cinema in conquering the handsome; Why don’t we have fat actors anymore?

"Tom Hanks" has become a fat man in the movie "Elvis" with the help of make-up and prosthetics, but still about the size of real fat actors It is not Hollywood. These days, it is rare to meet such people in movies, despite the fact that in classic movies, fat actors had a strong presence. cinema in conquering the handsome; Why don’t we have fat actors anymore?

"Tom Hanks" has become a fat man in the movie "Elvis" with the help of make-up and prosthetics, but still about the size of real fat actors It is not Hollywood. These days, it is rare to meet such people in movies, despite the fact that in classic movies, fat actors had a strong presence.

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Tom Hanks has many interesting features. For example, he is a member of the National Astronautical Society of the United States or is considered a collector who has a rare collection of classic typewriters, including an IBM typewriter from the 1960s that he lent to Steven Spielberg to used in the movie "catch me if you can" Beyond these, Hanks is considered one of the most popular actors in the world.

But Hanks lacks some features. He doesn't weigh 140 kg, he doesn't wear X-large clothes, his neck is not big enough to fall over his shirt. He may not be thin, but compared to the character he plays in the movie Elvis, he is considered a slender actor. Hanks plays Tom Parker, Elvis Presley's manager and a con man who treats his biggest client like a bank. Parker was huge even at birth and gradually grew bigger.

The animal inside him was an elephant, and he used every opportunity to display it, for example, his private office at Paramount was filled with sculptures. It was an elephant or the basket used to throw away waste paper was designed in the shape of an elephant's foot. His biography states that he was exempted from World War II due to overeating. Parker ate so much that he was physically unable to perform his duties. His plan worked and he returned home.

No one expected Hanks to gain weight for the role; Especially his personal doctor who informed him in 2013 that he has type 2 diabetes and made Hanks promise not to gain or lose weight for any role. That's why Hanks wears a fat suit to become Tom Parker. Result? Hanks may have played a brilliant role, but the make-up and artificial prosthetics have created a distance between him and the audience and do not allow us to properly comment on whether his performance is good or not.

The fat clothes used in movies, It is not a new phenomenon. Orson Welles donned a different version of it to portray a corrupt cop in The Mark of Evil (1958). At that time, there was no need for these clothes and they were rarely used, but now the situation is different, fat clothes no longer attract attention and are vulgar. cinema in conquering the handsome; Why don’t we have fat actors anymore?

In vulgar comedies of the late 90s, this dress had a prominent presence. Eddie Murphy wore it in The Mad Professor (1996) and Gwyneth Paltrow did the same in The Seer Hall (2001). You probably also remember the fat version of Mike Myers in Austin Powers: The Spy Who Shook Me (1999). In recent years, these costumes are no longer used for second-rate comedies, but we see them in films that are expected to win various awards such as Oscars or Emmys. "Renee Zellweger" plays the lead role of the series "Something About Pam" (2022) with the same tactic; Jared Leto wore this dress in The Gucci Family (2021) and Stellan Skashgaard appeared on camera in a similar pose in The Dune (2021).

These actors are often applauded. And playing these roles is considered a challenging and brave task. "It's not interesting to carry 40 kilos of extra meat with you," says Skashgurd in Telmaseh promotional tour. You have heard these sentences from other actors. But the problem is that apart from showing off, the said fat clothes have never had a function and have not enhanced the cinematic stories around fat characters. It is "internal" but we do not see it because of its fatness. When Paltrow sheds her fat clothes and appears normal in front of the camera, the film unfairly tries to convince us that this is the inner beauty! In other words, the creators linked inner beauty to fatness and thinness (Paltrow later regretted being in the film). Or in Dune, the character "Baron" is fat because he's portrayed as a glutton, which stems from his evil empire. He would eat the galaxy if he could.

We can blame the poverty of imagination, the lack of ideas or the tendency of the filmmakers to clichs, but if we dig a little deeper, we come across a more bitter truth: a lost generation of fat stars. that this They brought stereotypical characters to the world of cinema in a correct, more realistic and intelligent way. Where in modern cinema can you find the equivalent of Sidney Greenstreet, the villain of The Maltese Falcon (1941) and Casablanca (1942)? An actor whose awe and grace nailed us. Who is the modern Margaret Rutherford of our days? Have you seen an actor like "Hetty Jicks" with the same strength, authority and fun in recent years? In the current generation, who can continue the path of "Robert Morley", who decorated American and British cinema with fat characters based on reality for six decades? cinema in conquering the handsome; Why don’t we have fat actors anymore?

In the first hundred years of cinema, the main roles of fat were played by fat actors and they were wonderful in this field. "Charles Lawton" captivated America with "The Private Life of Henry VIII" (1933) and presented a character who walks on the border between greed and emotional instability. In Where Are You Going (1951), Peter Yustinoff presents the Emperor Nero as fat as the great historian Suetonius described it. He later convinced us in "Death on the Nile" (1978) that "Hercule Poirot" should also be fat; Even "Agatha Christie" did not have a problem with this issue and considered her shortness and relative baldness as her weakness. During the silent film era, "Roscoe Arbuckle" used his high weight to create slapstick comedy, he was the mentor and mentor of "Charlie Chaplin", he brought "Buster Keaton" to the cinema, and in the 1920s he received the highest salary in Hollywood. /p>

After Arbuckle's reputation was destroyed due to the accusation of conflict, "Oliver Hardy" arrived and showed off the art of playing with body language. The next time you come across "Laurel & Hardy" on TV or the Internet, take a closer look at his witty acting, how he creates comedy through his physicality. He is usually the unlucky one because his body gets him into bad situations. His fat body even conveys pain to us, where a rain of bricks falls on Laurel and Hardy's head, we feel Hardy's pain more.

In those years, obesity was considered a problem for actors. did not come Fat actors had the opportunity to appear in the best Hollywood films and were criticized like everyone else, without anyone seeing their weight as a problem. "Our Medicine" was a series of short films made between 1922 and 1944 that told the story of several poor children in an American neighborhood. Our medicine was very popular at that time. One of the actors in the series, Jane Darling, says that in 1929, "Fat Drug Kid" Joe Cobb was judged for acting in films, and critics and audiences believed he was too old for the role of a child. Is. Because of this, long lines formed in front of the studio, and many families brought their fat children there, hoping to replace Joe Cobb. The choice of each of these children meant that his family would get a decent amount of money, for them the child's obesity was a good chance to achieve success. cinema in conquering the handsome; Why don’t we have fat actors anymore?

This story is sad but it points to important points. Fat characters are still paying for past sins. These unfortunate characters are still associated with greed, stupidity, laziness and cruelty. On the other hand, being fat is no longer valued in the film industry. Most skinny actors think they can play such roles, although they have no idea. Which fat-dressed actress could ride a bicycle like Margaret Rutherford in The Kindred Spirit (1945)? Or jump back and forth like Zero Mostel in The Producers (1967)? Their silicone suit will break at the first moment. Imagine for a moment Richard Griffiths wearing a fat plastic costume for the role of Uncle Monty in Widenil and Me (1987).>

In "Crimes in Alphabetical Order" (a ridiculous adaptation of Agatha Christie), there's a moment when Robert Morley and Patrick Newell (another lovable fat actor) are in a steam bath. Morley is a spy who is there looking for his contact, Newell's character suddenly grabs him and takes him to the next room. The camera then shows us a secret document taped to his stomach. Thanks to his physicality, Morelli showcases his unique comedy. He removes the tapes, his belly fat shakes and his facial expression changes for a second because of the pain; Our facial expressions involuntarily change along with him.

This is a minor moment from a small film, but the big films of recent years can't even come close to it. Tom Hanks may play a fat guy but he can't portray it well. We know that Tom Parker won't feel pain if someone rips a band-aid off his stomach, just like we don't feel anything at all when we watch him.

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