An overview of the career of Saeed Raushi; From “Forever and One Day” to Cannes Festival

Like many famous filmmakers who prefer to pave their own artistic path, Saeed Raushi started his career in cinema by making short films; Before entering the world of fame and feature films, he made three short films, "Shanba", "Marasam" and "Quietly Quiet Street". A cinema lover (filmmaker under the magnifying glass) The best performances of Sara Bayat in movies and series; An actor who became a star early

BingMag.com An overview of the career of Saeed Raushi; From “Forever and One Day” to Cannes Festival

Like many famous filmmakers who prefer to pave their own artistic path, Saeed Raushi started his career in cinema by making short films; Before entering the world of fame and feature films, he made three short films, "Shanba", "Marasam" and "Quietly Quiet Street". A cinema lover (filmmaker under the magnifying glass)

  • The best performances of Sara Bayat in movies and series; An actor who became a star early
  • Rustai immediately after making his third short film, in which Hoten Shakiba, Navid Mohammadzadeh and Saeed Cengizian were the main actors, by making "Ever and a Day" in San At the age of twenty-four, he became one of the youngest successful directors in the history of Iranian cinema.

    When Raushi entered the cinema in 2014 with "Ever and a Day", many called him an emerging phenomenon. Despite the fact that it was his first directorial experience in feature films, the village film benefits from a rare maturity. A villager went to the lower layers of the city like a researcher, and his result was a kind of realism, which is lacking today, especially in the series that are aired on the home television network and try to narrate the story of the poor section of the society.

    A village is more than a director and screenwriter. He is more than anything a symbol. He is a symbol of wanting, being able, in a movie that is surrounded by many rumors of money laundering and mafia and its behind-the-scenes hands. Unlike some of his contemporaries, Roustai did not make an organizational film and did not promote a political ideology, and that is what makes him different. has done. He did not take a line from any organization and did not advertise for any big company. This is what makes his popularity more widespread than his contemporaries. Villager is a symbol of pop's concerned independent art; An art that has both a general audience and critics can't fault it, and with a ruthless look, it points out the shortcomings of the society. Every film he makes is one step closer to international success. Many critics consider his screenplays to be the main strength of Arti Roushani's career.

    Rustai spends years of time and does a lot of research and study for every screenplay he writes. It is enough to take a look at the names of his films to find out that even to understand the exact meaning of the names of these films, you need to watch them until the end. However, in terms of box office and festival successes, his record is heavier than many so-called veteran directors.

    In the following, we take a look at the three feature films of the village in which he was the director. is also a screenwriter.

    1. Forever and one day

    BingMag.com An overview of the career of Saeed Raushi; From “Forever and One Day” to Cannes Festival

    At the 34th Fajr Film Festival, a twenty-four-year-old director, with a film called "Eternity And one day" he was able to become the candidate of Thirteen Crystal Simorgh and draw all the attention to himself. But this was not the whole story, and with his first film, a village was able to win international awards. The best screenplay award from the Dhaka International Film Festival, the Golden Reflection Award from the Geneva Film Festival, the Special Commendation Award from the Gijon Film Festival in Spain, the Best Film Award from the American Directors and several other international awards. ", a villager has gone to narrate the story of a family that is not in a good situation; A family struggling with addiction and poverty. In this movie, Navid Mohammadzadeh, who was able to win the Crystal Simorgh for the best supporting actor, plays the role of the middle brother who is an addict. who is going to marry an Afghan suitor, is taken by Parinaz Izdiyar in front of Ali Qazi's camera. Rima Raminfer, Shabnam Moghadami, Masoumeh Rahmani and Shirin Yazdanbakhsh are among the other actors of the first feature film of Saeed Raosti.

    Rustai has done a careful study of the Iranian family in "Ever and a Day". The father of this family died many years ago, and after that, the whole burden fell on the shoulders of the older brother. This heavy burden has made this brother unable to live the way he wants and now he knows his right. to do what he thinks is in the best interest of the family.

    He wants to marry his younger sister to an Afghan man who has good wealth and with the money he gets from this Afghan family, to give his life The middle brother who is addicted to drugs but is against this marriage. Although he is an addict and a troublemaker, he still firmly adheres to his beliefs and is against this marriage. . Raushi pays attention to all the secondary characters in his story, just as much as the main characters, and it is easy to make a movie about any of the characters in his story, in which they are the main characters.

    In addition to the depth of the characters in " Forever and one day", the side stories of the film are also stunning; Like family brothers' conflict with their niece or Samia's conflict with Leila. "Forever and One Day" engages the audience in the story from the very first minutes, and a village without a single extra scene succeeds in creating a winding story with palpable characters, each of whom can evoke your sympathy. /p>

    Besides the detailed and meticulous script, the power of rural composition is also impressive. In all scenes, he places the characters in their right place according to the role they play in that scene and the feeling they have to convey to the audience in that scene; Sometimes the eldest brother is closest to the audience and sometimes the middle brother accompanies the family from behind the window glass.

    But rural movies always have another component that makes them stand out; A villager never makes films just for fun. Saeed Raosti is a concerned director and protestant in all his works, although perhaps not prominently palpable. Being a protester is what makes the young generation able to communicate easily with his films.

    2. Six and a half meters

    BingMag.com An overview of the career of Saeed Raushi; From “Forever and One Day” to Cannes Festival

    After a family drama, a villager decides to go for a police, crime film. to go "Metri Shish and Nim" tells the story of a police detective named Samad, played by Peyman Maadi, who is looking for the head of a drug gang named Nasser Khakzad, played by Navid Mohammadzadeh.

    A village in "Six and a Half Meters" again brings two basic elements of its previous film into play. In "Ever and One Day", poverty had led the members of a family to the trap of addiction, and in "Metri Shish and Nim", poverty has made Nasser Khakzad become a drug dealer.

    Initial scene "Metri Shish and Nim" is a cinematic masterpiece, and Raushi manages to maintain the rhythm and tempo of the film. A village becomes more complete with every step it takes in the cinema. He made most of his film in "Abed and Yak Roz" in the limited and small space of a house, considering that it told the story of a poor family, but in "Metri Shish and Nim", whose main character is somewhat reminiscent of a wounded face. is, it made the environment used in the film wider.

    The script is the first word in rural films, the correct characterization is perhaps the strongest skill of a villager, and it is this skill that makes the audience with all the characters of the film, from it. A little boy who does sports in prison and during meetings in order to communicate with Nasser Khakzad himself, who is the negative character of the film. did, once again they were able to reflect their special chemistry on the silver screen and once again both of them were able to be nominated for Crystal Simorgh.

    One of the main skills of Saeed Raushi is the correct communication that he has with his actors in his films. establishes and this is the right connection that leads to the short roles in his films also remain in our minds; Think of the father in prison who tries to make his son look like a criminal instead of himself, or those fat people who try to smuggle drugs by plane. None of them are great actors, but Raushi directs them correctly and extracts from them the things that help to elevate his film. Blurin took home the best editing, the best sound recording and the best film from the audience's point of view. At the international level, the second rural film was able to win important awards from the Tokyo International Film Festival, the Zurich Film Festival and the Bordeaux Film Festival. The box office sold more than twenty-seven billion to prove that the village does not make films only for their festivals and awards. The component of protest and dealing with international human rights issues such as execution, social welfare, child labor and drugs, shows that the village did not abandon its concern after "Forever and a Day" and did not drown in the sea of fame and wealth.

    3. Laila brothers

    BingMag.com An overview of the career of Saeed Raushi; From “Forever and One Day” to Cannes Festival

    Coin and wedding are two words that have been in the minds of the villagers since the short film "Masram". have persisted Laila Brothers is the story of the only daughter of a poor family who has a steady job and is trying to open a shop and start a steady job with her brothers, who have no clear future, with the help of the coins saved by her addicted father. Coins, however, have a different destination, and in order for the father of the family to become the head of the family, they are taken as a gift from a relative's wedding ceremony. . A villager looks closely at his habitat and knows very well that poverty is the only element understood by all of Iran. But "Leila Brothers" has another big difference with the other two rural films; A gift called Alidosti's song.

    Alidosti has proven time and time again that he can carry the entire burden of a film and Saeed Raushi, who is one of the smartest filmmakers in Iran, has understood this. In addition to Alidousti's song, Peyman Maadi, Navid Mohammadzadeh and Farhad Aslani have again collaborated with Raushi, and the role of the father of the family is played by Saeed Poursamimi. And it was able to become the first Iranian film to win the Fiparshi award. With "Leila Brothers", Raushi was able to put his name on the lips of international critics and take a big step towards making films at the international level.

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