Home > Art and cinema > Movies and series
Reading time estimate: 7 min

10 cinematic components of Wes Anderson in the French report

Wes Anderson can be considered one of the few filmmakers of the last few years. It does not matter if you are a fan of his unique filmmaking style or not, in any case you can not admire his genius in framing, clever use of color and his special narrative style. Wes Anderson, like any other author filmmaker, repeats fixed elements in all his works; His latest work, The French Dispatch, is no exception. The French report by Wes Anderson is the director's most intriguing film, and all the weird features that his fans expect are present in this film in the highest possible form; From the obsession with unique symmetry and color palette to the use of repetitive actors. /15543-2.jpg ">

Wes Anderson transferred new filmmaking techniques to live-action after making" Fantastic Mr. Fox "as the first stop-motion of his artistic career; He now treats his actors like a stop-motion sculpture, and all of them must be within his precise timing.

He also minimizes the traditional cuts in his work and instead adjusts the camera quite precisely. To both minimize the possibility of error and require less time to edit. For example, many of the sequences are recorded in unison, and of course this has also happened in the French report.

  • French report film review; Love Letters to Journalism

9- Using Duplicate Actors

BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

The use of repetitive actors is seen in the works of many author filmmakers and has become one of the constant elements of their cinema; Wes Anderson is no exception to this rule, and a more or less consistent cast can be seen in many of his films. In the French report, actors such as Bill Mary, Owen Wilson, Tilda Swinton, William Dafoe, Adrien Brody, Francis McDormand, Sarshe Ronan, who had previously worked with him, also play roles.

Of course, some actors Newcomers were added to the cast, who also happened to be doing well in their roles, and will likely join Anderson's regular cast in the future. These include Timothy Shalami, Jeffrey Wright, and Elizabeth Moss. 2112/31/15543-4.jpg ">

One of the main components of Wes Anderson's cinema is the humorous jokes that are woven into his screenplays and told as casually as possible by the actors. Ironically, this is the contradiction between content and The performance makes them more spectacular.

There are several sequences of the same style in the French report. For example, in one of the scenes, art dealer Julien Cadazio (Adrien Brody) tries to buy a painting by Moses Rosantler (Benicio del Toro), and the half-crazy imprisoned artist tells him that the painting is not for sale. From now on, we see funny banal ping-pong dialogues between the broker and the prisoner; From Cadazio the insistence that "it is for sale" and from Rosantler the denial that "it is not" and all this happens in the most serious way possible.

Is a good choice for Anderson's work, and here, too, he plays Arthur Howitzer, the magazine's editor. The most memorable scene in the French report, which is ironically one of those cold, soulless comedies, also relates to a fired employee who is on the verge of crying, "Do not cry in my room," and then the camera. Very quietly shows the "No Crying" sign installed above the room.

7- Literary structure

BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

While Anderson is a purely visual filmmaker, his films have a structure similar to literary works and are often divided into separate chapters. The Royal Tenenbaums, for example, has a structure similar to a real novel, beginning with an introduction and ending with a complete ending. Another time is in line with the overall content of the work. Here we are going to visualize the various articles of a French publication; So Anderson tells the audience at the beginning of each story that this article takes up a few pages of the magazine, and just like flipping through a newspaper, the story takes shape before our eyes.

6- Sadness strong>

BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

The story of Wes Anderson's latest film, based on the obituary of Arthur Howitzer, editor of the French report Died of a heart attack, rebuilt; Nevertheless, the constant component of grief and grief is quite evident in the very first minutes. In Rushmore, for example, Max Fisher and Mrs. Cross are reunited for the loss of their mother and wife, respectively, or in the aristocratic family of Tenbnham, the sudden death of Chase's wife has caused him to become overly conservative. Also in The Darjeeling Limited, the Whitman brothers reunite a year after their father died suddenly.

  • 10 Wes Anderson films from worst to best
  • ul>

    5- Changing the aspect ratio of the image frame

    BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

    4- Clever Children

    BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

    From Max Fisher, 15-year-old playwright Rashmore to Sam and Susie the wise lovers of "Moonrise Realm" (Moonrise) Kingdom) as well as the three extraordinary children of the aristocratic Tenenbam family all show that Wes Anderson's films are full of smart kids who are able to do things no one expects.

    These smart kids are usually in front of adults. They become less intelligent, and this kind of contrast forms part of the film's comedic moments. In the French report, we are dealing with an intelligent boy who is a detective himself and uses Morse code to save his life after being kidnapped!

    3- Art Nouveau color palette >

    BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

    In the French report, black and white colors are very prominent, but this does not mean that at all. Wes Anderson is not unaware of his favorite color palette inspired by Art Nouveau or Art Nouveau style. In general, this style is difficult to distinguish, but in Anderson's films, it is quite tangible, such as a palette of soft and at the same time refreshing colors such as green, lilac and light blue.

    This The color palette in the French report has received more attention in costume design.

    2- Full and contracted acting group

    BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

    Although Wes Anderson's first and second films focused on the three main characters, his works from the Tenenbam aristocratic family onwards include the Peruvian group and a covenant of actors. Many of them were movie stars. Of course, in some of his works, he used these stars in complementary roles and talented and anonymous actors in the main roles. They give, and naturally we encounter even more surprises in the narratives.

    • Which New Yorker writers inspired Wes Anderson's "French Report"?

    1 - Symmetrical composition

    BingMag.com 10 <b>cinematic</b> <b>components</b> of <b>Wes</b> <b>Anderson</b> in the <b>French</b> report

    Symmetrical composition is one of the most recognizable aspects of Wes Anderson's visual style, and He sometimes goes so far as to suggest that he suffers from an obsession with symmetry. Anderson usually adjusts the camera at a 90-degree angle to the subject, allowing him to capture everything symmetrically.

    His first two films, Bottle Rocket and Rashmore They were filmed in a more naturalistic way than his other works, but in almost all works after the Tenenbam aristocratic family, these symmetrical compositions can be clearly seen, which, of course, the French report is no exception to this rule.

    Other great filmmakers such as Jean-Luc Godard, Alfred Hitchcock and Yasujiro Ozu also have a history of using this technique, but certainly not as much as Wes Anderson after the Tenenbam aristocratic family!

    • Source: screenrant

Tags: cinematic, components, wes, anderson, french, report

READ NEXT IN: art and cinema / movies and series

BingMag.com Amir Jadidi in an interview with Variety: Everyone should be their own hero movies and series

Amir Jadidi, who plays Rahim in "Hero", Asghar Farhadi's latest production, said in an interview with Variety magazine about the formation of Rahim's character and the message of the film. The preambl

BingMag.com Review of 40 years of Fajr Film Festival; The 80s and the return of conservatism to cinema movies and series

The changes that took place in the cultural structure of the country during the seventies, made the society waiting for an improving trend. But with the beginning of the 1980s and the end of the refor

BingMag.com 10 anime characters who betrayed their families movies and series

It is common for anime characters to betray their friends or peers. But it is rare for an anime character to betray his family.

BingMag.com The members of the jury of Fajr 1400 Festival were announced; From Shahab Hosseini to Majid Entezami movies and series

A few hours ago, the members of the jury of Fajr 1400 Festival were finally identified, and among them, from screenwriter and director to cinematographer and composer.