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10 must-see movies with an unusual take on the Middle Ages

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

When we think of the medieval world of cinema, the myths of adventure, magic and battle and victory quickly pass through our minds. Sometimes we imagine stereotypical images of savagery, war and antiquity. But what if the issue could be dealt with differently? The 10 films mentioned in this article try to answer this question; Some films tell their story by deconstructing and distorting the history, while others are different works from different genres. Some refer only indirectly to medieval imagery, by playing with stereotypes and the viewer's constant expectations of the age.

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Almost none of the films mentioned in this article, from comedy to horror and even experimental, can be described as medieval works in a limited sense and their clichs. What they all have in common, however, is a novel work of contemporary imagery that never ceases to provoke and challenge the imagination of filmmakers.

For Love and Gold

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Mario Municelli
  • Cast: Vittorio Gassman, Gian Mario Valanti, Catherine Spock
  • Product: 1966
  • Metacritic Score: -
  • IMDb to Movie Score: 7.8 out of 10

"For Love and Gold," directed by Mario Municelli, a well-established cult classic in his home country, is clearly a deconstructive film from the Middle Ages. Set in southern Italy in the 11th century, the story revolves around a group of peasants who search for Arocastro's estates after retrieving a precious document from a dead knight. The despised knight Branckleone (played by Vittorio Gassman) gathers the peasants into a not-so-decent army to seek better wealth for him.

What made the film so different in the 1960s? It's a comedic and enchanting look at the Middle Ages, portrayed as an age in which - just like in our time - ideal ideas such as glory are scarce compared to everyday needs. Munichelli's approach to history, far from historical realism - and at the same time, surprisingly and accurately - is colorful, cartoonish, and sometimes old-fashioned, while its tone is more like comedy than epic.

2. Tristan and Isolde

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Ivan Lagrange strong>
  • Cast: Ivan Lagrange, Claire Wash
  • Product: 1972
  • Metacritic Score: -
  • IMDb Score: 7 out of 10

"Tristan and Isolde" directed and directed Filmed by Evan Lagrange at the same time as The Inner Scar, directed by Philip Garl (1972) in North Africa and Iceland, King Arthur's legends Tristan and Isolde tell the story of war, youth. And rebellion changes. Although Rebellion is formally and philosophically closer to Garl than any other historical film, it non-linearly depicts the torment of two lovers in the midst of a war that seems beyond time and space. Lagrange uses some of the typical French New Wave techniques, such as jumping cuts, repetitions, and removing the fourth wall, while beautiful filming reinforces the unique presence of nature and, in turn, affirms the futility and stupidity of war.

3. Perceval

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Eric Roemer
  • Actors: Fabrice Lucini, Pascal Ogre, Jean-Paul Rockoudan
  • Product: 1979
  • Metacritic Score: -
  • IMDb rating for movie: 6.9 out of 10

Eric Roemer's take on King Arthur's legends is, to say the least, strange. Adapted from an unfinished poem by Curtin de Troyes, the director personally presents a literal translation of it, taking the cinematic adaptation to the point of pure symbolism.

The film, which was recorded entirely in the studio, has a typical script. In which each visual element, such as a hieroglyph, appears; Circles of iron trees instead of a forest, a castle instead of several castles, a fiberglass pool instead of a lake. The music is performed on stage with traditional instruments and the actors play various roles. Characters reminiscent of Bertolt Brecht's plays narrate their actions in the third person, and also easily use singing instead of ordinary dialogue. The result, while strange and mesmerizing, is a fluid effect on storytelling that consciously preserves the charm of myths and the subtlety of epics.


BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: George E. Romero
  • Cast: Ed Harris, Tom Savini, Gary Latti
  • Product: 1981
  • Metacritic Score: 69 out of 100
  • IMDb to Movie Score: 6.3 out of 10

Knight Riders Movie Directed by George Romero and made after the hit "Dawn of the Dead," it tells the story of a motorcycle-based renaissance show set in the late 1970s as part of a tour of the United States. . Exhibition Leader - Billy "King William" Davis (played by Ed Harris) Inspired by the legends of King Arthur's era, the group intends to reflect the ideals of freedom, chivalry and solidarity. However, the group's internal tensions, police harassment, and corporate interests will be a threat to his utopia. , Creates a colorful and crowded portrait of a counterculture, which effectively links the ideals of chivalry and pride with the values of rebellion. Despite Donald Robinstein's spectacular action and intriguing music (a beautiful mix of medieval folk and modern jazz/blues), "Knight Riders" deserves its classic place.

5. The Tyrant's Heart

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Miklos Jancho >
  • Cast: Teresa Ann Savoy, Kathleen Pressinger Keller, Jorf Madaras
  • Product: 1981
  • Metacritic rating: -
  • IMDb rating for movie: 6.7 out of 10

Hungarian director Miklos With this hypnotic film, Jancho pays homage to Pasolini and his adaptation of Boccaccio "Decameron" as well as to the theater and the darkest parts of Hungarian history. Set in a surreal theatrical setting, the film is about a Hungarian prince (played by Laszlo Gulfe) who returns home from Italy after the mysterious death of his father, but finds himself embroiled in a circle of deviance and intrigue within the court. While his mother is in a trance and madness, and the only cure is to bathe in the blood of innocent girls, her uncle is now in charge of running the affairs. The prince's only friend, Filippo (played by Ninto Davoli), is the head of an Italian comedy company that tries to help him uncover the network of lies that pervades the court.

This film is a complex combination of There are references, from Boccaccio to Shakespeare and the story of Countess Batory. Yanchu's direction is theatrical at its best; The stage is full of actors wearing exaggerated masks and costumes, who constantly come out of every corner of the frame and appear on the main stage. In a series of long shots, the film depicts actors in complex scenes, in an environment where its configuration is constantly changing. To emphasize the fluid and unique quality of acting and dancing, performers and instruments are frequently placed on concealed conveyor belts, along with an ultra-smooth camera that results in a dreamy image of self-awareness in a world of ever-changing masks and scenes. It repeats the disturbed mind of a prince trapped in a maze of stories and lies that pervade the world.

Henry IV

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Marco Bloccio
  • Cast: Marcello Mastroviani, Claudia Cardinale, Paolo Bonacelli
  • Product: 1984
  • Metacritic Score: -
  • IMDb to Movie Score: 6.4 out of 10

"Fourth Art" From written plays Luigi Pirandello is about a man of our time (played by Marcello Mastroviani) who, after falling off his horse at a masquerade party, claims to be the same character he is wearing, the German Emperor Henry IV. Thirty years later, a group of former friends visit a man who has been living in his family castle as a medieval king since the incident and intends to save him from delusion.

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Cleverly directed by Marco Bloccio, it gently leads the viewer into the world of the protagonist. Drawing a man's illusion is never silly or sad, but rather deeply humanistic and realistic. Blokio, on the other hand, introduces the viewer to the character's mentality with an uninterrupted transition from contemporary mezzanine to the past. Half of the film's artistic success, however, weighs heavily on Mastroviani, who easily shifts from serious to childish, from serious to vulgar, and forms a character that adds complexity and empathy to every element of the script.

7. Navigator - A Medieval Odyssey

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Vincent Ward
  • Cast: Hamish McFarlane, Bruce Lyons, Noel Appleby
  • Product: 1988
  • Metacritic Score: -
  • IMDb to Movie Score: 6.6 out of 10

"The Guide" is a film known as the beginning of Vincent Ward's directing career, and shows one of the strangest approaches to medieval representation on screen. In this film, a group of Scottish villagers in 1348 hope that a miracle will save them from the Great Plague. Gives an inspired boy about another world, where there is a precious object that can protect the village from disease. The villagers enter this new and strange world with the help of a boy and to find that valuable object. They will never realize that this passage is actually a gateway to time, and that the world they enter is in fact a modern metropolis.

By which the depiction of modern Auckland evokes a perpetual sense of dread and mystery. Modern civilization looks like a hellish world of floating images and twinkling lights, where mechanical monsters and nightmarish illusions live with the awesomeness of the characters. Ward creates this heartbreaking atmosphere by accepting the views of the main characters. The use of different filming patterns for the two environments - black and white for medieval Scotland, a color palette for modern Auckland - adds to the film's appeal.

Army of Darkness

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Sam Remy >
  • Cast: Bruce Campbell, Ambt Davits, Red Remy
  • Product: 1993
  • Metacritic rating: 59 out of 100
  • IMDb to movie rating: 7.6 out of 10

may be weird The sequel to one of the most influential horror films of the 1980s seems to be included in a collection of medieval films. However, "Army of Darkness" combines the relentless atmosphere of B Movie with a heartfelt homage to the Hollywood tradition of medieval films. The third part of Sam Remy's "Evil Dead" trilogy shows a wide-ranging deviation in the franchise's style, as protagonist Ashley Williams (played by Bruce Campbell) is cursed over time by The Resurrection of the Dead, a book that can bring the dead back to life. Slowly, it is selected. Ashley, who wakes up in fourteenth-century England, must find a way to prevent the invasion of evil forces, as well as find a way back home. A Connecticut Yankee in King Arthur's Court (by Mark Twain (with a few elements of The Wizard of Oz included in the film), Remy discusses the consequences of the clash between ancient and modern, in addition to the use of technology It is included in the tone and behavior of the characters. Combining thriller, slapstick comedy, and visual effects inspired by the Herihausen era, the film culminates in an almost perfect blend of brutal and epic battles.

9. The Fisher King

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Terry Gilliam >
  • Cast: Robin Williams, Jeff Bridges, John Heffernan
  • Product: 1991
  • Metacritic rating: 61 out of 100
  • IMDb to movie rating: 7.5 out of 10

Inspired by a legend of the same name from King Arthur's era, Terry Gilliam's most popular films are a bold combination of comedy, melodrama and fantasy. Former New York Radio presenter Jack Lucas (played by Jeff Bridges) three years after unintentionally inciting a gang murder A group tries to atone for their guilt with a loose radio talk. During one of his night missions, he is rescued from a thief by a homeless man named Perry (played by Robin Williams). Perry, a former university professor, is very interested in finding the Holy Grail, which he believes is actually kept in downtown Manhattan. After realizing that Perry's wife was killed in a mass shooting, the guilty Jack decides to help the man rebuild his life and eventually try to find the cup.

Gilliam has great locations. And the filming manages to capture the illusion of a fairy in the realistic atmosphere of the film, sometimes giving real New York locations a real medieval feel. With Williams's energy and changes in style, the film depicts a happy, dramatic and imaginary journey through the underworld of New York. The historical emergence of the Red Knight - Perry's basic illusion - is a terrifying metaphor of a chaotic world in which, sometimes, just an absurd search for something ideal may give life meaning.

10. Hard to Be a God

BingMag.com 10 <b>must-see</b> <b>movies</b> with an <b>unusual</b> <b>take</b> on the <b>Middle</b> Ages

  • Director: Alex German
  • Cast: Lenoid Yarmonlick, Yuri Sorillo, Alexander Chutko
  • Product: 2014
  • Metacritic Score: 90 out of 100
  • IMDb to Movie Score: 6.6 out of 10

The film, shot in black and white in the Baroque and Claustrophobic style, is full of horrific scenes. The world in which Rumata plays a role is a huge physical and moral gutter from which violence, ignorance and destruction flow on mud, blood and waste. The humanities living in the alien city of Arkanar seem slow to the point of reflecting the moral devastation of the human race, which has no hope of recovery. "It is difficult to be God" is an essential meditation on the "Dark Age" that has always been hidden in the human heart.

Source: taste of cinema

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