The influence of Steven Spielberg on the culture of cinema and filmmaking can hardly be described. He is one of the most influential figures in the history of cinema. His films include Jaws, Jurassic Park, Schindler's List, Saving Private Ryan, and his latest work, The West Side Story. (West Side Story).
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Spielberg always generously shares Important advice and Tips about his career and experience in his interviews and conversations. In this article, we mentioned 20 Important Tips of this great director about Directing and screenwriting in his own language.
This sentence is easier said than done, but I think it's Important to never stop dreaming. Dreams are sparks that lead to fiery deeds. Allow yourself to dream and do not limit your dreams. Dreaming can help you plan for the future and come up with new ideas.
2. Do not forget that the goal is to bring together people with different ideologies and opinions under one roof and force them to leave the cinema with common feelings.
Be aware of what your film is about to say. . You want to talk about something that everyone can understand. It does not matter if they agree or disagree with you, you have a clear and concise mission. In this way, you can create an emotional flow that takes people on a journey that they will talk about later.
3. Learn how to be a narrator first.
The hardest part about filmmaking is telling a story that can be connected. The more you develop your storytelling skills, the more you will understand the editing and camera movements that it supports.
4. Life is a long series of moments of knowing the characters. Rely on your intuition when dealing with them.
When working on a film, you will face difficult choices. There will be ups and downs. Do this if you can trust your instincts. I also think it is Important to find coaches who are experienced and who can guide you through the work.
5. If you are making a historical film, you should be as honest and loyal as possible.
Historical films are often criticized for distorting the subject. Do as much research as you can, because the truth is often stranger than the story. Also, facts can make your characters and their goals more tangible and humane.
View of the 1975 film Jaws
6. Think about the previous movie or idea you had and look at it from a different angle and ask yourself, "What if it happened differently?"
It comes in many forms. You can really retell a lot of narratives just by considering your idea and changing your perspective on a different character or subject.
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7. Almost every story is a reincarnation of an old classic story told from a contemporary perspective.
We focus too much on working on original and new ideas, but on adaptation or just homage (or imitation) You can also rely. If you come to a dead end, think about what you can copy or steal to provide the initial impetus you need to get your story started.
8. Ask the actor to turn everything he has in his pocket, then bring it down to the level you want.
Directing is hard work. Much of it has to do with subtle differences in how things are expressed and done. If you ask the actors to do their best in the game and do whatever they have in their pockets, it may make them tired and unbalanced. Or if they are very slow and delicate, it is difficult to increase their speed and find the right policy.
9. Make exceptions to the rules to learn filmmaking.
I think the "rules" here refer more to expectations than to what is at the heart of the principles of filmmaking. If you can live up to your audience's expectations, you can define a story that is new and surprising.
10. Make your film so that it can be discussed with the younger generation and inspire change and the way they make their films.
This is a bit difficult to explain. I think it all comes down to art and skill.
You want to work in a way that makes people curious. Think of times when you say, "How did they film this sequence?" Or just when a story encourages you to tell your story. Focus on making things good enough to inspire others. Do not be afraid to be inspired by other places.
View of the 2021 West Side Story musical film
11. Musical sequences, even more than action scenes, require math and equations, so you need to find good assistants who can help you solve these equations.
Every good filmmaker has the right level of readiness to meet He knows his expectations. These include storyboarding, chatting with the cameraman, set designer, choreographer, and anyone involved in the project. The more you can share with others, the easier it will be to share your views and implement your ideas.
- Steven Spielberg; Hollywood's richest filmmaker
12. Stay true to your original idea.
Sometimes you work on a project so much that the original idea is forgotten at the outset. I usually write a short sentence about why this story is Important to me and look at it when I feel like the subject has faded. In this way, I always have a compass that helps me get back to the subject of the play and the scenes I originally drew in my mind.
13. Sometimes your dream whispers, it does not scream. Listen to the whisper
We talked about following instincts and dreaming, so this advice may be superfluous, but you have to listen to your heart. This inner voice may be just an annoying feeling or the impression that you have to do something different. Listen to whatever your inner voice is.
14. Look at the past. Respect your predecessors.
If you work in a particular genre or collection of ideas, try to evaluate other films that have dealt with it over and over again. New or old, these films compare to your work, and may also be the key to what you should and should not do. You may be able to challenge the ideas they have come up with, remove their sequences and images, or just understand the structure. Pay attention to the previous recommendations.
15. Instead of trying to sell a product, try to tell your story. You can express what you have in mind with the least amount.
At the beginning of each story, make sure that the story is communicative and that people can see themselves in it. Many Hollywood works today feel like a product because the story comes second. this is a problem. Go on with the story. Think about selling later.
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16. Use whatever is available to you.
Have a group of people around you to advise you, lend you camera equipment, and help you build what you plan to do. . Develop a community, build a village of people who love and support each other. This ring will take you through the good and bad days.
17. When you fail, immediately engage in the next project.
We all fail, even myself. But it is the courage to stand up and keep going that sets real professions apart. Keep working. Keep failing. Allow yourself to learn by relying on yourself.
Daniel DeLouis as Abraham Lincoln in the 2012 film Lincoln
18. It's okay to pick up the idea you like first, and then find your style.
Many things are imitations first. You need to read the scripts of the movies you like and make your own version. Until you understand where the story should go and where you can take it, and imitate other writers by strengthening your style and not trying to be someone else.
19. Suspend for a while in thriller or horror movies by not showing the threatening factor.
I did this with "Jaws", and you can decide what happens on and off the screen. Falls, imitate it. Whether it is a glimpse of the danger or just a bigger question, the audience can be kept in the dark for longer.
20. When an idea suddenly comes to your mind, start Write and put the scene and story together immediately in your writing.
If you are lucky enough to have an inspirational spark, do not procrastinate! They can be scary pages or even just a jumbled outline, but the best and most Important part about writing is that you put it down on paper. Have time to edit later!
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Source: no film school