“Blonde” actress Ana de Armas talks about Marilyn Monroe and life in the virtual age

Latina Hollywood actress Ana de Armas' new film, "Blonde", based on the 2000 novel of the same name by Made by Joyce Carol Oates, it premiered at the Venice Film Festival and will be released soon. Ana de Armas talked about this in an interview with LA Times.

BingMag.com “Blonde” actress Ana de Armas talks about Marilyn Monroe and life in the virtual age

Latina Hollywood actress Ana de Armas' new film, "Blonde", based on the 2000 novel of the same name by Made by Joyce Carol Oates, it premiered at the Venice Film Festival and will be released soon. Ana de Armas talked about this in an interview with LA Times.

As the Californian sun went down, Ana de Armas tried to remember when and how she first met Marilyn Monroe; The fast-rising star actress couldn't say exactly when she first crossed paths with Monroe.

"Honestly, I don't think I remember," de Armas says from his home in Los Angeles. When I saw him for the first time.

Perhaps decades ago in Santa Cruz del Norte, Cuba, one of Monroe's movies was playing on television and the young Ana Celia de Armas Casuy did not yet know how important he was. , has taken a brief look at his image.

But he says that it is most likely after he left his homeland, the Caribbean, for Spain at the age of eighteen, when the lens of his world was on films that were far away before that. was opened up, able to connect with Monroe's lasting image.

Marilyn Monroe, as we remember her as ever-present yet elusive, as an iconic figure from a seemingly bygone era of Hollywood, once that the exploitative industry was unquestionably dominant, and has remained a staple of popular culture ever since his untimely death in 1962.

Pera's life story His work inspired many screenplays and non-fiction works; including the 1996 HBO film Norma Jean & Marilyn, Michelle Williams' Oscar-nominated film My Week with Marilyn, and the documentary Love, Marilyn (Love, Marilyn) by Liz Garbus, 2012. De Armas, now 34, stars as a fictionalized version of the Some Like It Hot star and, more importantly, as a woman named Norma Jane Mortenson in Blonde, directed by Andrew Dominic has been added to the series.

After nine weeks of filming in 2019, due to the Corona pandemic, as well as differences between Dominic and Netflix, while the filmmaker insisted on the duration and content of the film, the production of the film was postponed. There was a delay.

Now, after a long wait, "Blonde" appeared to compete in the Venice Film Festival.

This film will be released on September 16th in selected cinemas, and twenty It will be released on Netflix on September 8. "Blonde" is one of the few "over seventeen" movies of this huge streamer. Over 17 is a label given to films that have "some sexual content" and is one of the reasons why there has been so much discussion online about the portrayal of traumatic events in Monroe's life. Although, until today, most of the talk has come from those who have only seen the promotional teasers of the film.

BingMag.com “Blonde” actress Ana de Armas talks about Marilyn Monroe and life in the virtual age

Ana de Armas at the 2022 Venice Film Festival

Over the course of almost three hours, "Blonde" in a smooth and creative rhythm, deals with Monroe's abandonment, her mother's mental illness, Rape describes her volatile relationships, her loss of agency over both her body and her career. The expectations imposed on her by the studio, the men around her, and the general public are all condemned for how they commoditized Norma Jane's individuality and ignored her pain.

For De Armas, getting the role of an important American character seemed almost indigestible. I am a Cuban actor. In what world could such a thing happen? Never!". De Armas, who still can't believe he landed the role, said: "It was really unusual for me to get this opportunity." Roth, named "Knock Knock" (2015), realized the charm of de Armas on the cinema screen; in which he played a criminal guest opposite Keanu Reeves. It was at that time that Dominique realized De Armas's resemblance to Monroe and an indescribable charm in him.

During the audition, De Armas decided that he would play this role not as a glorified myth that an ordinary person would have. "When we talk about Marilyn, it doesn't matter if we're talking about a famous actress or not, she's still a woman," de Armas said. And I knew I could understand at least that part of it.

Dominique told the Los Angeles Times in an email: When Anna was reading the lines, you could feel her. It is as if the world revolves around him. The movie really came alive when Anna showed up.

After De Armas was officially cast in the role, he began preparing for Blonde while still filming the Rian Johnson-written and directed dark comedy Knives Out. In this critically acclaimed film, Marta, played by De Armas, is a quiet Latina nurse who works for a wealthy family. He suddenly finds himself at the center of a crime story and a stubborn battle for a great inheritance. The film was able to take her position in Hollywood beyond supporting roles.

Johnson said: "One of the reasons you root for the character throughout the film is that Anna portrays Martha as a shy and A shy person or someone who is supposed to get out of everyone's way doesn't play. He plays this role as someone who wants to branch out with this family and support himself. He made this movie a success."

De Armas, despite spending twelve hours a day on the set of "Knife", still finds time and energy for daily three-hour Zoom sessions with his voice coach. He was looking for the movie "Blonde". This unconditional commitment allowed them to have an accurate understanding of Monroe's way of speaking. -caption-text">Ana de Armas in "Knife"

De Armas explained: "These sessions were to watch the expressions on the face, the mouth, the roundness of the lips, the way he showed his lower teeth and the way he pronounced his voice." Was. A person's voice is more than just a particular accent. Everyone's voice says a lot more about them.

Dominique says that Monroe's tone and voice in films have changed over the years depending on her coach. During a period under the coaching of Natasha Lights, she overemphasized every consonant letter. Later, in the mid-1950s, his tone changed to a childish voice and then to a more natural speech under the supervision of Lee Strasberg. It was from Monroe's scene. Dominique cites an interview with Life magazine editor Richard Merriman as one of the few sources of her actual voice, who said her voice sounded "drunk, totally high-pitched and scream-like."

De Armas to It was believed that Monroe's cuteness and fake performances were a manifestation of her unmet emotional needs and distress. But voice fluctuations were only one aspect of Anna's work. He pursued a more meaningful goal, which was to get to know Norma Jane.

De Armas said: For me, more than anything else, it was to understand where she was emotionally in each line of dialogue. What was he thinking, how was he feeling? "Understanding these things was my main goal," Dominique said when asked if she was worried about casting de Armas given her accent as someone for whom English is a second language and who recently learned it. No, he said, "I had some concerns, but after seeing her on stage, I forgot what to worry about."

He added: "We're dealing with Norma Jane herself. . Norma's voice should not sound like a cartoon of Marilyn Monroe. Anna spent a year listening to all the actors who played Marilyn and finally came up with a voice that sounded real. He took private enunciation classes and worried about how his voice would affect their perception of him and his work. While De Armas doesn't put as much pressure on her voice as Monroe does, she said it connects with her desire to develop and be seen as a multi-dimensional artist.

De Armas said: It was meant to be taken seriously. He fought for this all his life. He wanted to be considered an important and serious actor. But that's not what people wanted from him.

The cornerstone of De Armas's performance and the hallmark of the film is the apparent separation between Norma Jane and Marilyn Monroe. De Armas' job was to play a character called Norma; who sometimes appeared on camera as Monroe.

De Armas said: "Norma talked about Marilyn like she was someone else, like something she hadn't prepared for but just happened to her. has fallen. But he had to go on with it. It was a love-hate relationship that he had with the character of Merlin. On the other hand, he could no longer tolerate this image and what was expected of him, and at the same time it was what he needed to survive." Defensive and angry, she reacts to scenes depicting Norma's many injustices and abuses until a special tip from Dominique helps her understand how Norma lives in this world.

De Armas "Andrew told me you're never allowed to be angry," he said. Expressing anger was not one of Monroe's survival tools. Expressing anger cost him a lot that he could not afford. You have to find other ways to get out of this situation, other ways to survive. It's hard to lead a normal life, isn't it? How about being someone like her and living in a world like this, without being able to express your anger or have boundaries?"

Norma uses being defenseless as a defense mechanism. and De Armas was trying to implement this feature. Unable to challenge the patriarchal systems that controlled her existence, she relied on finding sponsors to save her. This, in turn, guided his physical characteristics and the way he interacted with the world.

De Armas says: "Everything in the form of movement, speech, tone, breathing, facial expressions, lips and body." He, they were all related to his emotions. That is, it was not a calculated thing. What do you do when you don't have the support around you, when you're alone, all alone? Well, the best you can.

Just as De Armas tried to get Monroe's insides right on camera, a similar effort was made to recreate her exterior.

Dominique worried about That a simple imitation of Monroe's makeup on De Armas' face might not have yielded the desired results, she told her hair and makeup crew, "You can't do Marilyn on Anna. "You have to make Anna look like Merlin." No prosthetics were used, only subtle changes were made to capture the main features of Monroe's face.

Oates said in an email: Ana de Armas seems to embody the emotion that distinguished Marilyn Monroe, which is mood. She has portrayed the childish expectations and longing very well."

Oates, who greatly admired de Armas's transformation, added: "None of the many actors who have ever played Marilyn Monroe, for example Jane Mansfield, they couldn't capture Monroe's inner vulnerability as well as De Armas."

Her co-star Bobby Cannavale, whose role was inspired by Joe DiMaggio, Monroe's short-lived husband and baseball player. , met de Armas for the first time in full make-up and costume. This meeting happened right before filming one of their tense scenes together.

Cannavale said in a phone call: "Her physical changes were amazing, but the fragility and delicacy that she brought with her and her effort to Wearing some kind of armor while still maintaining that elegance was really stunning to me. Everything he showed was infused with so much power.

One of Cannavale's sequences with de Armas involves physical violence, which Dominique says was strictly limited to being discussed before filming. , Done. Accomplished. It appears to be one of the few moments where the heroine endures abusive male behavior, and despite concerns previously expressed by Monroe fans that the film would exploit what the actress has been through, both the lead actress and The authors of the book "Blonde" stand by their decision.

De Armas said: "We made this film about Norma Jane. Otherwise, Norma remains invisible. We're talking about the opposite of Marilyn Monroe. We wanted to give him a human dimension. Someone who was never seen and went through all these things and had no one to help him and not want or intend anything in return."

He continued: "I hope so. Now people should respect him more; Now that they can understand her problems and what she's been through."

Dominique added: "Incidentally, portraying traumatic events is the antithesis of exploitation and abuse. While the only superficial show of him, regardless of injuries, is the very definition of exploitation."

BingMag.com “Blonde” actress Ana de Armas talks about Marilyn Monroe and life in the virtual age

De Armas said that while she's always been aware of the side effects of fame, starring in 'Blonde' has made her stubborn about protecting her privacy no matter what. The price has strengthened. He admitted that even though he has an Instagram account, he often questions its utility and value.

He added: "Today, the studios may not own their actors, but the media still does, and that's very important." It is sad and scary. I try as much as I can to not be a part of it and live the life I want and share only what I want. But unfortunately, it's not always under my control, and that's the world we live in right now," says de Armas, who speaks more Spanish than English most days when there's no dialogue involved. What's different about her is that, unlike Norma Jane, she has people in her life who keep her from getting lost in her thoughts or despairing.

She says, You know, you can always talk to your loved ones on the phone. Always about what I call "real life problems". do you hear. "I never lose touch with these things because it's my everyday life." "They're always here," he added, holding up his cell phone. A vehicle that keeps him connected to the rest of the world in Cuba, Spain and Los Angeles.

De Armas said: "I feel like my essence is still where it should be. It's still there, full and intact. I feel perfectly balanced. Sometimes I have to do things for my job, like go on a press tour, promote a movie, or go on a red carpet. This is part of my work, but I want to keep things that remind me of my identity close to me." As a result, De Armas let go of the pressure he felt to play Monroe. He is confident in his work and says that he is not worried about the audience's reaction. The fact that such a film exists, and that he made the impossible possible and acted in it, is enough.

Whatever happens to the film, it doesn't matter. What matters is that we told a story that we believed in. The important thing is that I played a role that was not given to me in the usual way. A role that made me challenge myself and grow as an actor as well as a person. That's something I'll always carry with me.

On the other side of his most ambitious career, De Armas spoke about how Hollywood misrepresents ethnicity, including diverse Latinos as a few specific examples. It reduces and generalizes everything.

Ana de Armas said: "I can say from my perspective that the opportunities that exist for us Latinos today are not enough and I don't feel that they are good either, our identity, Who we are, our communities, what we like, how we do things, and show the true story of our lives. He likes his teenage years, when he was a theater student in his native Cuba, before immigrating to Europe. The names of his films were "Rose from France" (Una rosa de Francia), "Madrigal" and "Lost Eden" (El edn perdido). These films provided him with the initial opportunity for practical and basic training to become the actor he is today.

Those films were my everything. They were the seal of approval that I knew this was what I wanted to do, that these were the people I wanted to be around. This is where I am happiest. This is where I experience the most creativity. Those experiences were very enjoyable and fun without knowing what filmmaking was yet, a visibly emotional Ana de Armas said of a Facebook post by one of her former classmates in Cuba, which shared a photo from her teenage years. They shared and congratulated him for his success:

"That's when you realize that this opportunity appears to be for you, but is actually far beyond you. It affects the people of your country. It shows them that the impossible becomes possible. Whether it's my former classmate or the new freshmen at the conservatory, they now believe they can one day play roles like Marilyn Monroe. That's why I did it. Maybe in my subconscious I didn't know that people would feel that way about me, but deep down I did it for them."

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