character.

Television It has added new structures and tensions to some of the established genres to portray mothers who are not just mothers. While stereotypical male detectives were isolated, chaotic, monotonous characters, Ellie Miller, played by Olivia Coleman in the British crime series Broadchurch, is further complicated by her family problems. Also, Mir Sheehan, played by Kate Winslet in "Mir of Eastton," is at the heart of her community, at the heart of a loving, chaotic, and mourning society in a suburb where everyone has a secret and everyone is struggling with addiction. , Grief of loss, with perpetual dilemma America is unable to cope with the inability to care for and live with children. Yet weaknesses, regrets, and broken ambitions are anything but dry. "I always dreamed of becoming a policeman," Mir said in Mir of Eastton, who tells a young police officer: "This life is so far away from me that I did not expect it to fall apart so suddenly."

Source: theatlantic

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