51 best movie endings in the history of cinema

Cinema history is not short of action films. But no movie makes it to the gates of eternity without a grand finale that completes the drama. For this reason, many consider the final sequence of any film to be the most important; Because in addition to being the last image that the audience sees, it also ends with the conclusion of the whole story. Such a director can leave the desired effect on the audience by adjusting the emotional load in the final scenes. In this article, the 51 best ending sequences in the history of cinema have been put under the microscope. Films that have engrossed us in pleasure before the sequence or even the final scene, but they cut us off right at the beginning to prevent a complete luxury and leave a feeling of regret. You and I will forget them after a while; It's as if we have never experienced the fascinating effect of the film before the ending.

BingMag.com 51 best movie endings in the history of cinema

Cinema history is not short of action films. But no movie makes it to the gates of eternity without a grand finale that completes the drama. For this reason, many consider the final sequence of any film to be the most important; Because in addition to being the last image that the audience sees, it also ends with the conclusion of the whole story. Such a director can leave the desired effect on the audience by adjusting the emotional load in the final scenes. In this article, the 51 best ending sequences in the history of cinema have been put under the microscope. Films that have engrossed us in pleasure before the sequence or even the final scene, but they cut us off right at the beginning to prevent a complete luxury and leave a feeling of regret. You and I will forget them after a while; It's as if we have never experienced the fascinating effect of the film before the ending.

On the other hand, there are many average and ordinary films in the history of cinema, which will forever be pinned to a part of our cinematic memory with a magnificent ending. Films that don't make much of an impact until the end, but the director ends the film in a magnificent sequence that will not leave the audience until the end of their life.

But such films always lack something. Although that magnificent final sequence is fascinating in itself, the final result is a confusing work that does not need to be remembered for the rest of the film to understand that pleasure; As if that ending can continue to live in our minds without all the other sequences. This is the way that all the brilliant and lasting endings in the history of cinema are the logical result of the sequence of sequences that have been revealed before and originate from a whole that all seem perfect together like the parts of an orchestra.

All the films of the classic era of cinema ended with the word "The End". Because in classic storytelling, the plot or the same plan and conspiracy ended with the ending and there was nothing left to follow. The director also got his desired result at the end and did not give his audience anything to think about the rest of the story. Classic stories had a beginning, middle and end, and filmmakers told their stories in the same way. Years passed and with the expansion of the modern era in cinema, directors created other ways of telling stories. In this era, the story does not necessarily end when the movie ends, and the audience can face an open plot that continues in their mind and can participate in the ending. There is no classic, sometimes the movies showed a slice of a daily life that does not have a plot in that old concept that needs a glamorous ending. In this era, stories no longer necessarily have a beginning, middle and end in the usual way. It was during this period that the same two words The End were removed from the end of the films and never returned.

But apart from all this, all the cinematographic works, even those dealing with open endings, should They will end when they are the logical and organic result of previous events. Even in the works of directors like David Lynch or Quentin Tarantino, who deal with postmodern cinema, the final sequence finds its rightful place in the heart of the film's world. This is how we either get ecstatic or disappointed to watch an epic ending and leave the movie theater with sadness.

Warning: In this article. There is a risk of revealing the ending of the mentioned films.

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51. "Kaiser Schuze" walkers leave the police department (The Usual Suspects)

BingMag.com 51 best movie endings in the history of cinema

  • Director: Bryan Singer
  • Stars: Kevin Spacey, Bencio Del Toro and Gabriel Byrne
  • Product: strong> 1995, USA and Germany
  • IMDb site rating for the movie: 8.5 out of 10
  • Rotten Tomatoes site rating for the movie: 89%

Police seek to solve the case of a criminal operation that seems to have gone wrong. All the clues lead to a person named Kaiser Schuze, whose face no one has ever seen. The police have a witness who knows everything, but he has no idea of Shoze's face. All the time, he sits in front of one of the detectives and tells about all the events that happened to this criminal gang and ended in the death of each one of them. will be He gets up, makes his way, and walks out of the police station, waving his arm, which has seemed paralyzed all along, in a completely normal way, straightening his troubled leg, and walking steadily! Something about this half-crazy man just doesn't add up. At the same time, the image of Kaiser's face reaches the police via fax. The picture shows that Verbal is the Kaiser and has made everyone, including us, his plaything so far.

Bryan Singer, in this way, not only betrays our trust in his entire story, but also a fundamental betrayal of the establishment. The police knocks. Kaiser Schuze is still out and probably planning another neat plan.

50. "Paul" returns to the office again (After Hours)

BingMag.com 51 best movie endings in the history of cinema

  • Director: Martin Scorsese
  • Stars: Griffin Dunn, Rosanna Arquette and Verna Bloom
  • Product: 1985, USA
  • IMDb site rating for the movie: 7.6 out of 10
  • Rotten Tomatoes site rating for the movie: 91 %

The story of Martin Scorsese's film is the story of everyday life of modern man in this human hell. Men and women spend their whole lives in office fax machines to make a little money to live on. But the circumstances make them so accustomed to temporary happiness and their humble life that they forget to really live. The main character of the story is one of these men who tries to enjoy life at least for one night, but Martin Scorsese's New York City keeps changing colors.

After finishing office hours, Paul decides to have some fun. He goes to a girl's house and finds her dead, then tries to escape from the scene and return home; As if nothing happened that night. Paul is satisfied with the minimum of his life and now that he just wants to get away from that everyday life for one night, the city stops him. No matter what Paul does, he can't get out of the girl's neighborhood, and Scorsese doesn't explain any logical reason for this. In the end, after a whole fight with all the residents of the neighborhood and escaping from them, he gets rid of some thieves from the van. The thieves randomly brake in front of his workplace, which is a long way from the girl's neighborhood, and Joe, with a dirty head and a dirty face, gets off right there at the moment when office hours begin. connects the modern to a Sisyphean life.

49. Holly Martinez sighs deeply over her lost love (The Third Man)

BingMag.com 51 best movie endings in the history of cinema

  • Director: Carl Reed
  • Stars: Joseph Cotton, Arsen Welles and Alida Valley
  • Product : 1949, UK
  • IMDb rating for the movie: 8.1 out of 10
  • Rating for the movie on Rotten Tomatoes: 99%

Haley Martins came to Vienna to find her friend, but her feet opened to a story full of ups and downs, one of which was people who were wounded from World War II and On the other hand, he is a criminal friend who takes advantage of these conditions. But what doesn't leave him deeply is the presence of a girl who is stuck in the middle of this story and can't let go of her love for Holly's friend, Harry Lime, nor can she believe that Harry is a scary creature who easily dies. /p>

After a whole chase, Holly helps the police take down her friend. But he did not have such intention from the beginning. Holly tried her best to get the police to capture her friend alive. Because in addition to friendship, he has a heart for a girl who is still in love with the same unfaithful friend. Holly imagines that this way she can win the girl's heart.

Just like the beginning of the movie, the ending takes place in a cemetery. The funeral is over and Holly asks the colonel to pull over to the side of the road for Anna, the same girl, to reach him and see his reaction. Carl Reid's camera is perpendicular to the scene and you can see the girl approaching. Holly stands in the left corner of the picture and watches the girl approach. But Anna walks away without any reaction and leaves the frame. Holly and Ma smile and Carl Reed ends the movie.

48. Good morning, noon and night! (The Truman Show)

BingMag.com 51 best movie endings in the history of cinema

  • Director: Peter Weir
  • Actors: Jim Carrey, Laura Linney and Ed Harris
  • Product: 1998, USA
  • Since birth, Truman has lived his entire life in a real-life television simulator and in the middle of a big lie. He lived in a world where everyone had a mask on his face and spent days where none of them were real. He slowly doubted everything and now in the final moments, aware of the calamity that has fallen on him, he made a decision. He has to start everything from the beginning. But for this first start, he must be able to let go of his past life.

    The reason for choosing this ending goes back to the way Jim Carrey left the studio where he spent his whole life. He loves everything he knows to get to know a new world; A work that is very difficult and only comes from brave people. Although it is possible that this film and this ending are in line with the thoughts of postmodern philosophers such as Gilles Deleuze about the way people live in the present age and the influence of the media, it is important to feel that this conscious departure evokes in the audience.

    Truman's last words, now that he knows there is a camera and an audience, consciously turns towards them and says as his usual goodbye: "Good morning, noon and night in case we never meet again."

    47. History of Violence (Cache)

    BingMag.com 51 best movie endings in the history of cinema

    • Director: Mikhail Hanke
    • Actors: Juliette Binoche, Daniel Otway
    • Product: 2005, France
        • li>
        • IMDb site rating for the movie: 7.5 out of 10
        • Rotten Tomatoes site rating for the movie: 86%

        The strong point of the movie "Nahs Horoscope" is the proper atmosphere and the way of information provided by its creators, which takes us step by step with the main character. For this reason, the presence of an actor like Gregory Peck for the film is like a blessing. Because he has a proper charisma, we worry about him and we believe that he can overcome the problems.

        The awesomeness of the end of the movie originates from here. That final plan turns every hope into despair. The presence of the child in the last place one imagines, makes us happy at the end that everything we have seen was not just another movie. Throughout the story, the devil and his agents try to bring the child of the devil into the life of the man who is going to be the president of the United States.

        Now and after the man's failure to kill this creature, he is next to the president. The current president, turning and looking at us, can be a mockery of our optimism that we thought the hero of the drama could finally destroy this creature.

        17. Well, I need the egg! (Annie Hall)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Woody Allen
        • Actors: Woody Allen, Diane Keaton, Carol Kane and Shelley Duvall
        • Product: 1977, USA
        • IMDb site rating for the movie: 8 out of 10
        • Rotten Tomatoes site rating for the movie: 96%

        The film "Annie Hall" is based on Woody Allen's experiences of his emotional life. The complexities of emotional life and the inability to understand each other in a relationship are the starting point of the story and of course its central theme. Here Woody Allen is himself. with the same mental and emotional conflicts that he has gone through in his private life; By addressing and portraying moments of his personal life. He easily talks about his life and opinions by breaking the fourth curtain and facing the audience, and recklessly criticizes the rules of life.

        At the end, Alan again speaks directly to the audience. After a long time in New York, his character Alvi Singer forces someone to watch a documentary about Marcel Afouls. Alvi is happy about this and sees it as a result of his influence on Annie. He then talks about his meeting with Annie. Because they just had lunch and talked about the past. At the same time, images from the past are shown until Alan reveals the story: "Someone goes to the psychologist and tells the doctor, "Mr. Doctor, my brother is crazy, he thinks he's a chicken. The psychologist says, why don't you send him home as a crazy person? He replies that I wanted to send him, but I need his eggs. I think this way of thinking is very similar to my thinking about the relationship between a woman and a dead man. We all continue these relationships; Because we need his eggs."

        16. "Chris" knows no way out (Scarlet Street)

        BingMag.com 51 best movie endings in the history of cinema

        • Director : Fritz Lang
        • Actors: Edward J. Robinson, Joan Bennett and Dan Doria
        • Production: 1945, America
        • IMDb rating for the movie: 7.8 out of 10
        • Rating for the movie on Rotten Tomatoes: 100%

        Fritz Lang tells the story of an unknown artist named Chris who was humiliated by his wife in the movie "Scarlet Street". He meets a seductive woman and the shadow of an ominous fate hangs over him all the time. This film can be called Fritz Lang's best American film.

        The girl leads him out of the way, while he clearly intends to stab her and has an out-of-frame relationship with another man named Johnny. . It seems that everything is under the head of the same man. They see Chris as a milking cow that can be used and make as much money as possible. Unfortunately, Chris is also distorted by the presence of a woman in his life and does not realize that he is losing his fame and his life. It also sprinkles. From here, Long presents a first-class picture of his other life with his wife; Life that can not be it called ordinary This is how the audience understands Chris' mania towards the girl. 5 years have passed since the death of the girl and Johnny. Chris now sees everything as lost. He could never be recognized as a great artist. He has seen his reputation blown away and now he is homeless and confused like a crazy person. He walks through the crowd on a snowy night in New York and blames himself for the death of the girl and Johnny. Fritz Lang presents a sad picture of a man whose only crime was falling in love.

        15. The narrative of the friendship of some friends is tied to the narrative of American history (Once Upon A Time In America)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Sergio Leone
        • Starring: Robert De Niro, James Woods, Elizabeth McGown and Joe Pesci
        • Product: 1984, USA and Italy
        • IMDb rating for the movie: 8.4 out of 10
        • Rating of the movie on Rotten Tomatoes site: 87%

        Sergio Leone presents a fascinating picture of American history in the 20th century, through the presentation of the friendship narrative of a few friends. He begins to progress from their childhood in New York, reaches the era of alcohol prohibition and economic crisis, then the time of sitting around old age is shown on the faces of friends.

        At the end of Noodles, played by Robert De Niro, Meet the famous politician named Billy. He realizes that Billy is his old friend Max, who he thought had died years ago. Max actually staged his own death, pocketed all his friends' money, and then managed to create a luxurious life for himself with a new name. He even has a relationship with Noodles' old love. Max asks Noodles to kill him but Noodles refuses and leaves his mansion.

        When Noodles leaves the house, he sees a garbage truck at the door. Max moves behind Noodles and comes towards him, at that moment the truck moves, it gets between Noodles and Max and Noodles disappears behind it, the back of the truck shakes but the driver does not stop and continues on his way. Max is gone and Noodles eyes are on the garbage shredder blades on the back of the truck. At the same time, a few cars arrive with happy young people who announce the arrival of a new generation.

        The image cuts to the past and to 1933. Noodles is lying under the influence of opium and this time unlike before, he has a smile on his face. The image freezes on Noodles' smile and the end credits begin. The story of the formation of America ends.

        14. "Norman Bates" also smiles in the face of death (Psycho)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Alfred Hitchcock
        • Stars: Anthony Perkins, Janet Leigh and Vera Miles
        • Product: 1960 , USA
        • IMDb rating for the movie: 8.5 out of 10
        • Rating for the movie on Rotten Tomatoes: 96%

        One of the characteristics of slasher cinema is the lack of explanation of the killer's main reason for committing murders. Whenever the slasher film explains why the killer commits a crime, it goes to Turkestan and reduces its horror. When the movie becomes scarier and moves away from crime cinema when the identity of the horror movie's killer remains mysterious and unidentifiable. In fact, the killer remains terrifying for the audience as long as he is like an unapproachable god, and as soon as his motives are explained, he is lowered from that position of a god and becomes an earthly being with human characteristics that can be touched and understood. This means the death of horror cinema.

        A brilliant example of such an approach can be seen in the final sequence of the movie "Psycho", where Hitchcock focuses on the killer's scary eyes despite the psychologist's explanation of the killer's mental illness. He gives, what is important is our feelings towards him and these feelings do not need any additional explanation to be effective. Norman Bates, with those eyes that sparkle with evil, is still looking for victims.

        13. The rise and fall of a gangster (The Godfather: part one)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Francis Ford Coppola
        • Stars: Marlon Brando, Al Pacino, James Caan, Robert Duvall, John Casal and Diane Keaton
        • Product: 1972, USA
        • IMDb rating for the movie: 9.2 out of 10
        • Rating Movie on Rotten Tomatoes site: 97%

        The more Michael's power in the organization that his father started, the faster his moral decline. The result of this moral fall is his distance from his wife and family. Now the family has found another meaning and in fact, the family organization has filled its place. It is in this context that Kay, Michael's wife, does not want to believe her husband's new face.

        Michael is leaning on his father's throne at the end. Connie, her sister to him comes and accuses Michael of killing her husband. But Michael gives no explanation. When Kay questions Michael about whether or not Connie is telling the truth, Michael coolly denies the accusation. Al Pacino has played this way of lying so well that it announces the appearance of a bloodthirsty monster.

        Now everyone calls Michael by the name of Dan Corleone and lines up to kiss his hands. The camera moves out of the room with Kay. When Kay returns and sees Dan Corleone, he is locked in Mr. Dan's room to begin Michael's moral downfall.

        12. How can you put a smile on the audience's face by accurately depicting a robbery? (The Sting)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: George Roy Hill
        • Stars: Paul Newman, Robert Redford, Robert Shaw and Robert Earl Jones
        • Product: 1973, USA li>
        • IMDb site rating for the movie: 8.3 out of 10
        • Rotten Tomatoes site rating for the movie: 92%

        The gathering of all the friends is gathering and everything is ready for an ear cutting and basic revenge. Johnny, played by Robert Redford, and Henry, played by Paul Newman, have come to everything in order to pocket a lot of money from the big-headed gangster, played by Robert Shaw. Mr. Gangster comes to their fake betting place. Longan, or gangster, bets five hundred thousand dollars on a horse. He is relieved that he has won, because his comrades have been able to feed him false information, not knowing that there is no contest going on where there is a win and a loss.

        Meanwhile, the police and the FBI They storm the betting place and arrest Henry. The FBI agent approaches Johnny and thanks him for his help in arresting Henry. Longan also sees all these events. At this moment, to take revenge on Johnny, Henry takes out his gun and shoots him. Johnny falls to the ground and dies. The officers also shoot Henry and he also dies. Longan leaves the scene with his man and actually runs away, with all his money left behind.

        After Longan runs off, Johnny and Henry get up and everyone laughs. . Now we understand that the entire story of the film from the beginning to the end was Henry's and Johnny's plan and there was no police at all in this final sequence. Johnny doesn't accept his share of money because he did it to avenge his friend's death at the beginning of the movie.

        11. "Stalker" is looking for his faith in the wrong place (Stalker/ Stalker)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Andrei Tarkovsky Actors: Alexander Kaidanovsky, Anatoly Solonistin and Nikolai Grinko Product: 1979 Soviet Union
        • IMDb rating for the movie: 8.1 out of 10
        • Rotten Tomatoes rating for the movie: 100 %

        The ending of the film "Stalker" is the most stunning and at the same time the most famous ending among all Andrei Tarkovsky's films. Where the stalker burns in his doubt about the person and his beliefs and imagines that the master of that room in that mysterious area may no longer answer to anyone. He is slowly losing his belief in miracles; A miracle that will rekindle people's faith and become their spiritual light. But suddenly the image is cut to Stalker's daughter; A disabled girl sitting in the kitchen. The sound of the train is heard and the kitchen table shakes and the glass of milk placed on it begins to move. The glass falls from the table and breaks.

        All the while the girl is sitting on the chair and staring at the glass. Did the girl move the glass with her eyes and a miracle happened right in Stalker's ear, or did the movement of the train cause the ground to shake, and as a result, the shaking of the glass is completely natural and there is no miracle. ? Thirty or so years before the film "Indoctrination" directed by Christopher Nolan, Andrei Tarkovsky ended his film with such an important ambiguity.

        10. You can't end a movie more ambiguous than this (2001: A Space Odyssey)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Stanley Kubrick
        • Stars: Ker Dole, Gary Lockwood
        • Product: 1968, America and England
        • IMDb rating for the movie: 8.3 out of 10
        • Rating for the movie on Rotten Tomatoes: 92%

        After Stanley Kubrick showed us playing with different lights for several minutes and sent the demon on a journey to the end of the universe, suddenly he He takes him out of the ship and shows him staring at himself in old age. He lives in a room that uses baroque architecture. That strange object, that cube, is nearby. The demon eats a moment, a moment He lies down and breaks a glass for a moment. Breaking the glass brings him to the person lying on the bed. Now it's the old demon's turn to stare at the dying demon.

        The dying demon notices the thing. He points to it and suddenly turns into a fetus who is staring with wide eyes at a planet that looks like our Earth. It is as if he has completed his journey and is coming back to life to make the world a better place. The music at the end of the film is the song "So Said Zarathustra" by Richard Strauss. So the end of the film can be interpreted from the perspective of Nietzsche's superman theory.

        9. The answer to the most important questions of human life can lie in our understanding of the difference between fantasy and reality (Agrandisman/Blow-up)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Michelangelo Antonioni
        • Starring: David Hemmings, Vanessa Redgrave and Sarah Miles
        • Production: 1966, Italy, America and England
        • IMDb rating for the movie: 7.6 out of 10
        • Film score on Rotten Tomatoes site: 88%

        "Agrandisman" is one of the high points of modern cinema. The story of a photographer who imagines that he saw a body in a park while taking pictures, but is not sure about this and keeps looking over his photos to find the answer, in Antonioni's hands has become a means to express his concerns about understanding the truth. /p>

        The end of it completes the film, which remains a question: what is the truth at all and is it possible to provide a straightforward definition of it? This is how that final tennis match with an imaginary ball makes sense. The hero of the drama walks the length of the park while his mind is busy understanding the events and does not know what happened. Some young people are playing tennis with an imaginary ball. They pretend the ball has left the tennis court and is coming towards him.

        Everyone waits for him to pick up the imaginary ball and throw it at them. They do this as if it is the most obvious thing in the world, and this also confuses him. Suddenly he realizes that he has no answer to understand the truth, he accepts their mental truth, runs towards where they are looking and picks up the imaginary ball as if it were completely real and throws it at them. He is finally freed from his worries. Antonioni announces this by making the man disappear when the word The End is displayed.

        8. The most absurd ending in the history of cinema (The Great Silence)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Sergio Corbucci
        • Stars: Jean-Louis Trentinan, Klaus Kinski and Frank Wolff
        • Production: 1968, Italy and France
        • IMDb rating for the movie: 7.7 out of 10
        • Rating for the movie on Rotten Tomatoes: 100%

        A man named Sekot, who had his throat cut by an assassin in his youth and lost the ability to speak, is looking for the right of a lucky few from the hands of the bounty hunters. He came to a city where a widow lives. The woman, whose name is Pauline, is unaware of her husband's condition, but the silence tells her that Loco killed him. In the same city, Loco is in the service of a rich man who is profiting from the death of bandits who have been pardoned.

        In the end, Loco has trapped all those hungry and tired bandits in the city hall. He and his fellow assassins also find Pauline. Silence, who is the only one capable of killing Loko, arrives. It is getting dark and it is snowing heavily. The hero of the drama reaches the door with his famous weapon, but a bullet from the darkness and at the height of cowardice injures his hand. Loco appears in front of him, having crippled his opponent.

        Skut goes for his gun but Loko uses his advantage and kills him. Pauline runs towards the silence gun, but she too is killed by Loco at the last moment. Loco and his men destroy all the bandits and burn the town, and the jesters leave. This ending was so pessimistic and bitter that another ending was considered for the film, but Corbucci liked this ending.

        7. Alright Mr. DuMille, I'm ready for my close-up (Sunset Blvd)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Billy Wilder
        • Stars: Gloria Swanson, William Holden and Erik van Strohm
        • Product: 1950, America
        • IMDb site rating for the movie: 8.4 out of 10
        • Rotten Tomatoes site rating for the movie: 98%

        Norma Desmond was a star in the time of classic cinema. But with the end of the speaking era, his luck star has declined and now he lives alone in a semi-crazy state in a small house. The arrival of a wanted writer makes him dream of acting and becoming a star again.

        At the end, the police came to his house to arrest him. There are also reporters and around Norma is full of lights that look like lighting in a movie theater. Norma comes down the stairs, played by a stunning Gloria Swanson. Addressing one of the greatest directors in the history of cinema, Cecil B. DuMille, he says: "Very well Mr. DuMille. I'm ready for my close-up." Swanson says this sentence as if he is possessed by the light and flash of the cameras around him and the movie ends.

        By making "Sunset Boulevard", Billy Wilder had a sharp critique of Hollywood and its behind-the-scenes relations. For this reason, he chose the characters behind and in front of the camera from the greats of Hollywood cinema.

        6. Choosing "Rick" doesn't seem very wise (Casablanca/Casablanca)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Michael Curtis
        • Stars: Humphrey Bogart, Ingrid Bergman, Claude Rains
        • Product: 1942 , America
        • IMDb rating for the movie: 8.5 out of 10
        • Rating for the movie on Rotten Tomatoes: 99%

        After sending Elsa away and leaving her alone, Rick tells the soldier that: This could be the beginning of a good friendship. But is it really so? Has he left his eternal love, only to befriend a soldier, that too of his characterless kind? Isn't this a stupid decision? What effect does Elsa have in her husband's fight against Hitler's gang and what is the need for her presence?

        Let's see the issue from another angle. Rick doesn't keep Elsa because he knows her heart is somewhere else. He knows that Elsa's stay will only cool his heart for a few mornings and after a while he will lose her forever, even if he has Elsa physically by his side. But is it possible to believe the memories of Paris? Wasn't it all because of Elsa's fear of being alone and running away from it? Did he film for Rick the whole time in Paris?

        Well, if that's the case, the memories that Rick brings up are worthless. But again, see the issue from Rick's side. It doesn't matter what really happened at that time, the important thing is that Rick was happy and satisfied during that time and he will remember the same. The end of "Casablanca" is because of these ambiguities that it has lasted, not because of a man's sacrifice or a woman's tears.

        5. One of the scariest endings in the history of cinema (Rosemary's Baby)

        BingMag.com 51 best movie endings in the history of cinema

        • Director : Roman Polanski
        • Actors: Mia Farrow, John Cassavetes
        • Product: 1968, USA
        • IMDb site rating for the movie: 8 out of 10
        • Rotten Tomatoes site rating for the movie: 96%

        Awesome might be the right word to describe the end of the movie. After pregnancy, a woman keeps having nightmares and imagines that there is something wrong with her baby. It seems that some people around him also believe so. They believe that her child is the Antichrist and was born as a result of Satan's intercourse with a woman.

        Roman Polanski shows the woman's psyche all the time in such a way that the audience thinks that all these things are a figment of his imagination. And it is not true. This woman is only suffering from anxiety due to the beginning of a new life and pregnancy, and everything will be fine after giving birth and getting used to the new conditions. As we get closer to the woman's pregnancy, the fact that she is carrying an evil child becomes stronger.

        The woman returns home after giving birth. He sees the house full of the same people who told him that his son is evil. It is as if all the guardians and servants of that new born child. Rosemary goes to her baby. He is afraid to see his eyes and says to others: What is wrong with his child's eyes? One answers that he is the son of the devil and his eyes are on his father.

        Rosemary throws saliva towards her husband who is present in the crowd with a disturbed expression. Suddenly and after a lot of struggle, she goes to the crib, shakes it lovingly and sings a lullaby to her baby. He is also Rosemary's child, even if his father is the devil.

        Roman Polanski does not show an image of a child throughout.

        4. Two hours of black comedy ends with the destruction of the human race (Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Stanley Kubrick
        • Cast : Peter Sellers, George C. Scott and Sterling Hayden
        • Production: 1964, USA and England
        • IMDb rating for the movie : 8.4 out of 10
        • Rating of the movie on Rotten Tomatoes site: 98%

        Finally after the stupidity of a general American and despite all the efforts of the president and others, the American atomic bomb landed in the Soviet Union and activated the doomsday machine. It doesn't matter anymore why a country should build a weapon that destroys both itself and others? Or what could have been done to prevent this disaster. His own human race has caused its destruction with his own hands and it is over.

        Everyone is gathered in the war room with a look of disdain. Dr. Strangelove suggests that the president order the separation of several hundred people as soon as possible and send them to the deep mines with a ratio of 10 to one with a numerical superiority of women to stay away from nuclear contamination. He says that the Soviets will do the same and that the battle can be continued after the pollution. It seems that this story will never end. Meanwhile, the Soviet ambassador is still trying to take a picture of the war room and the map in it. Meanwhile, Dr. Strangelove is suddenly excited and shouts: "Hey sir, I can walk" and gets up from his wheelchair.

        Suddenly the image cuts to images of mushroom clouds caused by bomb explosions. Nuclear, while a romantic song called "We will meet again" is played.

        3. The fallen statue of liberty testifies to the destruction of man (Planet Of The Apes)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Franklin J. Schaffner
        • Stars: Charlton Heston, Rudy McDowell and Maurice Evans
        • Product: 1968, USA
        • IMDb rating for the movie: 8 out of 10
        • Rotten Tomatoes rating for the movie: 86%

        You probably all know about the shocking ending of the movie "Planet of the Apes" and have seen it. But just in case, keep this synopsis: An astronaut named Taylor arrives on an alien planet. He lands on it. In this planet, monkeys are superior to humans and have actually grown to human status. Taylor escapes from the monkeys and encounters the Statue of Liberty buried in the sand.

        Actually, Taylor has been traveling in time the whole time and by coming to the future, he is faced with the destruction of the human race. has been He realizes that this is not an alien planet, but Earth. Taylor falls to his knees and tells the misguided humans, You crazy people. damn you all Go to hell."

        2. Can the same sled of Faxeni be a "rose bud"? (Citizen Kane)

        BingMag.com 51 best movie endings in the history of cinema

        • Director: Arsen Welles
        • Actors: Arsene Welles, Joseph Cotton
        • Product: 1941, USA
        • Arsen Wells's camera, however, separates from them and after flying over Kane's household items, he reaches a furnace that burns garbage. They burn in it. A worker throws Kane's childhood sled into the fire. The same sled that Charles used to play with when he was separated from his mother and father in Colorado. The camera takes a close-up view of the sled; On the big sled it is written: "Rosebud".

          Actually, Arsen Welles ends the film with an ambiguity: is the reporter's opinion correct and a man's whole life cannot be summed up in one word, or Charles Foster Kane has been thinking about his lost childhood all the time and should he be considered a victim?

          1. The guardian of civilization must remain outside its boundaries (The Searchers)

          BingMag.com 51 best movie endings in the history of cinema

          • 1956, USA
          • IMDb rating for the movie: 7.9 out of 10
          • Rotten Tomatoes rating for the movie: strong> 96%

          Opening: Ethan Edwards (John Wayne) returns from the heart of the desert after years away from home and family in that glorious opening. A woman stands in front of him at the threshold of the green door and welcomes him. The camera is placed inside the room and watches the outside from inside. The man approaches the house from the end. The woman obviously has taste and is happy. Ethan arrives home, the residents greet him and he enters.

          Conclusion: The camera is in the same place as before. Ethan rushes home. A woman reappears in the doorway; While he is obviously enjoying himself and is happy. But Ethan is not alone this time. The girl saved her brother from the Indians and Martin is with her. The people of the house, but to Greeted by the girl and Martin, they leave, enter by themselves, Ethan stays at the threshold, turns, the door closes on him and the picture fades to black.

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