“Deadpool” and philosophy; When nihilism and postmodernism are stained with blood

" Deadpool "quickly reached the top of the list of best-selling movies with an R rating, which only" Joker "Todd Phillips was able to surpass in 2019. A project that Ryan Reynolds is passionate about turned from a failure into a masterpiece, establishing itself as a popular and at the same time one of the most beloved R-rated superhero films.

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" Deadpool "quickly reached the top of the list of best-selling movies with an R rating, which only" Joker "Todd Phillips was able to surpass in 2019. A project that Ryan Reynolds is passionate about turned from a failure into a masterpiece, establishing itself as a popular and at the same time one of the most beloved R-rated superhero films.

"Deadpool" is a carefree carnival of helpless frustration and existential fear, masked by pessimistic ridicule and sober jokes. A work that pushes the semantic meaning forward and presents a world class of being in the right place, the right time, and pointing out all the points. Released in the golden age of postmodern nihilism, the film is like a huge destructive and bloody force accompanied by references to popular culture, jokes and insults, a film that asks what it means in the world of Marvel and beyond. Are you a superhero? Deadpool knows he's a character in a movie, and he finally knows his existence is meaningless. There is no social condition or advice for him that is more ridiculous than this. He points to cinematic clichs, breaks down the fourth wall, and thinks about leaving the scene amidst strife. In his fight with female characters, Dedepool thinks, if he fights with all his might, is it sex discrimination or should he refuse to fight with her because the other side is a girl?

" Deadpool dissects the superhero genre and reveals a world no less terrifying or frustrating than The Boys or The Watchmen. However, the film is so self-deprecating that it makes the excessive and dark excitement pleasant with the sick humor of the current generation. The Deadpool hangout is a faded bar where mercenaries gather, formerly Christian schools where rebellious girls are sent. Postmodern humor no longer becomes clearer than this.

Deadpool is a cunning man and a special kind of anti-hero, a ridiculous hero without shiny armor, a noble lady and a disciple who is loyal to him. The Wisecrack YouTube channel has made a comparison between "Deadpool" and the classic postmodern book "Don Quixote". This famous novel was in fact a reflection of the fundamental doubts of its time. Cervantes mocks Spanish society by shattering old beliefs about warriors and knights. Superheroes are also modern versions of the knights of King Arthur's time, so "Deadpool" can also be considered a kind of spiritual sequel to "Don Quixote" by ignoring past romanticism and breaking the torment of scientific, religious and moral customs. Which can no longer be relied on. Unlike other superhero movies, Deadpool does not limit itself to the good, seemingly positive phrase "saving the world from an indescribable evil." To begin with, Wade Wilson is not even a good person, and he strongly resists the label of hero. The battle within the film is completely personal, and later it turns out that even one thing is useless and completely vulgar (because Vanessa soon accepts her new face and the experiments really cure Wade's cancer).

However, throughout the story, we see Deadpool coming into action with a commendable courage, a long journey to an almost classic championship. The first film, which is a story of brutal revenge, ends with Deadpool, who once again rejects the superhero chest, where he unhesitatingly kills Francis, even when Claus begs him to control his nerves.

Jack Fisher puts forward the same idea. And he remembers Deadpool as a complete absurdist hero. Instead of retaliating like the Joker or living in chaos like Rick Sanchez in Rick and Morty, Deadpool embraces the meaninglessness of life, but that does not mean that its actions are meaningless. Unlike superheroes immersed in the thought of having to do this or that They choose, Wade can be both selfish and selfless depending on what he likes at that moment. Sometimes it can even be a better hobby and an indicator of character development in Deadpool, as Fisher writes of the absurdist film: "In a meaningless world, you can be a selfless hero and even a greedy man. It doesn't matter anyway. "The only thing that matters in the concept of nihilism is that one chooses oneself because one wants to, not because one thinks it serves a sublime purpose." A prisoner of ridicule

BingMag.com “Deadpool” and philosophy; When nihilism and postmodernism are stained with blood

Ridicule and ridicule in popular culture from a dark place of dissatisfaction And frustration stems. Top comedy films brutally attack ruling power structures and ideologies, proving to be both entertaining and influential as critical work. The advent of modern mockery shows how the millennial generation, also known as the New Lost Generation and the offspring of the generation, are trapped in a burning world without any shelter that is almost tangible where even many today cannot. To buy or rent a house for themselves in a world where temperatures are rising day by day. The LiveReal website writes in an article: "The idea of life as a rational, systematic system does not fit into our everyday experiences in a logical order. This is the defeat of rationalism. "This is not a celebration of irrationality, but merely the realization that being sensible, as it is usually portrayed, is like measuring the height of a tornado with a ruler."

Years and young people are constantly surrounded by information: floods, fires, environmental catastrophes, wars, poverty, hunger and social injustice, and this is where there is a common sense of anxiety because no one kills themselves enough for any cause or effect. Pay attention and lead a perfectly tolerant life. It feels like the old generation has deceived them, the new generation has become pessimistic, and they are ruthlessly mocking the good old days. "Deadpool" superhero man scouts and empties life and hits exactly the target. Belong to something outside of capitalism and authority. Today, however, humor has evolved from an alien to a mainstream, ending in a paradoxical situation of useless and endless cycles of references with an inability to construct new thought. Capitalism today is so powerful that it even swallows and plays with its critics, as we see, for example, Netflix is going to build a reality show based on the popular and controversial "Composite Game" series.

Search Dreaming in "Deadpool 3"

BingMag.com “Deadpool” and philosophy; When nihilism and postmodernism are stained with blood

Hollywood habitually refers to itself, with Endless jokes, reruns, remakes, revivals and adaptations of other mediums, whether comics or video games, that hardly leave room for original films. The movies use the same formula and repetitive cues, but now they are making fun of some self-conscious jokes. "Deadpool" is a clear example of this: from the very beginning and the credits that refer to its actors, but not by their names but by their characters. Things like the British supervillain, the charming girl, and so on.

The main problem is that it is not innovative to manipulate a clich and exploit it without the slightest bit of change as it seems. With the audience rejection of life at any moment deeply heroic or emotional on the big screen, Hollywood still uses the same structures and stereotypes but keeps the audience away from any ambiguity and thus feels like we are facing something new and clever ( Contrary to the old interpretations (naive or discriminatory) but how long can this sarcastic and self-referential distancing remain intelligent and fresh? One thinks that Deadpool 3 may indeed be intended to be sarcastic, which is ironically more deconstructive in these days of postmodern organizationalism.

As David Foster Wallace predicted, "Once upon a time , Humor and ridicule served to expose hypocrisy and deceit, but today it only honors cultural adherence and familiarity with common and popular things. The art of humor has lost its insight and sharp edge. "Something has been added to the past rebellious gesture that he wanted to counter." So the question is: how does art move from pessimism and humor to purity and emptiness? Whether "Deadpool" is a grand and fresh deconstruction, or a modern conception of heroism, or a lavish exploitation that relies on the capitalist internalization of humor, it is up to the audience to choose which one.

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