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10 movie scenes that great directors regretted making

BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

It is true that making a film is a collaborative effort, but ultimately the director is the mastermind behind a film. Although sometimes we are tempted to assume that the director has a very special position, but in fact, the director can make mistakes as much as any of the actors.

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Some of the greatest filmmakers in history experience regret when recalling certain scenes from their films. Maybe they think it would have turned out better if they could have focused on a different storyline, maybe they feel bad about a particular camera shot, or maybe they want to go back and redo an entire sequence. For whatever reason, directors may make mistakes and sometimes they openly talk about these mistakes and regrets afterwards.

1. Sperling should have kept the mothership a secret

BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

For better or worse, some Filmmakers can't stop thinking about their films even after their works are released. George Lucas spent a lot of time tinkering with Star Wars, Ridley Scott released several versions of Bloodrunner, and James Cameron created several endings for The Abyss. Steven Spielberg is also famous for replacing the guns with walkie-talkies in the movie "The Extraterrestrial" after filming and through digital technologies, and of course he regretted it later. But before that, he ruined a magical moment in Close Encounters of the Third Kind.

The original Close Encounters was a huge box office hit, but Spielberg wasn't happy with the final product. . He wanted to release the film in the summer of '78, but Columbia Pictures couldn't wait. The studio, which had huge financial problems, needed this film to be a big success. For this reason, they released the film against the director's opinion in December 1977. After the film made a lot of money, Spielberg asked the studio if he could go back and finish Close Encounters and shoot some new sequences and re-edit some of the existing ones. Columbia Pictures also gave him permission, but with one condition.

Columbia, hoping to add exciting and new details to the re-release, asked Spielberg to shoot from inside the mothership this time. This was while in the original movie, what was inside the ship remained a secret and we didn't know anything about it. We only see Richard Dreyfuss' surprised expression as he looks at the spaceship. Unfortunately, Spielberg sided with the studio and the result was less than impressive. Later, he admitted that the new scene was a mistake and that he should never have shown the audience the interior of the mothership: "It should have always been kept a secret."

2. Remy regrets creating evil trees

BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

The Evil Dead movie ) is one of the great successes of independent cinema. The film was shot on a shoestring budget, and director Sam Raimi had to use a variety of unorthodox methods to make it improvise. It was hard to shoot and the cast went through absolute hell, but when the movie turned Bruce Campbell into a B-movie star and became a launchpad for Raimi, it means that all the hard work paid off in the end. Despite the fact that Raimi owes his life completely to the Hateful Dead, he still has one serious regret about his film.

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    In perhaps the film's most infamous scene, a woman named Cheryl (Ellen Sandweiss) wanders into the woods and is then raped by demonic trees. The scene is so violent and disgusting that Raimi himself admitted five years later during an interview on The Incredibly Strange Film Show that the sequence was "pointless, gratuitous and a little too brutal." "My goal is not to offend people, but to entertain, excite, scare and even make them laugh," he continued, regretting upsetting people with a completely unnecessary scene. But not insulting." Raimi took this lesson to heart, the violence of the "Despicable Dead" franchise toned down after the first episode and became a series that focused more on horror and quality scares than invasive plants.

    3. Meyer regrets creating Spock as a torturer

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    After the disappointing performance of " Star Trek: The Motion Picture, director Nicholas Meyer came and saved the franchise with The Wrath of Khan. He returned to make "The Voyage Home" and proved that it was the right thing to do with its success. After the last The Final Frontier reached its lowest point in the franchise, Mayer returned with The Undiscovered Country and restored some of the dignity of the Enterprise crew. Although the film received positive reviews and films such as John. F. It beat JFK, Point Break, and Thelma & Louise at the box office, but Mayer felt good about the rather sadistic scene featuring everyone's favorite Vulcan. No.

    In a 2016 interview with IGN, Meyer admitted that he had trouble with the moment when Spock (Leonard Nimoy) was performing a Vulcan mind-merge on his Starfleet apprentice, Valerys (Kim Cattrall). was serious Valerys is part of a plot to sabotage peace talks between the Klingons and the Federation, and Spock wants to know who else is involved. As a result, it penetrates deep into her mind and forces her to reveal her secrets, but as it goes deeper and deeper into her brain, it inflicts more pain on Valeris to the point where she starts screaming in pain. It's heartbreaking to see Spock hurt, and 25 years after the film's release, Meyer thinks the scene feels a lot like "enhanced interrogation" of enemy forces. "Watching this scene is like drowning torture for me, and I'm not very happy to see it," Meyer says. Of course, if Mayer has a problem with his Spock scene, we'd like to know what he thinks about Into Darkness.

    4. Cameron regrets rewriting and changing the date They liked it at first, but the making of this romantic disaster movie caused many controversies. Yes, there were some silly arguments about whether or not Jack could end up on that plank with Rose, but more importantly, there were those who thought that Cameron was the best in the historical narrative of the event, especially when it came to William McMaster Murdoch's story. Evan Stewart) has made many changes.

    Murdoch, who served as first officer of the Titanic, was unable to return to shore. However, there is some debate about his death. Some survivors of the Titanic claimed that an officer committed suicide on the ship, and based on this claim, some put forward the theory that the said officer might have been Murdoch. Cameron also decided to be creative on this basis; Even though there was absolutely no evidence that Murdoch committed suicide. In the National Geographic documentary Titanic: Twenty Years Later with James Cameron, he explained: "I took that liberty in the adaptation to show that Murdoch first shoots someone else and then shoots himself... Yes, it's true that we We don't know if he actually did, but you know, the storyteller in me says, "Oh." And I'm starting to connect the dots: He was on duty, he had all this responsibility and stress on his shoulders, so let's make him an interesting character."

    The Murdoch family objected to the scene. And his nephew was worried that the film would tarnish his grandfather's name. Rather than defend his choice, Cameron apologized, saying: "I wasn't thinking about the accurate narrative and I think I wasn't sensitive to the fact that his family, his survivors, might be offended by that." This shows that you have to be careful in making a historical film, even if you are the king of the world.

    5. Coogler wishes he hadn't killed Klaw

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    You might think that when talking about "Black Panther" will be, Ryan Coogler has no regrets. It is the most critically acclaimed film in the Marvel Cinematic Universe, the ninth highest-grossing film of all time, and a landmark in superhero movie history. All of these points become even more impressive when you realize that Black Panther is Coogler's third feature film. However, according to The Toronto Sun, Coogler is upset about having to kill off Ulysses Claw (Andy Serkis). According to him, Klaw is the most charismatic character the weapons company has ever created and is in the business of selling weapons of mass destruction.

    Coogler said: I love Klaw. I had to do it. "It's hard when you have to kill characters, and I really loved that character." However, Claw's death was 100% necessary to move the story forward, especially in a movie filled with so many interesting characters. He also said about Andy Serkis, the master of motion capture: "I love Andy. He is a lovely person. But then again, when there are a lot of people in the movie, some of them have to go.

    6. Gluck Apologizes for Scientology and Blackberry Glock isn't as famous as the other directors on this list, but it's likely that everyone has seen at least one of his films. He was the one who made Emma Stone famous with the movie "Easy A". The professional world helped and practically erased Cameron Diaz from this world with the movie "Annie". Despite the fact that his name is registered as a director in only six feature films, Gluck has at least two major regrets in these six films. with Benefits), produced in 2011 and starring Justin Timberlake and Mila Kunis. During one scene, Timberlake jokes about Scientology, calling it "big sci-fi." In retrospect, Gluck feels bad about making fun of this. Why? Because, in this film, Jenna Elfman, one of the most prominent Scientologists in Hollywood, also plays a role.

    Glock told IndieWire about this: My way of working is that I change the script a lot. "Try this, try that!" I keep yelling while filming. This joke was not exactly planned and we forgot about it after that. But now I feel really bad about it because I didn't explain anything to Jenna and I forgot everything." Therefore, the first time Elfman heard this mockery of psychology in the film was on the day of the film's release, which probably tormented all the audience.

    But this was not the only time Gluck apologized for a scene in his films. After directing Peter Rabbit, Gluck realized that audiences were angry about the scene in which the rabbits attack Mr. McGregor (Domhnall Gleeson) with an allergic reaction. This scene caused a lot of noise in the cyberspace and even the Asthma and Allergy Foundation of America reacted to this issue and condemned this sequence for raising a serious issue in a children's movie. As a result, Glock and Sony Pictures officially apologized.

    7. Sandberg is not happy with his grumpy creature

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    The movie "Annabelle: Creation" (Annabelle: Creation, directed by David F. Sandberg, fared much better than the original Evil Doll, both critically and financially. Although the film featured many scary scenes, such as the killer scarecrow sequence or the nerve-wracking toy gun scene, there is one scene that Sandberg is not so crazy about. On Reddit (via Screen Rant ), he revealed that he had major issues with the sequence where Janice (Talitha Bateman) confronts Satan. She feels like this creature escaped from a Sam Raimi movie.

    In this brief but eerie moment, Janice finds the ghost of a girl who was killed in a car accident. It's only when Janice gets closer to the dead child that she realizes that the ghost is actually an evil spirit, one with a hideous face and a huge appetite for preying on human souls. Unfortunately, this demon looks pretty stupid, and Sandberg knows it. "Yeah, I never got that scene right, every time I see it I think, 'I'm going to swallow your soul,'" he said. Sandberg went on to say that if he had the chance to do the scene again, this time he would tell the evil girl to just whisper the dialogue instead of saying it out loud.

    8 . Abrams is uncomfortable with that hug

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    While talking about The Last Jedi ( The Last Jedi is divided among Star Wars fans, almost everyone was unanimously satisfied with The Force Awakens, and the film was well received by audiences and critics. Of course, the film's excessive resemblance to "New Hope" could be criticized, but whatever it was, it was a wonderful homage to the original trilogy, which grossed $2 billion at the box office. Those high sales mean a lot of happy customers, but there's one scene that's been bugging every fan of the franchise around the world: Why didn't Leia hug Chewbacca after Han Solo died?

    This The scene takes place shortly after Kylo Ren (Adam Driver) plunges his lightsaber into Harrison Ford's stomach and kills him. Needless to say, Rey (Daisy Ridley) is very shaken to watch the death of her recently absent father. So when he arrives at the resistance base, General Leia (Carrie Fisher) hugs and comforts him. All is well and good, except that Chewbacca is just standing there. Choi is Han's best friend and Leia has known this Wookie for a long time, so fans think it's strange that Leia would ignore her old friend's grief for a girl she's never met before.

    J. J. Abrams admits that this was a mistake on his part, and that he wasn't intentionally trying to ignore Chewbacca. Speaking to Slashfilm, Abrams explained that this was simply a problem caused by Chewbacca being in the corner of the picture. "If Chewbacca was standing somewhere else, fans probably wouldn't have thought that," Abrams said. "But because he was there and passed by Leah, it felt like he was being ignored, but that was definitely not the intention." However, if looking for a logical explanation You see, Abrams says that Choi was worried about getting an injured Finn (John Boyega) to the hospital, so he was in a hurry and didn't have much time for a hug.

    9. Lee wishes to give his debut a second chance

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    Spike Lee, one of the controversial Terin, the American filmmaker, has a reputation as someone who always powerfully speaks the truth. His most famous film, Do the Right Thing, provoked such strong reactions that some white film critics feared it would actually start riots. But it didn't happen like that. Lee has also been criticized for posing and posing with celebrities such as Clint Eastwood, Tyler Perry and Charlton Heston. With all that being said, as one of the great and prolific directors of cinema, he doesn't apologize very often, so when he does express regret, everyone knows he's really sorry. What is? In an interview with Deadline, the filmmaker admitted that he was truly horrified by the rape scene in She's Gotta Have It. This 1986 independent film was a black and white story about a woman (Tracey Camilla Johns) who had relationships with three different men. Eventually, one of those men rapes the protagonist, and in a shocking twist, she ends up wanting to be with the rapist.

    Lee said: If I could change that movie, it would be to change this scene. It was rape. It was completely stupid. Lee admitted that his view of the assault was negligent and that if he had the power to change just one thing, he would go back and make that change. Fortunately, Lee got the chance to make up for his regrets by making a Netflix series of the same name. In this series, he completely abandoned the scene of rape and dealt with the issue of rape from a more mature point of view. So it can be said that Spike Lee achieved what he wished for.

    10. Even Hitchcock Can't Kill Children

    BingMag.com 10 <b>movie</b> <b>scenes</b> <b>that</b> <b>great</b> <b>directors</b> <b>regretted</b> making

    Alfred Hitchcock has long been known as the "master of suspense." is praised, but even masters can regret it. While he has created some of cinema's most jaw-dropping moments, such as the shower scene in Psycho and the plane attack scene in North by Northwest, Hitchcock has always His "Sabotage", produced in 1936, was regrettable. In this thriller, an anarchist-turned-terrorist (Oscar Homolka) hopes to bring London to its knees by bombing a parade at Piccadilly Circus. But instead of carrying the time bomb himself, he gives the package to an unsuspecting boy from nowhere (Desmond Tester) and forces him to do the dirty work. The poor kid doesn't know that he is carrying an explosive device and Hitchcock makes the tension even higher and the kid gets on a crowded bus.

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    Believe it or not, there are no last minute saves in this movie. The bomb explodes, killing everyone on the bus even the boy himself. Hitchcock immediately regretted this scene. During his famous interview with French filmmaker Francois Truffaut, who claimed the entire sequence was a "gross mistake", he agreed with Truffaut that killing a child was something close to abusing the power of cinema. In other words, it looks like Hitchcock ruined his own movie.

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