Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

The Darden brothers had entered the Cannes Film Festival this time with "Tori and Lokita". A film that focuses on the subject of immigration and the pursuit of money, a subject that has become one of the most important issues in the world these days.

BingMag.com Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

The Darden brothers had entered the Cannes Film Festival this time with "Tori and Lokita". A film that focuses on the subject of immigration and the pursuit of money, a subject that has become one of the most important issues in the world these days.

This film, which won an award on the night of the awards The 75-year-old special won the Cannes Film Festival, telling the story of a sibling named Lokita and Tori. The two live in Belgium, and Lokita is trying to obtain a residence permit in the country by sorting out the documents, claiming that she is Tori's sister, and that she may be able to satisfy immigration officials, but Kashif It turns out that the two are fundamentally different from the two countries and are not brothers and sisters, and the bond of friendship between them is so strong that it is higher than blood ties. The film continues to portray the two struggling and struggling to earn a little money, which causes the two to fall apart. They have twice won the Palme d'Or for "Rosetta" in 1999 and "Baby" in 2005, but the awards for these brothers do not end there, and they have won Best Screenplay, Grand Prix They win the award for best director and are somehow popular at this festival.

BingMag.com Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

Critics' Scoreboard for Cannes 2022 Films

" Tori and Lokita ", the latest production of the two brothers, has also received positive feedback from critics. The film received a 95 out of 100 rating on the Raton Tomitoz website, and a score of 74 out of 100 on the Metacritic website, indicating that critics liked the film to a great extent. When it comes to making films that present a poignant and painful account of the ideal culture of money, directors have never been ashamed to present such works, and the narratives of this young Kardan and his ailing sister, the heartbreaking challenge of emigrating to escape hope and misery and freedom. Draws.

Screendale - Jonathan Romney

Before their usual hangout, the city In Belgium, a dilapidated city, it was unlikely that the works of the Brothers would have a completely different feel and look, but over the years, they have been able to show their talent by maintaining an approach to cinema and the world. However, some of their films have fallen far short of the freshness and freshness of their iconic works, and their most recent film, Tori and Lokita, shows that their cinema has revitalized dramatically. Shocking, committed and with a determined circle of reality that has been hard researched. At least since their 2011 film, "Kids on Bicycles" has been their best film, and arguably one of the best in their repertoire. A story that is neat in character and influential plays are taken from the main roles of amateurs, and it seems that the story of this immigrant brother and sister has become an obvious success for these two veteran brothers.

BingMag.com Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

The film has a glorious beginning, with a long close-up on Lokita's character that not only leaves her and her brother behind, but also sets the stage for this woman's fragility. Faced with cruelty, the young man provides that his nervous breakdowns play a key role in the story. On the other hand, Pablo Shields, in the role of Tory, with his weak voice and always serious behavior, presents an introverted play that is like a brilliant and hard-working diamond, a picture of his endurance and endurance, and on the other hand, Joelie Ambondo, Lukita's growing desperation. Depicts emotional points, although like all Brothers's films, there are no trivial sentimental rhymes, and perhaps one of the film's most memorable moments is the whispering of an Italian song by this sibling. Pleasant that brings with it a wave of grace and server that you want to grab before everything turns black.

Variety - 's Tory and Lokita, the latest film written and directed by Jean-Pierre and Luc Darden, is just as glorious as Ruben Ostlund's "Triangle of Sorrow," but it's The film is about the opposite side and the worn-out economic spectrum of society. The Dardan brothers, who have worked diligently on the drama genre as a lyrical documentary, keep their audience on the wheel of the hamster Lori and Lokita, in a way that is both heartbreaking and engaging. From moment to moment, we are confronted with the daily attacks of the characters to match enough money, which seems to be the only thing the film wants to talk about. But they have They do not slightly reduce the severity of human austerity. They both acknowledge and deny that money is all life or at least life depends on it.

BingMag.com Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

For anyone who is so lucky and has enough money to watch this movie, this desperate and insane attempt by Tori and Lokita to make money will charge you like a movie trailer and like a slap in the face. Juicy brings you health. The film's beating heart opens when Lokita is forced to go to a drug dealership, and the Dardens create one of the most suspenseful and purest works of their filmmaking career by portraying her in this slum. In the 88 minutes since the film premiered, "Tori and Lokita" come to life with power without leaving too much room in the beginning. A story one might think of Vittoria Di Sica speaks of an age of economic inequality.

Guardian - Peter Bradshaw

The Darden Brothers have returned to the Cannes Games, which they have been proud of for decades, but the dynamics of their work have diminished over the years, and sometimes there are problems with the simplicity and believability of the story, despite all the research on the script. Done.

Nevertheless, I respond positively to the film's idealism, persistence, and inner strength. A simple story of inequality and oppression among marginalized and destitute people in the heart of Western Europe. Given that cinema is more a creation of irony and criticism and a picture of indifference, those who believe that cinema should have meaning and affect the real world.

But with all these interpretations, a kind of There is a fruitlessness in the dramatic language of the film, and I must admit that there is a kind of arbitrariness in the semi-automatic selection of having brothers for Cannes competitions. Have these two brothers become the silver-backed gorillas of the Cannes Film Festival? Permanent winners for the competition who qualify for the competition based on their good track record, not on their current good work. Maybe. As I said, there is simplicity and clarity in this film that I have a positive view of, and the brothers have taken brilliant acting from their young lead roles.

The Hollywood Reporter - Leslie Fliprin

BingMag.com Critique of “Tori and Lokita”; A harrowing view of immigration (Cannes Film Festival 2022)

"Tori and Lokita" probably The saddest film ever made by two brothers, writer, director and producer Jean-Pierre and Luc Darden. But while their previous works may have ended at least with a hint of calm, hope or generosity to penetrate the darkness of realism and society, this time the Belgian Brothers's film does not have that end and encouragement.

The most optimistic thing you can say about the film is that the tragedy that the film ruthlessly goes to and is always heard in the background like a speeding train does not completely eradicate all the characters we fall in love with in the end.>

This film is perhaps the most emotional creation of the Brothers that engages us, an obvious tragedy in the highest possible degree that revolves around heroes who deserve the empathy, compassion, and all that we have. There is no moral guilt or ambiguity in this film. You might think that this film is the food of the distributors, but the presence of famous actors and the reluctance of the audience to see stories about immigrants living in Western Europe, which may make it harder to sell to one distributor, is not easy, which is another tragedy. p>

The tension in this film never leaves you, and the film's little adventures bring us a little relief, and if it were otherwise, we should not forget that the film was undeniably heartbreaking. But the film manages to do just as well, just like a clever trap set in its own right, with one-on-one details and games masterfully executed.

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