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10 great cinema directors who have a good taste in music

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

music has always been an important part of film, and there are many films that use specific music or songs for key scenes. However, some directors succeed in establishing such a close relationship with music and film that they are as well known as the films themselves because of the type of music they use in their work.

  • 10 well-known directors Cinemas that have a hand in the fire of music

Some directors have arranged great soundtracks for their films, such as Sophia Coppola for "Lost in Translation", Nicholas Winding Raffen for "Drive," Ben Zeitlin for "Beasts of the Southern Wild," Paul Thomas Anderson for "Phantom Thread," and many more, but here's a look at some of the directors: We have proven time and time again their impeccable taste in choosing music and throughout their prolific cinematic career. directors who have looked at the music in their films as a character or as an element of narrative, and not just a background to fill the film.

10. Lars von Trier

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Lars von Trier's works have always been completely polarized, mostly due to the difficult themes with different accents. Faced by critics and fans. But the Danish director is best known for his creative use of music in some of his best-known works. There is talk of 2000, mostly because of the tumultuous collaboration between him and Bjork, who starred in the film and vowed not to act again after that experience.

Nevertheless, the collaboration. They brought not only a powerful film, but also an innovative soundtrack. (Selmasongs) The soundtrack album, written by Bjork, von Trier, Mark Bell, and Essonne, was acclaimed for combining Bjork's unique vision with his character suffering, and was eventually nominated for an Academy Award for "I've Seen It All is over.

The most acclaimed moment of von Trier's music was when he decided on the prequel to Richard Wagner's opera Tristan und Isolde in Melancholia. use. This prelude is used throughout the film, and even in some places the film is edited with the same musical speed. Von Trier decided to use this music after encountering a part of In Search of Lost Time, in which Marcel Proust argues that Wagner's prequel is the best work of all time.

9 . Wes Anderson

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Wes Anderson is known for his very distinctive style. While his unique visual style may be his main trademark, he is also known for his musical choices. His use of pop music in the 1960s and 1970s often revived interest in the songs he used in his films.

In "Life on the Water with Steve Zissou" by David Bowie It is the main inspiration for the soundtrack, which includes some of his major works such as Life on Mars and Queen Bitch, as well as covers sung by Seo George in Portuguese. . Some of these covers are actually performed live by George in the film, and Anderson uses the music to tell a part of the story. His films are used, it is revealed. As a big fan of the Rolling Stones, he has used the band's songs many times in his work.

Anderson in his first film "Bottle Rocket" from "2000 Man Rolling Stones uses the climax of the film, while The Royal Tenenbaums uses the instrumental cover of "Hey Jude" played by The Mutato Muzika Orchestra to draw portraits. Uses the Tennabam family.

8. Wong Kar Wai

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Wong Kar Wai, a stylist filmmaker, without using a script and relying on mood Directs spirituality and improvisation. His films have even been compared to music videos because of the nature of using music as the essence of his work and the way he dictates the rhythm of his films.

One perfect example of the role music plays in Wong's films is his romantic film The year 2000 is called "In the Mood For Love". The film is about a man and a woman who have an illicit affair as soon as they suspect their spouse of infidelity. They meet Is repeated. The piece usually disappears before the man and woman have a chance to be together, but it lasts a little longer each time they meet and the piece starts all over again. And only when the piece is fully aired does its sad sound reflect the couple's imminent fate.

The group Mamas and the Papas (Mamas and the Papas) is used repeatedly in the second part of the film. As one of the film's favorite songs and as a sign of his interest in California, this song is used to create his character and motivations. Wong depicts an impressive scene when the character of his film meets his lover after leaving California, and the whole scene is reinforced by the continuous playing of the song in the scenes before it.

7. Andrei Tarkovsky

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Andrei Tarkovsky is considered one of the greatest directors in history. His cinematic style, unconventional structure and themes have created a new language in the art of filmmaking. While some directors use music as a mainstay in their films, others successfully use a minimalist approach that opposes the overuse of music in films.

This is about Tarkovsky is also true. He believed that using sound and natural music could reflect reality as much as possible. He used music to express metaphors and strengthen the connection between the film and the audience.

Tarkovsky for the soundtracks of his films such as Solaris, The Mirror and Stalker In collaboration with composer Edward Artemiev, he created a distinctive sound that, along with the director's images, evoked the inner world of a person, as imagined in the film. In "Mirror," which lacks an obvious narrative, Artemif's soundtrack carries the entire film and is at the heart of it.

Jim Jarmusch

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Since Jim Jarmusch himself is a musician, it is not surprising that the music in His films use a lot of attention. He opposes dubbing his films to foreign audiences.

One reason he opposes this is that he wants to make sure that no one else can dictate the songs that are played in his films, which are reminiscent of past commercial films in which The music was used to sell the song, not to advance the story or deepen its characters. Paradise) He cited the 1984 film in which the soundtrack was written by John Lowry, one of his actors. In addition to Laurie's main work, the soundtrack to "I Put a Spell on You" uses Jay Hawkins as the voice of an American fictional version of a character.

  • 10 A decade-long film about music

Jarmusch, after obtaining permission to use the song, cast Hawkins as the night owl on Mystery Train in 1989. , Expressed his appreciation. The main source of film soundtrack is undoubtedly Elvis Presley. The piece, which also lends itself to the film, airs several times throughout the film, including in the opening and closing credits.

One of the three stories presented in the film shows a character who is interested in Elvis. And arrives at the Arcade Hotel, which has a portrait of the artist in every room. The king of rock and roll is everywhere in the film because Jarmusch also uses the singer's song "Blue Moon" at three different times throughout the film. Although verbally it may seem like an exaggeration, Jarmusch combines songs and scenes so well that you can not help but appreciate his repetition.

5. Edgar Wright

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Edgar Wright's musical influences have always found their way into his films, such as the great musical moments in the three The film that makes up the Cornetto trilogy and the use of Quinn's "Don't Stop Me Now" in "Shaun of the Dead" is still new. In "Scott Pilgrim vs. the World", music plays the lead role in the film. Given that the main character is part of the fake Sex Bob-Omb band, there are plenty of musical moments to choose from, but one of the highlights of the film is the scene in which Barry Larson plays "Black Sheep." . Wright's experience in directing music videos is evident throughout the film. The visual effects are in perfect harmony with the music, and nowhere does it feel like the music is simply on one stage.

The biggest showcase of his musical influences with "Baby Driver" in 2017 Was, a film in which music acts as a character alone. At "Baby Driver" music takes place on stage, meaning that at least one character hears it, giving way to soundtrack. Implement a proper escape with what is happening around him. This can be thought of as a metaphor for filmmaking. The escape begins after the bank robbery begins. Other highlights of the film include the music (B-A-B-Y) by Carla Thomas and Harlem Shuffle by Bob and Earl, as well as two songs selected for the character of Lily James, entitled "Deborah" by T. Rex and "Debra" Beck pointed out that he had previously used some of these songs in Scott Pilgrim vs. the World's soundtrack.

Quentin Tarantino

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

The fact that Quentin Tarantino is a big fan of music is no secret. He has created some of the most memorable moments in his films and has always shown his unique taste in the music of his films.

Given the influence of Tarantino's songs, his way of choosing them may be Sounds a little simple. He stated that whenever he was writing a film or simply had an idea for a film in mind, he would start playing a list of his huge collection of music and eventually choose one.

He emphasizes that the opening credits are a way to show the whole film. It is not surprising, then, that most of his opening sequences are symbolic, and the musical choices are synonymous with their use in the film. 110th Street) by Bobby Womek. The song sets the tone for the rest of the film and the various choices of spirit and fear inspired by the 1970s. "Pulp FIction" with the American version of Dick Dale's "Misirlou" tells us in almost a minute an introduction to everything we need to know about the film.

"Kill Bill (Kill Bill), Tarantino used members of Wu Tang Cologne RZA to produce the soundtrack, and the first film to be considered for its excellent use of Nancy Sinatra's classical music was called "Bang Bang". The song was so in tune with the film that it is difficult to listen to it today without thinking about Tarantino's two-part revenge epic. (Morricone refused to compose for the Inglourious Basterds due to the speed of production) and used his music several times until he was finally forced to compose the music for The Hateful. Eight) slowly. The music earned Morricone an Academy Award, which was in fact his first award in a competitive category.

3. The Coen brothers

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Joel and Ethan Coen have directed many films that are now considered classics, and taste Their extraordinary combination of scenes with great music is a testament to their talent. A wide variety of tastes contribute to their musical choices, leading to the permanence and symbolism of their film sequences. It is the greatest cult film in history. The Coen brothers create a masterful sequence depicting a drug-smelling fantasy "smoke" in which he dreams of gutturals, an adult film starring him and his love, Mad, with a Saddam Hussein appearance, all of which With Kenny Rogers and the first version (Just Dropped In) playing almost completely.

Soundtrack "Brother, Where Are You?" (O Brother, Where Art Thou?) Was produced by T. Boone Brent, who worked closely with the writers/directors while still working on the script to ensure that the soundtrack was an integral part of the film rather than a backup. The music used in the film is mostly folk music of the period.

"I am a Man of Constant Sorrow" has been used in several versions of the film (and with even more modifications Appears in the soundtrack). This is the central piece and soundtrack of the film, because it shows three people during their journey. The soundtrack became a bestseller and even won the Grammy Award for Album of the Year and established its legacy.

2. Stanley Kubrick

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Stanley Kubrick is known for his perfectionism. His directing style was always marginalized because of the potential stress he put on his actors to make sure he could get the best impression. In addition, he usually spends a lot of time in the editing room He passes by and makes sure again that every scene is perfect. His addiction to music also played a role. It sometimes took weeks to search for a great piece of music to perform his scenes. A Space Odyssey (2001: A Space Odyssey) provided an example of how to change the way music is used in film.

For this classic film, Kubrick first commissioned a song from Alex North, who decided to Do not use it during post-production. Instead, he chose pieces such as Richard Strauss' "Thus Spoke Zarathustra" and Giorgi Ligti's "Lux Atrena" to create his sci-fi masterpiece. Kubrick decided to oppose ordering the original music. Instead of using pre-recorded classical music, he treated the music like an actor. music was no longer just an extension of a scene or an additional decorative feature. Instead, the classical music he carefully selected was made to highlight each scene and add to the outline, just like a real character.

Martin Scorsese

BingMag.com 10 <b>great</b> <b>cinema</b> <b>directors</b> <b>who</b> <b>have</b> a <b>good</b> <b>taste</b> in music

Martin Scorsese has had a huge impact on most of the filmmakers on this list, especially in the use of music in the movie. The choice of his songs goes far beyond defining the mood of the scene or the film as a whole. His choices actively influence action film, as Scorsese designs scenes for music, not the other way around. His mind spoke. Even years before a scene was filmed, when there was still no idea, Scorsese knew exactly what song he wanted to use. And it was Harvey Keitel, and the scene in which Keitel sees De Niro enter with the two girls next to him with the Rolling Stones' Jumping Jack Flash can be considered the real starting point of a cinematic partnership that has continued to create iconic moments over the years.>

  • Listen to John Williams' Top 7 Soundtracks for Spielberg Films

The Rolling Stones are at the center of several other Scorsese film scenes. Like the song "Gimme Shelter" in "Goodfellas", "Casino" and especially "The Departed". The Crystals song "And Then He Kissed Me" in "Good Friends" is another example of how much Scorsese understands his vision and how he implements it.

No one would have thought that a pop song like Ronts' "Be My Baby" would not work against the opening sequence of "Mean Streets," but Scorsese found a way to combine the music and visuals he could. Question expectations and change the way people think about music in the film, paving the way for many other directors to emulate him.


Source: taste of cinema

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